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DTSTART;TZID=America/Denver:20260606T120000
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UID:20609-1780747200-1780750800@www.severallfriends.org
SUMMARY:MarketMusic
DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_column_text css=””] \nSaturday\, June 6\, 2026\n  \nTime: 12:00 PM\nVenue: Thaw Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nClarinet Classic: the Mozart Quintet and more!: \nJune 6 at 12 pm AND 2 pm! We’re doing a double for the first show\, due to popular demand. \nFeaturing Thomas Carroll\, classical clarinets\, joined by Elizabeth Blumenstock and Stephen Redfield\, violins: Jeffrey Smith\, viola: and Katie Rietman\, cello \nQuintets of Mozart and Backofen\, plus a Mozart string quartet \nThomas also builds (and plays on) his own replicas of clarinets from the classical period\, so he will be our speaker this time. \n[/vc_column_text][vc_empty_space height=”50px”][/vc_column][vc_column width=”1/3″ offset=”vc_hidden-xs”][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1/5″][vc_single_image image=”20710″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nThomas Carroll\nClassical Clarinets \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nThomas Carroll\n  \nWith a sound described as “beautifully warm” (Herald Times) and “sweet and agile” (New York Times)\, period clarinetist and instrument builder Thomas Carroll performs extensively throughout North America and Europe on historical instruments. He holds degrees from Oberlin Conservatory\, Indiana University\, and The Royal Conservatoire of The Hague\, where his major teacher on early clarinets and chalumeaux was Eric Hoeprich. \nInternationally\, Thomas has performed as principal clarinet with period instrument orchestras in venues ranging from the Kozerthaus in Berlin to the Concertgebouw in Amsterdam. He has been featured as a soloist with Philharmonia Baroque\, American Bach Soloists\, Mercury Chamber Orchestra\, Lyra Baroque\, Ensemble ad Libitum\, Boston Baroque\, and Grand Harmonie to critical acclaim. Thomas currently performs as principal clarinet with Philharmonia Baroque Orchestra and Chorale\, Mercury Chamber Orchestra\, Boston Baroque\, Philharmonie Austin\, and German-based L’Arte del Mondo\, frequently collaborating with other early music specialists throughout North America including the Clarion Music and Handel and Haydn Societies\, Sonoma Bach\, and Musica Angelica. As an arranger of Harmoniemusik for period instruments\, his transcriptions have been performed by Grand Harmonie\, On Site Opera\, Atlanta Opera\, and the Arizona Opera. Eager to combine active scholarship with performance\, Thomas is the co-founder with flutist Andrea LeBlanc of Arpeggione\, a chamber ensemble taking inspiration from the celebrated history of Boston’s Mendelssohn Quintette Club\, performing transcriptions and arrangements of large-scale works as they were originally heard on the American stage in the second half of the 19th Century. \nAs an educator\, Thomas is dedicated to training the next generation of historical clarinetists and cultivating an interest in performance practice and hands-on research. He has given guest lectures and masterclasses at universities throughout the United States and maintains a private studio of historical clarinet students. He is also a faculty member at the Festival de Música de Santa Catarina in Brazil. \nAn interest in instrument mechanics and acoustics has led Thomas to a secondary career as an instrument builder and extensive research into 18th and 19th century wood treatment and seasoning. He builds chalumeaux\, baroque\, and classical clarinets\, and basset instruments for use in historically-informed performance ensembles in his Boston workshop\, which are played throughout North America\, Europe\, Japan\, and Australia. \nwww.carrollclarinet.com\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/5″][vc_single_image image=”20405″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nElizabeth Blumenstock\nViolin \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nElizabeth Blumenstock\n  \nElizabeth Blumenstock is a long-time concertmaster\, soloist\, and leader with the Bay Area’s Philharmonia Baroque and American Bach Soloists\, concertmaster of the International Handel Festival Orchestra in Goettingen\, Germany\, and Artistic Director of the Corona del Mar Baroque Music Festival. Her love of chamber music has involved her in several accomplished smaller ensembles including Voices of Music\, Galax Quartet\, Live Oak Baroque\, Ars Lyrica Houston Chamber Players\, Sarasa\, and Severall Friends. Ms. Blumenstock teaches for Juilliard’s Historical Performance Program\, at the San Francisco Conservatory of Music\, American Bach Soloists’ Summer Festival and Academy\, the International Baroque Institute at Longy\, and the Valley of the Moon Music Festival. She plays a 1660 Andrea Guarneri violin built in Cremona\, Italy\, on generous loan to her from the Philharmonia Baroque Period Instrument Trust.\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/5″][vc_single_image image=”20407″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nStephen Redfield\nViolin \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nStephen Redfield\nViolinist Stephen Redfield\, D.M.A.\, is a member of the University of Southern Mississippi School of Music faculty\, where he performs with the Mississippi Chamber Circle and the Impromptu Piano Trio. Throughout the year Stephen acts as concertmaster of the Santa Fe Pro Musica\, and each summer plays with the Victoria Bach Festival; his performances as concertmaster and soloist there have been produced on discs and broadcast nationally. He has also often led the Oregon Bach Festival orchestra\, where he has participated in numerous recordings\, including the Grammy Award-winning disc “Credo.” In addition\, Stephen is concertmaster of the Arizona Bach Festival\, was the long-time principal second violin of the Sunriver Music Festival\, and served for five years as Assistant Concertmaster of the Austin Symphony Orchestra.\nStephen has particularly extensive experience in the choral-orchestral repertoire: over his 30 years with the Oregon Bach Festival\, he performed the majority of this repertoire with Helmuth Rilling (including recording eight works\, and premiering two commissioned pieces). He is concertmaster for Craig Hella Johnson and the coral ensemble Conspirare. He has led a period B Minor Mass for Joshua Habermann and the Santa Fe Desert Chorale\, and was concertmaster for Robert Shaw in the Berlioz Requiem and for Fiora Contino in Haydn’s Creation and the St. John Passion.\nStephen is an active chamber musician throughout the United States and abroad. He has collaborated with artists Andre-Michel Schub\, Peter Wiley and Mark Peskanov. His Cayuga Quartet was a winner of the Coleman and Monterey Chamber Music Competitions and earned an Aspen Quartet Fellowship. In addition to the festivals mentioned before\, Stephen has been featured in chamber concerts at Loon Lake Live!\, Taos Soundscapes\, Serenata of Santa Fe\, Quad-Cities Mozart Festival\, and the Anchorage Festival\, among others. He coached with the Cleveland Quartet and Abram Loft\, the Emerson Quartet and Earl Carlyss\, and the LaSalle and Audubon Quartets.\nHe frequently performs as a soloist; during 2009\, Mendelssohn’s 200th birth-year\, he performed both Mendelssohn violin concertos (and also toured with his three sonatas). His specialty is 18th and early 19th-Century concertos and concert pieces\, often leading the ensemble while playing the solo. Highlights include Vivaldi’s Four Seasons\, each of the Bach Concertos\, and selected concertos and works by Beethoven\, Mozart and Haydn. He also performed a Western-U.S. premiere of the Michael Daugherty’s “Ladder to the Moon.”\nStephen has also developed a specialization in period performance. He performs regularly as a Baroque violinist\, including as a member of the Atlanta Baroque Orchestra\, and he has led the ensembles Albuquerque Baroque Players and Nashville’s Music City Baroque. Stephen’s Baroque chamber music credits include concerts with Marion Verbruggen\, Mary Springfels\, Elizabeth Blumenstock and Kenneth Slowik.\, and with the Newberry Consort and the Smithsonian Chamber Players. As a member of the Sebastian Ensemble\, with harpsichordist Kathleen McIntosh\, Stephen travelled twice to Lima\, Peru\, for the Festival Internacional de Música Antigua‏. Specializing in J.S. Bach’s Sonatas for Violin and Harpsichord Obligato\, this period performance group has toured throughout the United States as well as in Spain\, Japan and Cuba.\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/5″][vc_single_image image=”20712″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nJeffrey Smith\nViola \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nJeff Smith\n  \nJeffrey Smith has performed with many baroque ensembles\, including the Orchestra of New Spain\, Boulder Bach Festival\, Austin Baroque Orchestra\, The Whole Noyse\, and Severall Friends Early Music\, and was viola soloist in Mozart’s Sinfonia Concertante at the 2016 La Petite Bande Summer Academy in Italy. Since moving to New Mexico in 2017\, he has played violin with Santa Fe Pro Musica\, the Santa Fe Symphony\, Santa Fe Desert Chorale\, the New Mexico Philharmonic\, and Opera Southwest\, among others\, and has appeared as guest concertmaster for the West Texas Symphony and principal violist for the Pueblo Symphony. \nSmith earned his Performers Diploma in Early Violin from the Historical Performance Institute at Indiana University’s Jacobs School of Music\, studying with Stanley Ritchie\, along with a Master of Music from New York University and a Bachelor of Music from Brigham Young University. Outside of performing\, his interests include violin making\, hiking and visiting national parks\, speaking Mandarin Chinese\, and raising his daughter with his wife\, Rebecca. \n\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/5″][vc_single_image image=”20587″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nKatie Rietman\nCello \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nKatie Rietman\n  \nKatie Rietman has performed as a cellist on over 60 CD recordings and in numerous concerts with leading Baroque ensembles worldwide. Her career has taken her to 21 countries\, and she is a prizewinner in the Bonporti and Van Wassenaer competitions. \nRietman studied cello at the Cleveland Institute of Music and the Sweelinck Conservatorium in Amsterdam\, later spending ten years in Cologne\, Germany\, performing with many European early music groups. Based in New York City for several years\, she served as principal cellist of the Trinity Wall Street Baroque Orchestra\, the Clarion Society\, and Concert Royal. \nNow living in Santa Fe\, Rietman has performed with all the local classical groups and on the MarketMusic series at the New Mexico School for the Arts\, where she also teaches cello. A trained soprano\, she has a passion for languages—she speaks seven—and enjoys making jewelry and cooking.\n			\n	\n	\n	Close\n[/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm”][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1/2″ offset=”vc_col-xs-6″][vc_single_image image=”20710″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nThomas Carroll\nClassical Clarinets \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nThomas Carroll\n  \nWith a sound described as “beautifully warm” (Herald Times) and “sweet and agile” (New York Times)\, period clarinetist and instrument builder Thomas Carroll performs extensively throughout North America and Europe on historical instruments. He holds degrees from Oberlin Conservatory\, Indiana University\, and The Royal Conservatoire of The Hague\, where his major teacher on early clarinets and chalumeaux was Eric Hoeprich. \nInternationally\, Thomas has performed as principal clarinet with period instrument orchestras in venues ranging from the Kozerthaus in Berlin to the Concertgebouw in Amsterdam. He has been featured as a soloist with Philharmonia Baroque\, American Bach Soloists\, Mercury Chamber Orchestra\, Lyra Baroque\, Ensemble ad Libitum\, Boston Baroque\, and Grand Harmonie to critical acclaim. Thomas currently performs as principal clarinet with Philharmonia Baroque Orchestra and Chorale\, Mercury Chamber Orchestra\, Boston Baroque\, Philharmonie Austin\, and German-based L’Arte del Mondo\, frequently collaborating with other early music specialists throughout North America including the Clarion Music and Handel and Haydn Societies\, Sonoma Bach\, and Musica Angelica. As an arranger of Harmoniemusik for period instruments\, his transcriptions have been performed by Grand Harmonie\, On Site Opera\, Atlanta Opera\, and the Arizona Opera. Eager to combine active scholarship with performance\, Thomas is the co-founder with flutist Andrea LeBlanc of Arpeggione\, a chamber ensemble taking inspiration from the celebrated history of Boston’s Mendelssohn Quintette Club\, performing transcriptions and arrangements of large-scale works as they were originally heard on the American stage in the second half of the 19th Century. \nAs an educator\, Thomas is dedicated to training the next generation of historical clarinetists and cultivating an interest in performance practice and hands-on research. He has given guest lectures and masterclasses at universities throughout the United States and maintains a private studio of historical clarinet students. He is also a faculty member at the Festival de Música de Santa Catarina in Brazil. \nAn interest in instrument mechanics and acoustics has led Thomas to a secondary career as an instrument builder and extensive research into 18th and 19th century wood treatment and seasoning. He builds chalumeaux\, baroque\, and classical clarinets\, and basset instruments for use in historically-informed performance ensembles in his Boston workshop\, which are played throughout North America\, Europe\, Japan\, and Australia. \nwww.carrollclarinet.com\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/2″ offset=”vc_col-xs-6″][vc_single_image image=”20405″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nElizabeth Blumenstock\nViolin \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nElizabeth Blumenstock\n  \nElizabeth Blumenstock is a long-time concertmaster\, soloist\, and leader with the Bay Area’s Philharmonia Baroque and American Bach Soloists\, concertmaster of the International Handel Festival Orchestra in Goettingen\, Germany\, and Artistic Director of the Corona del Mar Baroque Music Festival. Her love of chamber music has involved her in several accomplished smaller ensembles including Voices of Music\, Galax Quartet\, Live Oak Baroque\, Ars Lyrica Houston Chamber Players\, Sarasa\, and Severall Friends. Ms. Blumenstock teaches for Juilliard’s Historical Performance Program\, at the San Francisco Conservatory of Music\, American Bach Soloists’ Summer Festival and Academy\, the International Baroque Institute at Longy\, and the Valley of the Moon Music Festival. She plays a 1660 Andrea Guarneri violin built in Cremona\, Italy\, on generous loan to her from the Philharmonia Baroque Period Instrument Trust.\n			\n	\n	\n	Close\n[/vc_column_inner][/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1/2″ offset=”vc_col-xs-6″][vc_single_image image=”20407″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nStephen Redfield\nViolin \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nStephen Redfield\nViolinist Stephen Redfield\, D.M.A.\, is a member of the University of Southern Mississippi School of Music faculty\, where he performs with the Mississippi Chamber Circle and the Impromptu Piano Trio. Throughout the year Stephen acts as concertmaster of the Santa Fe Pro Musica\, and each summer plays with the Victoria Bach Festival; his performances as concertmaster and soloist there have been produced on discs and broadcast nationally. He has also often led the Oregon Bach Festival orchestra\, where he has participated in numerous recordings\, including the Grammy Award-winning disc “Credo.” In addition\, Stephen is concertmaster of the Arizona Bach Festival\, was the long-time principal second violin of the Sunriver Music Festival\, and served for five years as Assistant Concertmaster of the Austin Symphony Orchestra.\nStephen has particularly extensive experience in the choral-orchestral repertoire: over his 30 years with the Oregon Bach Festival\, he performed the majority of this repertoire with Helmuth Rilling (including recording eight works\, and premiering two commissioned pieces). He is concertmaster for Craig Hella Johnson and the coral ensemble Conspirare. He has led a period B Minor Mass for Joshua Habermann and the Santa Fe Desert Chorale\, and was concertmaster for Robert Shaw in the Berlioz Requiem and for Fiora Contino in Haydn’s Creation and the St. John Passion.\nStephen is an active chamber musician throughout the United States and abroad. He has collaborated with artists Andre-Michel Schub\, Peter Wiley and Mark Peskanov. His Cayuga Quartet was a winner of the Coleman and Monterey Chamber Music Competitions and earned an Aspen Quartet Fellowship. In addition to the festivals mentioned before\, Stephen has been featured in chamber concerts at Loon Lake Live!\, Taos Soundscapes\, Serenata of Santa Fe\, Quad-Cities Mozart Festival\, and the Anchorage Festival\, among others. He coached with the Cleveland Quartet and Abram Loft\, the Emerson Quartet and Earl Carlyss\, and the LaSalle and Audubon Quartets.\nHe frequently performs as a soloist; during 2009\, Mendelssohn’s 200th birth-year\, he performed both Mendelssohn violin concertos (and also toured with his three sonatas). His specialty is 18th and early 19th-Century concertos and concert pieces\, often leading the ensemble while playing the solo. Highlights include Vivaldi’s Four Seasons\, each of the Bach Concertos\, and selected concertos and works by Beethoven\, Mozart and Haydn. He also performed a Western-U.S. premiere of the Michael Daugherty’s “Ladder to the Moon.”\nStephen has also developed a specialization in period performance. He performs regularly as a Baroque violinist\, including as a member of the Atlanta Baroque Orchestra\, and he has led the ensembles Albuquerque Baroque Players and Nashville’s Music City Baroque. Stephen’s Baroque chamber music credits include concerts with Marion Verbruggen\, Mary Springfels\, Elizabeth Blumenstock and Kenneth Slowik.\, and with the Newberry Consort and the Smithsonian Chamber Players. As a member of the Sebastian Ensemble\, with harpsichordist Kathleen McIntosh\, Stephen travelled twice to Lima\, Peru\, for the Festival Internacional de Música Antigua‏. Specializing in J.S. Bach’s Sonatas for Violin and Harpsichord Obligato\, this period performance group has toured throughout the United States as well as in Spain\, Japan and Cuba.\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/2″ offset=”vc_col-xs-6″][vc_single_image image=”20712″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nJeffrey Smith\nViola \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nJeff Smith\n  \nJeffrey Smith has performed with many baroque ensembles\, including the Orchestra of New Spain\, Boulder Bach Festival\, Austin Baroque Orchestra\, The Whole Noyse\, and Severall Friends Early Music\, and was viola soloist in Mozart’s Sinfonia Concertante at the 2016 La Petite Bande Summer Academy in Italy. Since moving to New Mexico in 2017\, he has played violin with Santa Fe Pro Musica\, the Santa Fe Symphony\, Santa Fe Desert Chorale\, the New Mexico Philharmonic\, and Opera Southwest\, among others\, and has appeared as guest concertmaster for the West Texas Symphony and principal violist for the Pueblo Symphony. \nSmith earned his Performers Diploma in Early Violin from the Historical Performance Institute at Indiana University’s Jacobs School of Music\, studying with Stanley Ritchie\, along with a Master of Music from New York University and a Bachelor of Music from Brigham Young University. Outside of performing\, his interests include violin making\, hiking and visiting national parks\, speaking Mandarin Chinese\, and raising his daughter with his wife\, Rebecca. \n\n			\n	\n	\n	Close\n[/vc_column_inner][/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1/2″ offset=”vc_col-xs-6″][vc_single_image image=”20587″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nKatie Rietman\nCello \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nKatie Rietman\n  \nKatie Rietman has performed as a cellist on over 60 CD recordings and in numerous concerts with leading Baroque ensembles worldwide. Her career has taken her to 21 countries\, and she is a prizewinner in the Bonporti and Van Wassenaer competitions. \nRietman studied cello at the Cleveland Institute of Music and the Sweelinck Conservatorium in Amsterdam\, later spending ten years in Cologne\, Germany\, performing with many European early music groups. Based in New York City for several years\, she served as principal cellist of the Trinity Wall Street Baroque Orchestra\, the Clarion Society\, and Concert Royal. \nNow living in Santa Fe\, Rietman has performed with all the local classical groups and on the MarketMusic series at the New Mexico School for the Arts\, where she also teaches cello. A trained soprano\, she has a passion for languages—she speaks seven—and enjoys making jewelry and cooking.\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/2″ offset=”vc_col-xs-6″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column offset=”vc_hidden-lg vc_hidden-xs”][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1/3″][vc_single_image image=”20710″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nThomas Carroll\nClassical Clarinets \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nThomas Carroll\n  \nWith a sound described as “beautifully warm” (Herald Times) and “sweet and agile” (New York Times)\, period clarinetist and instrument builder Thomas Carroll performs extensively throughout North America and Europe on historical instruments. He holds degrees from Oberlin Conservatory\, Indiana University\, and The Royal Conservatoire of The Hague\, where his major teacher on early clarinets and chalumeaux was Eric Hoeprich. \nInternationally\, Thomas has performed as principal clarinet with period instrument orchestras in venues ranging from the Kozerthaus in Berlin to the Concertgebouw in Amsterdam. He has been featured as a soloist with Philharmonia Baroque\, American Bach Soloists\, Mercury Chamber Orchestra\, Lyra Baroque\, Ensemble ad Libitum\, Boston Baroque\, and Grand Harmonie to critical acclaim. Thomas currently performs as principal clarinet with Philharmonia Baroque Orchestra and Chorale\, Mercury Chamber Orchestra\, Boston Baroque\, Philharmonie Austin\, and German-based L’Arte del Mondo\, frequently collaborating with other early music specialists throughout North America including the Clarion Music and Handel and Haydn Societies\, Sonoma Bach\, and Musica Angelica. As an arranger of Harmoniemusik for period instruments\, his transcriptions have been performed by Grand Harmonie\, On Site Opera\, Atlanta Opera\, and the Arizona Opera. Eager to combine active scholarship with performance\, Thomas is the co-founder with flutist Andrea LeBlanc of Arpeggione\, a chamber ensemble taking inspiration from the celebrated history of Boston’s Mendelssohn Quintette Club\, performing transcriptions and arrangements of large-scale works as they were originally heard on the American stage in the second half of the 19th Century. \nAs an educator\, Thomas is dedicated to training the next generation of historical clarinetists and cultivating an interest in performance practice and hands-on research. He has given guest lectures and masterclasses at universities throughout the United States and maintains a private studio of historical clarinet students. He is also a faculty member at the Festival de Música de Santa Catarina in Brazil. \nAn interest in instrument mechanics and acoustics has led Thomas to a secondary career as an instrument builder and extensive research into 18th and 19th century wood treatment and seasoning. He builds chalumeaux\, baroque\, and classical clarinets\, and basset instruments for use in historically-informed performance ensembles in his Boston workshop\, which are played throughout North America\, Europe\, Japan\, and Australia. \nwww.carrollclarinet.com\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”20405″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nElizabeth Blumenstock\nViolin \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nElizabeth Blumenstock\n  \nElizabeth Blumenstock is a long-time concertmaster\, soloist\, and leader with the Bay Area’s Philharmonia Baroque and American Bach Soloists\, concertmaster of the International Handel Festival Orchestra in Goettingen\, Germany\, and Artistic Director of the Corona del Mar Baroque Music Festival. Her love of chamber music has involved her in several accomplished smaller ensembles including Voices of Music\, Galax Quartet\, Live Oak Baroque\, Ars Lyrica Houston Chamber Players\, Sarasa\, and Severall Friends. Ms. Blumenstock teaches for Juilliard’s Historical Performance Program\, at the San Francisco Conservatory of Music\, American Bach Soloists’ Summer Festival and Academy\, the International Baroque Institute at Longy\, and the Valley of the Moon Music Festival. She plays a 1660 Andrea Guarneri violin built in Cremona\, Italy\, on generous loan to her from the Philharmonia Baroque Period Instrument Trust.\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”20407″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nStephen Redfield\nViolin \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nStephen Redfield\nViolinist Stephen Redfield\, D.M.A.\, is a member of the University of Southern Mississippi School of Music faculty\, where he performs with the Mississippi Chamber Circle and the Impromptu Piano Trio. Throughout the year Stephen acts as concertmaster of the Santa Fe Pro Musica\, and each summer plays with the Victoria Bach Festival; his performances as concertmaster and soloist there have been produced on discs and broadcast nationally. He has also often led the Oregon Bach Festival orchestra\, where he has participated in numerous recordings\, including the Grammy Award-winning disc “Credo.” In addition\, Stephen is concertmaster of the Arizona Bach Festival\, was the long-time principal second violin of the Sunriver Music Festival\, and served for five years as Assistant Concertmaster of the Austin Symphony Orchestra.\nStephen has particularly extensive experience in the choral-orchestral repertoire: over his 30 years with the Oregon Bach Festival\, he performed the majority of this repertoire with Helmuth Rilling (including recording eight works\, and premiering two commissioned pieces). He is concertmaster for Craig Hella Johnson and the coral ensemble Conspirare. He has led a period B Minor Mass for Joshua Habermann and the Santa Fe Desert Chorale\, and was concertmaster for Robert Shaw in the Berlioz Requiem and for Fiora Contino in Haydn’s Creation and the St. John Passion.\nStephen is an active chamber musician throughout the United States and abroad. He has collaborated with artists Andre-Michel Schub\, Peter Wiley and Mark Peskanov. His Cayuga Quartet was a winner of the Coleman and Monterey Chamber Music Competitions and earned an Aspen Quartet Fellowship. In addition to the festivals mentioned before\, Stephen has been featured in chamber concerts at Loon Lake Live!\, Taos Soundscapes\, Serenata of Santa Fe\, Quad-Cities Mozart Festival\, and the Anchorage Festival\, among others. He coached with the Cleveland Quartet and Abram Loft\, the Emerson Quartet and Earl Carlyss\, and the LaSalle and Audubon Quartets.\nHe frequently performs as a soloist; during 2009\, Mendelssohn’s 200th birth-year\, he performed both Mendelssohn violin concertos (and also toured with his three sonatas). His specialty is 18th and early 19th-Century concertos and concert pieces\, often leading the ensemble while playing the solo. Highlights include Vivaldi’s Four Seasons\, each of the Bach Concertos\, and selected concertos and works by Beethoven\, Mozart and Haydn. He also performed a Western-U.S. premiere of the Michael Daugherty’s “Ladder to the Moon.”\nStephen has also developed a specialization in period performance. He performs regularly as a Baroque violinist\, including as a member of the Atlanta Baroque Orchestra\, and he has led the ensembles Albuquerque Baroque Players and Nashville’s Music City Baroque. Stephen’s Baroque chamber music credits include concerts with Marion Verbruggen\, Mary Springfels\, Elizabeth Blumenstock and Kenneth Slowik.\, and with the Newberry Consort and the Smithsonian Chamber Players. As a member of the Sebastian Ensemble\, with harpsichordist Kathleen McIntosh\, Stephen travelled twice to Lima\, Peru\, for the Festival Internacional de Música Antigua‏. Specializing in J.S. Bach’s Sonatas for Violin and Harpsichord Obligato\, this period performance group has toured throughout the United States as well as in Spain\, Japan and Cuba.\n			\n	\n	\n	Close\n[/vc_column_inner][/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1/6″][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”20712″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nJeffrey Smith\nViola \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nJeff Smith\n  \nJeffrey Smith has performed with many baroque ensembles\, including the Orchestra of New Spain\, Boulder Bach Festival\, Austin Baroque Orchestra\, The Whole Noyse\, and Severall Friends Early Music\, and was viola soloist in Mozart’s Sinfonia Concertante at the 2016 La Petite Bande Summer Academy in Italy. Since moving to New Mexico in 2017\, he has played violin with Santa Fe Pro Musica\, the Santa Fe Symphony\, Santa Fe Desert Chorale\, the New Mexico Philharmonic\, and Opera Southwest\, among others\, and has appeared as guest concertmaster for the West Texas Symphony and principal violist for the Pueblo Symphony. \nSmith earned his Performers Diploma in Early Violin from the Historical Performance Institute at Indiana University’s Jacobs School of Music\, studying with Stanley Ritchie\, along with a Master of Music from New York University and a Bachelor of Music from Brigham Young University. Outside of performing\, his interests include violin making\, hiking and visiting national parks\, speaking Mandarin Chinese\, and raising his daughter with his wife\, Rebecca. \n\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”20587″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nKatie Rietman\nCello \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nKatie Rietman\n  \nKatie Rietman has performed as a cellist on over 60 CD recordings and in numerous concerts with leading Baroque ensembles worldwide. Her career has taken her to 21 countries\, and she is a prizewinner in the Bonporti and Van Wassenaer competitions. \nRietman studied cello at the Cleveland Institute of Music and the Sweelinck Conservatorium in Amsterdam\, later spending ten years in Cologne\, Germany\, performing with many European early music groups. Based in New York City for several years\, she served as principal cellist of the Trinity Wall Street Baroque Orchestra\, the Clarion Society\, and Concert Royal. \nNow living in Santa Fe\, Rietman has performed with all the local classical groups and on the MarketMusic series at the New Mexico School for the Arts\, where she also teaches cello. A trained soprano\, she has a passion for languages—she speaks seven—and enjoys making jewelry and cooking.\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/6″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_column_text css=””] \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://www.severallfriends.org/event/marketmusic-15/
LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States
CATEGORIES:MarketMusic
ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png
ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260606T140000
DTEND;TZID=America/Denver:20260606T150000
DTSTAMP:20260602T162008
CREATED:20260504T165159Z
LAST-MODIFIED:20260602T171352Z
UID:20612-1780754400-1780758000@www.severallfriends.org
SUMMARY:MarketMusic
DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_column_text css=””] \nSaturday\, June 6\, 2026\n  \nTime: 12:00 PM\nVenue: Thaw Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nClarinet Classic: the Mozart Quintet and more!: \nJune 6 at 12 pm AND 2 pm! We’re doing a double for the first show\, due to popular demand. \nFeaturing Thomas Carroll\, classical clarinets\, joined by Elizabeth Blumenstock and Stephen Redfield\, violins: Jeffrey Smith\, viola: and Katie Rietman\, cello \nQuintets of Mozart and Backofen\, plus a Mozart string quartet \nThomas also builds (and plays on) his own replicas of clarinets from the classical period\, so he will be our speaker this time. \n[/vc_column_text][vc_empty_space height=”50px”][/vc_column][vc_column width=”1/3″ offset=”vc_hidden-xs”][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1/5″][vc_single_image image=”20710″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nThomas Carroll\nClassical Clarinets \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nThomas Carroll\n  \nWith a sound described as “beautifully warm” (Herald Times) and “sweet and agile” (New York Times)\, period clarinetist and instrument builder Thomas Carroll performs extensively throughout North America and Europe on historical instruments. He holds degrees from Oberlin Conservatory\, Indiana University\, and The Royal Conservatoire of The Hague\, where his major teacher on early clarinets and chalumeaux was Eric Hoeprich. \nInternationally\, Thomas has performed as principal clarinet with period instrument orchestras in venues ranging from the Kozerthaus in Berlin to the Concertgebouw in Amsterdam. He has been featured as a soloist with Philharmonia Baroque\, American Bach Soloists\, Mercury Chamber Orchestra\, Lyra Baroque\, Ensemble ad Libitum\, Boston Baroque\, and Grand Harmonie to critical acclaim. Thomas currently performs as principal clarinet with Philharmonia Baroque Orchestra and Chorale\, Mercury Chamber Orchestra\, Boston Baroque\, Philharmonie Austin\, and German-based L’Arte del Mondo\, frequently collaborating with other early music specialists throughout North America including the Clarion Music and Handel and Haydn Societies\, Sonoma Bach\, and Musica Angelica. As an arranger of Harmoniemusik for period instruments\, his transcriptions have been performed by Grand Harmonie\, On Site Opera\, Atlanta Opera\, and the Arizona Opera. Eager to combine active scholarship with performance\, Thomas is the co-founder with flutist Andrea LeBlanc of Arpeggione\, a chamber ensemble taking inspiration from the celebrated history of Boston’s Mendelssohn Quintette Club\, performing transcriptions and arrangements of large-scale works as they were originally heard on the American stage in the second half of the 19th Century. \nAs an educator\, Thomas is dedicated to training the next generation of historical clarinetists and cultivating an interest in performance practice and hands-on research. He has given guest lectures and masterclasses at universities throughout the United States and maintains a private studio of historical clarinet students. He is also a faculty member at the Festival de Música de Santa Catarina in Brazil. \nAn interest in instrument mechanics and acoustics has led Thomas to a secondary career as an instrument builder and extensive research into 18th and 19th century wood treatment and seasoning. He builds chalumeaux\, baroque\, and classical clarinets\, and basset instruments for use in historically-informed performance ensembles in his Boston workshop\, which are played throughout North America\, Europe\, Japan\, and Australia. \nwww.carrollclarinet.com\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/5″][vc_single_image image=”20405″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nElizabeth Blumenstock\nViolin \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nElizabeth Blumenstock\n  \nElizabeth Blumenstock is a long-time concertmaster\, soloist\, and leader with the Bay Area’s Philharmonia Baroque and American Bach Soloists\, concertmaster of the International Handel Festival Orchestra in Goettingen\, Germany\, and Artistic Director of the Corona del Mar Baroque Music Festival. Her love of chamber music has involved her in several accomplished smaller ensembles including Voices of Music\, Galax Quartet\, Live Oak Baroque\, Ars Lyrica Houston Chamber Players\, Sarasa\, and Severall Friends. Ms. Blumenstock teaches for Juilliard’s Historical Performance Program\, at the San Francisco Conservatory of Music\, American Bach Soloists’ Summer Festival and Academy\, the International Baroque Institute at Longy\, and the Valley of the Moon Music Festival. She plays a 1660 Andrea Guarneri violin built in Cremona\, Italy\, on generous loan to her from the Philharmonia Baroque Period Instrument Trust.\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/5″][vc_single_image image=”20407″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nStephen Redfield\nViolin \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nStephen Redfield\nViolinist Stephen Redfield\, D.M.A.\, is a member of the University of Southern Mississippi School of Music faculty\, where he performs with the Mississippi Chamber Circle and the Impromptu Piano Trio. Throughout the year Stephen acts as concertmaster of the Santa Fe Pro Musica\, and each summer plays with the Victoria Bach Festival; his performances as concertmaster and soloist there have been produced on discs and broadcast nationally. He has also often led the Oregon Bach Festival orchestra\, where he has participated in numerous recordings\, including the Grammy Award-winning disc “Credo.” In addition\, Stephen is concertmaster of the Arizona Bach Festival\, was the long-time principal second violin of the Sunriver Music Festival\, and served for five years as Assistant Concertmaster of the Austin Symphony Orchestra.\nStephen has particularly extensive experience in the choral-orchestral repertoire: over his 30 years with the Oregon Bach Festival\, he performed the majority of this repertoire with Helmuth Rilling (including recording eight works\, and premiering two commissioned pieces). He is concertmaster for Craig Hella Johnson and the coral ensemble Conspirare. He has led a period B Minor Mass for Joshua Habermann and the Santa Fe Desert Chorale\, and was concertmaster for Robert Shaw in the Berlioz Requiem and for Fiora Contino in Haydn’s Creation and the St. John Passion.\nStephen is an active chamber musician throughout the United States and abroad. He has collaborated with artists Andre-Michel Schub\, Peter Wiley and Mark Peskanov. His Cayuga Quartet was a winner of the Coleman and Monterey Chamber Music Competitions and earned an Aspen Quartet Fellowship. In addition to the festivals mentioned before\, Stephen has been featured in chamber concerts at Loon Lake Live!\, Taos Soundscapes\, Serenata of Santa Fe\, Quad-Cities Mozart Festival\, and the Anchorage Festival\, among others. He coached with the Cleveland Quartet and Abram Loft\, the Emerson Quartet and Earl Carlyss\, and the LaSalle and Audubon Quartets.\nHe frequently performs as a soloist; during 2009\, Mendelssohn’s 200th birth-year\, he performed both Mendelssohn violin concertos (and also toured with his three sonatas). His specialty is 18th and early 19th-Century concertos and concert pieces\, often leading the ensemble while playing the solo. Highlights include Vivaldi’s Four Seasons\, each of the Bach Concertos\, and selected concertos and works by Beethoven\, Mozart and Haydn. He also performed a Western-U.S. premiere of the Michael Daugherty’s “Ladder to the Moon.”\nStephen has also developed a specialization in period performance. He performs regularly as a Baroque violinist\, including as a member of the Atlanta Baroque Orchestra\, and he has led the ensembles Albuquerque Baroque Players and Nashville’s Music City Baroque. Stephen’s Baroque chamber music credits include concerts with Marion Verbruggen\, Mary Springfels\, Elizabeth Blumenstock and Kenneth Slowik.\, and with the Newberry Consort and the Smithsonian Chamber Players. As a member of the Sebastian Ensemble\, with harpsichordist Kathleen McIntosh\, Stephen travelled twice to Lima\, Peru\, for the Festival Internacional de Música Antigua‏. Specializing in J.S. Bach’s Sonatas for Violin and Harpsichord Obligato\, this period performance group has toured throughout the United States as well as in Spain\, Japan and Cuba.\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/5″][vc_single_image image=”20712″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nJeffrey Smith\nViola \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nJeff Smith\n  \nJeffrey Smith has performed with many baroque ensembles\, including the Orchestra of New Spain\, Boulder Bach Festival\, Austin Baroque Orchestra\, The Whole Noyse\, and Severall Friends Early Music\, and was viola soloist in Mozart’s Sinfonia Concertante at the 2016 La Petite Bande Summer Academy in Italy. Since moving to New Mexico in 2017\, he has played violin with Santa Fe Pro Musica\, the Santa Fe Symphony\, Santa Fe Desert Chorale\, the New Mexico Philharmonic\, and Opera Southwest\, among others\, and has appeared as guest concertmaster for the West Texas Symphony and principal violist for the Pueblo Symphony. \nSmith earned his Performers Diploma in Early Violin from the Historical Performance Institute at Indiana University’s Jacobs School of Music\, studying with Stanley Ritchie\, along with a Master of Music from New York University and a Bachelor of Music from Brigham Young University. Outside of performing\, his interests include violin making\, hiking and visiting national parks\, speaking Mandarin Chinese\, and raising his daughter with his wife\, Rebecca. \n\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/5″][vc_single_image image=”20587″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nKatie Rietman\nCello \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nKatie Rietman\n  \nKatie Rietman has performed as a cellist on over 60 CD recordings and in numerous concerts with leading Baroque ensembles worldwide. Her career has taken her to 21 countries\, and she is a prizewinner in the Bonporti and Van Wassenaer competitions. \nRietman studied cello at the Cleveland Institute of Music and the Sweelinck Conservatorium in Amsterdam\, later spending ten years in Cologne\, Germany\, performing with many European early music groups. Based in New York City for several years\, she served as principal cellist of the Trinity Wall Street Baroque Orchestra\, the Clarion Society\, and Concert Royal. \nNow living in Santa Fe\, Rietman has performed with all the local classical groups and on the MarketMusic series at the New Mexico School for the Arts\, where she also teaches cello. A trained soprano\, she has a passion for languages—she speaks seven—and enjoys making jewelry and cooking.\n			\n	\n	\n	Close\n[/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm”][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1/2″ offset=”vc_col-xs-6″][vc_single_image image=”20710″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nThomas Carroll\nClassical Clarinets \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nThomas Carroll\n  \nWith a sound described as “beautifully warm” (Herald Times) and “sweet and agile” (New York Times)\, period clarinetist and instrument builder Thomas Carroll performs extensively throughout North America and Europe on historical instruments. He holds degrees from Oberlin Conservatory\, Indiana University\, and The Royal Conservatoire of The Hague\, where his major teacher on early clarinets and chalumeaux was Eric Hoeprich. \nInternationally\, Thomas has performed as principal clarinet with period instrument orchestras in venues ranging from the Kozerthaus in Berlin to the Concertgebouw in Amsterdam. He has been featured as a soloist with Philharmonia Baroque\, American Bach Soloists\, Mercury Chamber Orchestra\, Lyra Baroque\, Ensemble ad Libitum\, Boston Baroque\, and Grand Harmonie to critical acclaim. Thomas currently performs as principal clarinet with Philharmonia Baroque Orchestra and Chorale\, Mercury Chamber Orchestra\, Boston Baroque\, Philharmonie Austin\, and German-based L’Arte del Mondo\, frequently collaborating with other early music specialists throughout North America including the Clarion Music and Handel and Haydn Societies\, Sonoma Bach\, and Musica Angelica. As an arranger of Harmoniemusik for period instruments\, his transcriptions have been performed by Grand Harmonie\, On Site Opera\, Atlanta Opera\, and the Arizona Opera. Eager to combine active scholarship with performance\, Thomas is the co-founder with flutist Andrea LeBlanc of Arpeggione\, a chamber ensemble taking inspiration from the celebrated history of Boston’s Mendelssohn Quintette Club\, performing transcriptions and arrangements of large-scale works as they were originally heard on the American stage in the second half of the 19th Century. \nAs an educator\, Thomas is dedicated to training the next generation of historical clarinetists and cultivating an interest in performance practice and hands-on research. He has given guest lectures and masterclasses at universities throughout the United States and maintains a private studio of historical clarinet students. He is also a faculty member at the Festival de Música de Santa Catarina in Brazil. \nAn interest in instrument mechanics and acoustics has led Thomas to a secondary career as an instrument builder and extensive research into 18th and 19th century wood treatment and seasoning. He builds chalumeaux\, baroque\, and classical clarinets\, and basset instruments for use in historically-informed performance ensembles in his Boston workshop\, which are played throughout North America\, Europe\, Japan\, and Australia. \nwww.carrollclarinet.com\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/2″ offset=”vc_col-xs-6″][vc_single_image image=”20405″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nElizabeth Blumenstock\nViolin \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nElizabeth Blumenstock\n  \nElizabeth Blumenstock is a long-time concertmaster\, soloist\, and leader with the Bay Area’s Philharmonia Baroque and American Bach Soloists\, concertmaster of the International Handel Festival Orchestra in Goettingen\, Germany\, and Artistic Director of the Corona del Mar Baroque Music Festival. Her love of chamber music has involved her in several accomplished smaller ensembles including Voices of Music\, Galax Quartet\, Live Oak Baroque\, Ars Lyrica Houston Chamber Players\, Sarasa\, and Severall Friends. Ms. Blumenstock teaches for Juilliard’s Historical Performance Program\, at the San Francisco Conservatory of Music\, American Bach Soloists’ Summer Festival and Academy\, the International Baroque Institute at Longy\, and the Valley of the Moon Music Festival. She plays a 1660 Andrea Guarneri violin built in Cremona\, Italy\, on generous loan to her from the Philharmonia Baroque Period Instrument Trust.\n			\n	\n	\n	Close\n[/vc_column_inner][/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1/2″ offset=”vc_col-xs-6″][vc_single_image image=”20407″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nStephen Redfield\nViolin \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nStephen Redfield\nViolinist Stephen Redfield\, D.M.A.\, is a member of the University of Southern Mississippi School of Music faculty\, where he performs with the Mississippi Chamber Circle and the Impromptu Piano Trio. Throughout the year Stephen acts as concertmaster of the Santa Fe Pro Musica\, and each summer plays with the Victoria Bach Festival; his performances as concertmaster and soloist there have been produced on discs and broadcast nationally. He has also often led the Oregon Bach Festival orchestra\, where he has participated in numerous recordings\, including the Grammy Award-winning disc “Credo.” In addition\, Stephen is concertmaster of the Arizona Bach Festival\, was the long-time principal second violin of the Sunriver Music Festival\, and served for five years as Assistant Concertmaster of the Austin Symphony Orchestra.\nStephen has particularly extensive experience in the choral-orchestral repertoire: over his 30 years with the Oregon Bach Festival\, he performed the majority of this repertoire with Helmuth Rilling (including recording eight works\, and premiering two commissioned pieces). He is concertmaster for Craig Hella Johnson and the coral ensemble Conspirare. He has led a period B Minor Mass for Joshua Habermann and the Santa Fe Desert Chorale\, and was concertmaster for Robert Shaw in the Berlioz Requiem and for Fiora Contino in Haydn’s Creation and the St. John Passion.\nStephen is an active chamber musician throughout the United States and abroad. He has collaborated with artists Andre-Michel Schub\, Peter Wiley and Mark Peskanov. His Cayuga Quartet was a winner of the Coleman and Monterey Chamber Music Competitions and earned an Aspen Quartet Fellowship. In addition to the festivals mentioned before\, Stephen has been featured in chamber concerts at Loon Lake Live!\, Taos Soundscapes\, Serenata of Santa Fe\, Quad-Cities Mozart Festival\, and the Anchorage Festival\, among others. He coached with the Cleveland Quartet and Abram Loft\, the Emerson Quartet and Earl Carlyss\, and the LaSalle and Audubon Quartets.\nHe frequently performs as a soloist; during 2009\, Mendelssohn’s 200th birth-year\, he performed both Mendelssohn violin concertos (and also toured with his three sonatas). His specialty is 18th and early 19th-Century concertos and concert pieces\, often leading the ensemble while playing the solo. Highlights include Vivaldi’s Four Seasons\, each of the Bach Concertos\, and selected concertos and works by Beethoven\, Mozart and Haydn. He also performed a Western-U.S. premiere of the Michael Daugherty’s “Ladder to the Moon.”\nStephen has also developed a specialization in period performance. He performs regularly as a Baroque violinist\, including as a member of the Atlanta Baroque Orchestra\, and he has led the ensembles Albuquerque Baroque Players and Nashville’s Music City Baroque. Stephen’s Baroque chamber music credits include concerts with Marion Verbruggen\, Mary Springfels\, Elizabeth Blumenstock and Kenneth Slowik.\, and with the Newberry Consort and the Smithsonian Chamber Players. As a member of the Sebastian Ensemble\, with harpsichordist Kathleen McIntosh\, Stephen travelled twice to Lima\, Peru\, for the Festival Internacional de Música Antigua‏. Specializing in J.S. Bach’s Sonatas for Violin and Harpsichord Obligato\, this period performance group has toured throughout the United States as well as in Spain\, Japan and Cuba.\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/2″ offset=”vc_col-xs-6″][vc_single_image image=”20712″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nJeffrey Smith\nViola \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nJeff Smith\n  \nJeffrey Smith has performed with many baroque ensembles\, including the Orchestra of New Spain\, Boulder Bach Festival\, Austin Baroque Orchestra\, The Whole Noyse\, and Severall Friends Early Music\, and was viola soloist in Mozart’s Sinfonia Concertante at the 2016 La Petite Bande Summer Academy in Italy. Since moving to New Mexico in 2017\, he has played violin with Santa Fe Pro Musica\, the Santa Fe Symphony\, Santa Fe Desert Chorale\, the New Mexico Philharmonic\, and Opera Southwest\, among others\, and has appeared as guest concertmaster for the West Texas Symphony and principal violist for the Pueblo Symphony. \nSmith earned his Performers Diploma in Early Violin from the Historical Performance Institute at Indiana University’s Jacobs School of Music\, studying with Stanley Ritchie\, along with a Master of Music from New York University and a Bachelor of Music from Brigham Young University. Outside of performing\, his interests include violin making\, hiking and visiting national parks\, speaking Mandarin Chinese\, and raising his daughter with his wife\, Rebecca. \n\n			\n	\n	\n	Close\n[/vc_column_inner][/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1/2″ offset=”vc_col-xs-6″][vc_single_image image=”20587″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nKatie Rietman\nCello \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nKatie Rietman\n  \nKatie Rietman has performed as a cellist on over 60 CD recordings and in numerous concerts with leading Baroque ensembles worldwide. Her career has taken her to 21 countries\, and she is a prizewinner in the Bonporti and Van Wassenaer competitions. \nRietman studied cello at the Cleveland Institute of Music and the Sweelinck Conservatorium in Amsterdam\, later spending ten years in Cologne\, Germany\, performing with many European early music groups. Based in New York City for several years\, she served as principal cellist of the Trinity Wall Street Baroque Orchestra\, the Clarion Society\, and Concert Royal. \nNow living in Santa Fe\, Rietman has performed with all the local classical groups and on the MarketMusic series at the New Mexico School for the Arts\, where she also teaches cello. A trained soprano\, she has a passion for languages—she speaks seven—and enjoys making jewelry and cooking.\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/2″ offset=”vc_col-xs-6″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column offset=”vc_hidden-lg vc_hidden-xs”][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1/3″][vc_single_image image=”20710″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nThomas Carroll\nClassical Clarinets \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nThomas Carroll\n  \nWith a sound described as “beautifully warm” (Herald Times) and “sweet and agile” (New York Times)\, period clarinetist and instrument builder Thomas Carroll performs extensively throughout North America and Europe on historical instruments. He holds degrees from Oberlin Conservatory\, Indiana University\, and The Royal Conservatoire of The Hague\, where his major teacher on early clarinets and chalumeaux was Eric Hoeprich. \nInternationally\, Thomas has performed as principal clarinet with period instrument orchestras in venues ranging from the Kozerthaus in Berlin to the Concertgebouw in Amsterdam. He has been featured as a soloist with Philharmonia Baroque\, American Bach Soloists\, Mercury Chamber Orchestra\, Lyra Baroque\, Ensemble ad Libitum\, Boston Baroque\, and Grand Harmonie to critical acclaim. Thomas currently performs as principal clarinet with Philharmonia Baroque Orchestra and Chorale\, Mercury Chamber Orchestra\, Boston Baroque\, Philharmonie Austin\, and German-based L’Arte del Mondo\, frequently collaborating with other early music specialists throughout North America including the Clarion Music and Handel and Haydn Societies\, Sonoma Bach\, and Musica Angelica. As an arranger of Harmoniemusik for period instruments\, his transcriptions have been performed by Grand Harmonie\, On Site Opera\, Atlanta Opera\, and the Arizona Opera. Eager to combine active scholarship with performance\, Thomas is the co-founder with flutist Andrea LeBlanc of Arpeggione\, a chamber ensemble taking inspiration from the celebrated history of Boston’s Mendelssohn Quintette Club\, performing transcriptions and arrangements of large-scale works as they were originally heard on the American stage in the second half of the 19th Century. \nAs an educator\, Thomas is dedicated to training the next generation of historical clarinetists and cultivating an interest in performance practice and hands-on research. He has given guest lectures and masterclasses at universities throughout the United States and maintains a private studio of historical clarinet students. He is also a faculty member at the Festival de Música de Santa Catarina in Brazil. \nAn interest in instrument mechanics and acoustics has led Thomas to a secondary career as an instrument builder and extensive research into 18th and 19th century wood treatment and seasoning. He builds chalumeaux\, baroque\, and classical clarinets\, and basset instruments for use in historically-informed performance ensembles in his Boston workshop\, which are played throughout North America\, Europe\, Japan\, and Australia. \nwww.carrollclarinet.com\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”20405″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nElizabeth Blumenstock\nViolin \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nElizabeth Blumenstock\n  \nElizabeth Blumenstock is a long-time concertmaster\, soloist\, and leader with the Bay Area’s Philharmonia Baroque and American Bach Soloists\, concertmaster of the International Handel Festival Orchestra in Goettingen\, Germany\, and Artistic Director of the Corona del Mar Baroque Music Festival. Her love of chamber music has involved her in several accomplished smaller ensembles including Voices of Music\, Galax Quartet\, Live Oak Baroque\, Ars Lyrica Houston Chamber Players\, Sarasa\, and Severall Friends. Ms. Blumenstock teaches for Juilliard’s Historical Performance Program\, at the San Francisco Conservatory of Music\, American Bach Soloists’ Summer Festival and Academy\, the International Baroque Institute at Longy\, and the Valley of the Moon Music Festival. She plays a 1660 Andrea Guarneri violin built in Cremona\, Italy\, on generous loan to her from the Philharmonia Baroque Period Instrument Trust.\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”20407″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nStephen Redfield\nViolin \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nStephen Redfield\nViolinist Stephen Redfield\, D.M.A.\, is a member of the University of Southern Mississippi School of Music faculty\, where he performs with the Mississippi Chamber Circle and the Impromptu Piano Trio. Throughout the year Stephen acts as concertmaster of the Santa Fe Pro Musica\, and each summer plays with the Victoria Bach Festival; his performances as concertmaster and soloist there have been produced on discs and broadcast nationally. He has also often led the Oregon Bach Festival orchestra\, where he has participated in numerous recordings\, including the Grammy Award-winning disc “Credo.” In addition\, Stephen is concertmaster of the Arizona Bach Festival\, was the long-time principal second violin of the Sunriver Music Festival\, and served for five years as Assistant Concertmaster of the Austin Symphony Orchestra.\nStephen has particularly extensive experience in the choral-orchestral repertoire: over his 30 years with the Oregon Bach Festival\, he performed the majority of this repertoire with Helmuth Rilling (including recording eight works\, and premiering two commissioned pieces). He is concertmaster for Craig Hella Johnson and the coral ensemble Conspirare. He has led a period B Minor Mass for Joshua Habermann and the Santa Fe Desert Chorale\, and was concertmaster for Robert Shaw in the Berlioz Requiem and for Fiora Contino in Haydn’s Creation and the St. John Passion.\nStephen is an active chamber musician throughout the United States and abroad. He has collaborated with artists Andre-Michel Schub\, Peter Wiley and Mark Peskanov. His Cayuga Quartet was a winner of the Coleman and Monterey Chamber Music Competitions and earned an Aspen Quartet Fellowship. In addition to the festivals mentioned before\, Stephen has been featured in chamber concerts at Loon Lake Live!\, Taos Soundscapes\, Serenata of Santa Fe\, Quad-Cities Mozart Festival\, and the Anchorage Festival\, among others. He coached with the Cleveland Quartet and Abram Loft\, the Emerson Quartet and Earl Carlyss\, and the LaSalle and Audubon Quartets.\nHe frequently performs as a soloist; during 2009\, Mendelssohn’s 200th birth-year\, he performed both Mendelssohn violin concertos (and also toured with his three sonatas). His specialty is 18th and early 19th-Century concertos and concert pieces\, often leading the ensemble while playing the solo. Highlights include Vivaldi’s Four Seasons\, each of the Bach Concertos\, and selected concertos and works by Beethoven\, Mozart and Haydn. He also performed a Western-U.S. premiere of the Michael Daugherty’s “Ladder to the Moon.”\nStephen has also developed a specialization in period performance. He performs regularly as a Baroque violinist\, including as a member of the Atlanta Baroque Orchestra\, and he has led the ensembles Albuquerque Baroque Players and Nashville’s Music City Baroque. Stephen’s Baroque chamber music credits include concerts with Marion Verbruggen\, Mary Springfels\, Elizabeth Blumenstock and Kenneth Slowik.\, and with the Newberry Consort and the Smithsonian Chamber Players. As a member of the Sebastian Ensemble\, with harpsichordist Kathleen McIntosh\, Stephen travelled twice to Lima\, Peru\, for the Festival Internacional de Música Antigua‏. Specializing in J.S. Bach’s Sonatas for Violin and Harpsichord Obligato\, this period performance group has toured throughout the United States as well as in Spain\, Japan and Cuba.\n			\n	\n	\n	Close\n[/vc_column_inner][/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1/6″][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”20712″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nJeffrey Smith\nViola \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nJeff Smith\n  \nJeffrey Smith has performed with many baroque ensembles\, including the Orchestra of New Spain\, Boulder Bach Festival\, Austin Baroque Orchestra\, The Whole Noyse\, and Severall Friends Early Music\, and was viola soloist in Mozart’s Sinfonia Concertante at the 2016 La Petite Bande Summer Academy in Italy. Since moving to New Mexico in 2017\, he has played violin with Santa Fe Pro Musica\, the Santa Fe Symphony\, Santa Fe Desert Chorale\, the New Mexico Philharmonic\, and Opera Southwest\, among others\, and has appeared as guest concertmaster for the West Texas Symphony and principal violist for the Pueblo Symphony. \nSmith earned his Performers Diploma in Early Violin from the Historical Performance Institute at Indiana University’s Jacobs School of Music\, studying with Stanley Ritchie\, along with a Master of Music from New York University and a Bachelor of Music from Brigham Young University. Outside of performing\, his interests include violin making\, hiking and visiting national parks\, speaking Mandarin Chinese\, and raising his daughter with his wife\, Rebecca. \n\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”20587″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nKatie Rietman\nCello \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nKatie Rietman\n  \nKatie Rietman has performed as a cellist on over 60 CD recordings and in numerous concerts with leading Baroque ensembles worldwide. Her career has taken her to 21 countries\, and she is a prizewinner in the Bonporti and Van Wassenaer competitions. \nRietman studied cello at the Cleveland Institute of Music and the Sweelinck Conservatorium in Amsterdam\, later spending ten years in Cologne\, Germany\, performing with many European early music groups. Based in New York City for several years\, she served as principal cellist of the Trinity Wall Street Baroque Orchestra\, the Clarion Society\, and Concert Royal. \nNow living in Santa Fe\, Rietman has performed with all the local classical groups and on the MarketMusic series at the New Mexico School for the Arts\, where she also teaches cello. A trained soprano\, she has a passion for languages—she speaks seven—and enjoys making jewelry and cooking.\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/6″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_column_text css=””] \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://www.severallfriends.org/event/marketmusic-16/
LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States
CATEGORIES:MarketMusic
ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png
ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260620T120000
DTEND;TZID=America/Denver:20260620T130000
DTSTAMP:20260602T162009
CREATED:20260504T165414Z
LAST-MODIFIED:20260602T174951Z
UID:20615-1781956800-1781960400@www.severallfriends.org
SUMMARY:MarketMusic
DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_column_text css=””] \nSaturday\, June 20\, 2026\n  \nTime: 12:00 PM\nVenue: Thaw Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nBaroque at Altitude: The high Baroque at 7000 ft\nfeaturing Jennifer Perez\, soprano\, joined by Stephen Redfield\, violin; Katie Rietman\, cello; and Kathleen McIntosh\, harpsichord \nFavorite composers including Bach\, Vivaldi\, Leclair\, and Handel[/vc_column_text][vc_empty_space height=”50px”][/vc_column][vc_column width=”1/3″ offset=”vc_hidden-xs”][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1/4″ offset=”vc_col-xs-6″][vc_single_image image=”20082″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nJennifer Perez\nSoprano \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nJennifer Perez\nJennifer Perez holds a Master of Music in Vocal Performance from the University of New Mexico and enjoys a career as a concert soloist and ensemble singer. She has a deep passion for Baroque style chamber music and loves the unique challenge of exploring and interpreting contemporary music as well. In addition to traveling every Summer to sing with ensembles like the Oregon Bach Festival\, Boulder Bach Festival\, and the Highland Park Chorale\, she loves living in Santa Fe and participating in its rich musical community as an active member of the Santa Fe Desert Chorale\, the New Mexico Performing Arts Society\, Polyphony: Voices of New Mexico\, and more. She serves in the Parish Choir for the Church of the Holy Faith and as a guest radio host for Classical 95.5 KHFM Santa Fe/Albuquerque. \n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/4″ offset=”vc_col-xs-6″][vc_single_image image=”20407″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nStephen Redfield\nViolin \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nStephen Redfield\nViolinist Stephen Redfield\, D.M.A.\, is a member of the University of Southern Mississippi School of Music faculty\, where he performs with the Mississippi Chamber Circle and the Impromptu Piano Trio. Throughout the year Stephen acts as concertmaster of the Santa Fe Pro Musica\, and each summer plays with the Victoria Bach Festival; his performances as concertmaster and soloist there have been produced on discs and broadcast nationally. He has also often led the Oregon Bach Festival orchestra\, where he has participated in numerous recordings\, including the Grammy Award-winning disc “Credo.” In addition\, Stephen is concertmaster of the Arizona Bach Festival\, was the long-time principal second violin of the Sunriver Music Festival\, and served for five years as Assistant Concertmaster of the Austin Symphony Orchestra.\nStephen has particularly extensive experience in the choral-orchestral repertoire: over his 30 years with the Oregon Bach Festival\, he performed the majority of this repertoire with Helmuth Rilling (including recording eight works\, and premiering two commissioned pieces). He is concertmaster for Craig Hella Johnson and the coral ensemble Conspirare. He has led a period B Minor Mass for Joshua Habermann and the Santa Fe Desert Chorale\, and was concertmaster for Robert Shaw in the Berlioz Requiem and for Fiora Contino in Haydn’s Creation and the St. John Passion.\nStephen is an active chamber musician throughout the United States and abroad. He has collaborated with artists Andre-Michel Schub\, Peter Wiley and Mark Peskanov. His Cayuga Quartet was a winner of the Coleman and Monterey Chamber Music Competitions and earned an Aspen Quartet Fellowship. In addition to the festivals mentioned before\, Stephen has been featured in chamber concerts at Loon Lake Live!\, Taos Soundscapes\, Serenata of Santa Fe\, Quad-Cities Mozart Festival\, and the Anchorage Festival\, among others. He coached with the Cleveland Quartet and Abram Loft\, the Emerson Quartet and Earl Carlyss\, and the LaSalle and Audubon Quartets.\nHe frequently performs as a soloist; during 2009\, Mendelssohn’s 200th birth-year\, he performed both Mendelssohn violin concertos (and also toured with his three sonatas). His specialty is 18th and early 19th-Century concertos and concert pieces\, often leading the ensemble while playing the solo. Highlights include Vivaldi’s Four Seasons\, each of the Bach Concertos\, and selected concertos and works by Beethoven\, Mozart and Haydn. He also performed a Western-U.S. premiere of the Michael Daugherty’s “Ladder to the Moon.”\nStephen has also developed a specialization in period performance. He performs regularly as a Baroque violinist\, including as a member of the Atlanta Baroque Orchestra\, and he has led the ensembles Albuquerque Baroque Players and Nashville’s Music City Baroque. Stephen’s Baroque chamber music credits include concerts with Marion Verbruggen\, Mary Springfels\, Elizabeth Blumenstock and Kenneth Slowik.\, and with the Newberry Consort and the Smithsonian Chamber Players. As a member of the Sebastian Ensemble\, with harpsichordist Kathleen McIntosh\, Stephen travelled twice to Lima\, Peru\, for the Festival Internacional de Música Antigua‏. Specializing in J.S. Bach’s Sonatas for Violin and Harpsichord Obligato\, this period performance group has toured throughout the United States as well as in Spain\, Japan and Cuba.\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/4″ offset=”vc_col-xs-6″][vc_single_image image=”20587″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nKatie Rietman\nCello \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nKatie Rietman\n  \nKatie Rietman has performed as a cellist on over 60 CD recordings and in numerous concerts with leading Baroque ensembles worldwide. Her career has taken her to 21 countries\, and she is a prizewinner in the Bonporti and Van Wassenaer competitions. \nRietman studied cello at the Cleveland Institute of Music and the Sweelinck Conservatorium in Amsterdam\, later spending ten years in Cologne\, Germany\, performing with many European early music groups. Based in New York City for several years\, she served as principal cellist of the Trinity Wall Street Baroque Orchestra\, the Clarion Society\, and Concert Royal. \nNow living in Santa Fe\, Rietman has performed with all the local classical groups and on the MarketMusic series at the New Mexico School for the Arts\, where she also teaches cello. A trained soprano\, she has a passion for languages—she speaks seven—and enjoys making jewelry and cooking.\n			\n	\n	\n	Close\n[/vc_column_inner][vc_column_inner width=”1/4″ offset=”vc_col-xs-6″][vc_single_image image=”20585″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nKathleen McIntosh\nHarpsichord \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nKathleen McIntosh\n  \nHarpsichordist Kathleen McIntosh has appeared in the Esteban Salas Festival in Havana nearly every year since 2002. She has been featured in the Santa Fe Chamber Music Festival since 1996\, and in festivals in the United States\, Japan\, Peru and Germany. A resident of Santa Fe\, New Mexico\, she has appeared on every local concert series\, and with the Santa Fe Symphony\, Santa Fe Pro Musica and Serenata of Santa Fe. McIntosh is a champion of contemporary music. She appeared regularly with the series 20th Century Unlimited and is part of the McFish Duo. From 1999-2009\, she performed with the Vail Valley Bravo! Festival\, which commissioned a work by Melinda Wagner especially for her that premiered in the 2005 season. Other premieres have included works by Leo Brouwer\, John Steinmetz\, Carl Mansker\, Alex Shapiro and many others. \nMcIntosh has been soloist with the Chamber Orchestra Kremlin in Moscow\, Vietnam National Symphony in Hanoi\, Solistas de La Habana\, Santa Fe Friends in Tsuyama\, Japan\, and with many American groups. She teaches regularly in Cuba as part of the Semana Sacra sponsored by the national cathedral\, in Peru at the national conservatory in Lima\, and in Opole\, Poland at the Diecezjalny Instytut Musyki Koscielnej. In November 2015\, she performed the entire Clavier-Ubung of J.S.Bach in five concerts in Los Angeles\, California\, with organist Ron McKean and harpsichordist Janine Johnson. Ms. McIntosh was a student of John Hamilton and Thurston Dart. She can be heard in recordings from Gasparo and Maricam Studios.\n			\n	\n	\n	Close\n[/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_column_text css=””] \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://www.severallfriends.org/event/marketmusic-17/
LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States
CATEGORIES:MarketMusic
ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png
ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260704T120000
DTEND;TZID=America/Denver:20260704T130000
DTSTAMP:20260602T162009
CREATED:20260504T165615Z
LAST-MODIFIED:20260602T173325Z
UID:20617-1783166400-1783170000@www.severallfriends.org
SUMMARY:MarketMusic
DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_column_text css=””] \nSaturday\, July 4\, 2026\n  \nTime: 12:00 PM\nVenue: Thaw Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nA French Salon\nMusic of Versailles\nwith Elizabeth Blumenstock\, violin\nElizabeth Blumenstock\, violin\nCarla Moore\, violin\nMary Springfels\, viola da gamba\nCharlotte Mattax\, harpsichord \nMusic by Leclair\, Marais\, Jacquet de la Guerre\, Couperin[/vc_column_text][vc_empty_space][/vc_column][vc_column width=”1/3″ offset=”vc_hidden-xs”][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_separator type=”normal” color=”#DFDFDF” thickness=”1″ up=”10″ down=”10″][vc_empty_space][vc_column_text css=””] \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://www.severallfriends.org/event/marketmusic-18/
LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States
CATEGORIES:MarketMusic
ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png
ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260718T120000
DTEND;TZID=America/Denver:20260718T130000
DTSTAMP:20260602T162009
CREATED:20260504T165819Z
LAST-MODIFIED:20260602T173833Z
UID:20619-1784376000-1784379600@www.severallfriends.org
SUMMARY:MarketMusic
DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_column_text css=””] \nSaturday\, July 18\, 2026\n  \nTime: 12:00 PM\nVenue: Thaw Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nThe voices of Henry Purcell & Franz Biber\nTheir vocal and instrumental music embodied\nfeaturing Michael Hix\, bass-baritone\nMichael Hix\, bass-baritone\nCarla Moore\, violin\nLisa Grodin\, violin & viola\nMary Springfels\, viola da gamba\nEric Taeyang Mun\, cello & viola da gamba\nKathleen McIntosh\, harpsichord \nMusic by Purcell\, Biber\, Rameau and others[/vc_column_text][vc_empty_space height=”50px”][/vc_column][vc_column width=”1/3″ offset=”vc_hidden-xs”][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_separator type=”normal” color=”#DFDFDF” thickness=”1″ up=”10″ down=”10″][vc_empty_space][vc_column_text css=””] \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://www.severallfriends.org/event/marketmusic-19/
LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States
CATEGORIES:MarketMusic
ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png
ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260801T120000
DTEND;TZID=America/Denver:20260801T130000
DTSTAMP:20260602T162009
CREATED:20260504T170003Z
LAST-MODIFIED:20260602T173817Z
UID:20621-1785585600-1785589200@www.severallfriends.org
SUMMARY:MarketMusic
DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_column_text css=””] \nSaturday\, August 1\, 2026\n  \nTime: 12:00 PM\nVenue: Thaw Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nWhat’s Better Than One Harpsichord?\nCelebrating the two-keyboard repertoire\nwith Keith Womer and Kathleen McIntosh\, harpsichords\nKeith Womer\, harpsichord\nKathleen McIntosh\, harpsichord\nKim Pineda\, traverso \nMusic by Bach and Boismortier[/vc_column_text][vc_empty_space height=”50px”][/vc_column][vc_column width=”1/3″ offset=”vc_hidden-xs”][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_separator type=”normal” color=”#DFDFDF” thickness=”1″ up=”10″ down=”10″][vc_empty_space][vc_column_text css=””] \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://www.severallfriends.org/event/marketmusic-20/
LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States
CATEGORIES:MarketMusic
ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png
ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260815T120000
DTEND;TZID=America/Denver:20260815T130000
DTSTAMP:20260602T162009
CREATED:20260504T170155Z
LAST-MODIFIED:20260602T173952Z
UID:20623-1786795200-1786798800@www.severallfriends.org
SUMMARY:MarketMusic
DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_column_text css=””] \nSaturday\, August 15\, 2026\n  \nTime: 12:00 PM\nVenue: Thaw Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nBattles\, Bells and Birds\nMusic that tells a story\nwith Mary Springfels\, viola da gamba\nElizabeth Blumenstock\, violin\nLisa Grodin\, violin/viola\nMary Springfels\, viola da gamba\nDeborah Dunham\, viol & violone\nKathleen McIntosh\, harpsichord \nMusic by Jenkins\, Farina\, Marais\, Biber\, and Vivaldi[/vc_column_text][vc_empty_space][/vc_column][vc_column width=”1/3″ offset=”vc_hidden-xs”][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_separator type=”normal” color=”#DFDFDF” thickness=”1″ up=”10″ down=”10″][vc_empty_space][vc_column_text css=””] \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://www.severallfriends.org/event/marketmusic-21/
LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States
CATEGORIES:MarketMusic
ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png
ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260829T120000
DTEND;TZID=America/Denver:20260829T130000
DTSTAMP:20260602T162009
CREATED:20260504T170338Z
LAST-MODIFIED:20260602T174112Z
UID:20625-1788004800-1788008400@www.severallfriends.org
SUMMARY:MarketMusic
DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_column_text css=””] \nSaturday\, August 29\, 2026\n  \nTime: 12:00 PM\nVenue: Thaw Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nAn Oboe\, un Hautbois\, ein Hoboe\, un Oboè…\nEnjoyed in many languages and cultures!\nfeaturing Curtis Foster\, Baroque oboe\nCurtis Foster\, Baroque oboe\nStephen Redfield\, violin\nElizabeth Blumenstock\, violin\nKatie Rietman\, cello\nKathy McIntosh\, harpsichord \nMusic by various and sundry composers[/vc_column_text][vc_empty_space][/vc_column][vc_column width=”1/3″ offset=”vc_hidden-xs”][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_separator type=”normal” color=”#DFDFDF” thickness=”1″ up=”10″ down=”10″][vc_empty_space][vc_column_text css=””] \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://www.severallfriends.org/event/marketmusic-22/
LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States
CATEGORIES:MarketMusic
ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png
ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260912T120000
DTEND;TZID=America/Denver:20260912T130000
DTSTAMP:20260602T162009
CREATED:20260504T170532Z
LAST-MODIFIED:20260602T174458Z
UID:20627-1789214400-1789218000@www.severallfriends.org
SUMMARY:MarketMusic
DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_column_text css=””] \nSaturday\, September 12\, 2026\n  \nTime: 12:00 PM\nVenue: Thaw Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nColossal Baroque\nSanta Fe brings to the stage its biggest Baroque band!\nfeaturing period strings at an impressive scale\nElizabeth Blumenstock\, violin\nStephen Redfield\, violin\nAaron Westman\, violin & viola\nAnna Washburn\, violin & viola\nKatie Rietman\, cello \nMusic by Fux\, Biber\, and Muffat[/vc_column_text][vc_empty_space][/vc_column][vc_column width=”1/3″ offset=”vc_hidden-xs”][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_separator type=”normal” color=”#DFDFDF” thickness=”1″ up=”10″ down=”10″][vc_empty_space][vc_column_text css=””] \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://www.severallfriends.org/event/marketmusic-23/
LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States
CATEGORIES:MarketMusic
ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png
ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260912T140000
DTEND;TZID=America/Denver:20260912T150000
DTSTAMP:20260602T162009
CREATED:20260504T170642Z
LAST-MODIFIED:20260602T184455Z
UID:20629-1789221600-1789225200@www.severallfriends.org
SUMMARY:MarketMusic
DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_column_text css=””] \nSaturday\, September 12\, 2026\n  \nTime: 2:00 PM\nVenue: Thaw Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nColossal Baroque\nSanta Fe brings to the stage its biggest Baroque band!\nfeaturing period strings at an impressive scale\nElizabeth Blumenstock\, violin\nStephen Redfield\, violin\nAaron Westman\, violin & viola\nAnna Washburn\, violin & viola\nKatie Rietman\, cello \nMusic by Fux\, Biber\, and Muffat[/vc_column_text][vc_empty_space][/vc_column][vc_column width=”1/3″ offset=”vc_hidden-xs”][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_separator type=”normal” color=”#DFDFDF” thickness=”1″ up=”10″ down=”10″][vc_empty_space][vc_column_text css=””] \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://www.severallfriends.org/event/marketmusic-24/
LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States
CATEGORIES:MarketMusic
ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png
ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org
END:VEVENT
END:VCALENDAR