MarketMusic
2024-08-17 12:00 - 13:00 (America/Denver) | New Mexico School for the Arts, 500 Montezuma Ave, Santa Fe, New Mexico, 87501, United States
Hochschule für Violine
German Baroque works featuring the Violin Music by J.S. Bach, Handel, and Telemann

Features guest violinist Carla Moore and characteristic violin rep of 17th and 18th century Germanic cultures.
Local violinists David Felberg and Elizabeth Blumenstock, cellist Katie Reitman and harpsichordist Kathy McIntosh join her in elucidating the glories of this music!
Food for Thought: Today’s speaker, Susan Tarver, was designated the 2023 Community All Star by the Santa Fe Farmers’ Market Institute. Susan founded the Eldorado Farmers’ Market in 2006 which she oversees to this day. Since 2008, Susan has also been the Executive Director of Bienvenidos Outreach Inc. which sponsors an essential food pantry on Fifth Street here in Santa Fe. We’ll hear from Susan about the state of food insecurity in our area, as well as her efforts to support local farmers and to make sure those sourcing their food from the food pantry receive fresh locally-grown food along with nonperishables.
Admission: Enjoy free admission to all concerts, though donations are warmly appreciated.
About the Performances: Our one-hour concerts feature a stunningly fresh repertoire and include a short break at the midpoint for a Food-Talk, featuring Santa Fe’s leading food experts—chefs, authors, and producers.
Venue: These world-class performances are held at the Gallery of the New Mexico School for the Arts, located at 500 Montezuma. Complimentary parking is available across the street.

MarketMusic
2024-08-31 12:00 - 13:00 | New Mexico School for the Arts, 500 Montezuma Ave, Santa Fe, New Mexico, 87501, United States
Baroque Bassoon

Music by Fasch, Telemann, Vivaldi, and Zelenka with Bassoon at its core
Artists include: Anna Marsh, bassoon; Katie Rietman, cello Food for Thought: Mary Dixon, longtime vendor at the Santa Fe Farmers’ Market representing Green Tractor Farm and Secretary of the Board of the Santa Fe Farmers’ Market Institute, will join us as our speaker. Green Tractor Farm was named a 2013 All Star Farm. A family enterprise founded by Mary’s husband Tom, Green Tractor’s operations have now been passed on to next generation. Rachel Dixon, and her husband Ned Conwell, grow a diverse selection of produce and flowers on 3 acres of land in La Cienega, New Mexico. The farm has been certified organic since 2006.

Admission: Enjoy free admission to all concerts, though donations are warmly appreciated.

About the Performances: Our one-hour concerts feature a stunningly fresh repertoire and include a short break at the midpoint for a Food-Talk, featuring Santa Fe’s leading food experts—chefs, authors, and producers.

Venue: These world-class performances are held at the Gallery of the New Mexico School for the Arts, located at 500 Montezuma. Complimentary parking is available across the street.

MarketMusic
2024-09-14 12:00 - 13:00 | New Mexico School for the Arts, 500 Montezuma Ave, Santa Fe, New Mexico, 87501, United States
Fantastic Finale

Embrace Your Inner Voices: Music with layered richness in inner harmonies by Bach, Biber, and more.

Featuring: Elizabeth Blumenstock and Aaron Westman, violins; Anna Washburn and Lisa Grodin, violas; Mary Springfels, viola da gamba; Katie Rietman, cello; Deborah Dunham, violone

Admission: Enjoy free admission to all concerts, though donations are warmly appreciated.

About the Performances: Our one-hour concerts feature a stunningly fresh repertoire and include a short break at the midpoint for a Food-Talk, featuring Santa Fe’s leading food experts—chefs, authors, and producers.

Venue: These world-class performances are held at the Gallery of the New Mexico School for the Arts, located at 500 Montezuma. Complimentary parking is available across the street.

Food for Thought: This week, Edible Magazine’s Local Hero Award for Best Restaurant in Santa Fe, 2022 recipient Marja Martin will be our speaker. Under Marja’s direction as Owner of Paloma and its sister restaurant Esquina Pizza, Paloma’s team strives for full sustainability in its business practices and in how they approach food. In her own words, “Driven by the creativity and inspiration that comes from our own community and that of our neighbors across the border, we strive to bring you a fresh perspective via Mexican-inspired cuisine.” For more information please click here.

MarketMusic
2024-11-30 12:00 - 13:00 | New Mexico School for the Arts, 500 Montezuma Ave, Santa Fe, New Mexico, 87501, United States
Saturday, November 30, 2024

Time: 12:00 PM
Venue: The Gallery at New Mexico School for the Arts,
500 Montezuma Avenue, Santa Fe, 87501

Pastorale:
Baroque Christmas music from around the world! Guest soprano Jennifer Perez sings works reflecting Germanic, French, Italian and Peruvian holiday traditions.

Featuring:
Jennifer Perez, soprano; Elizabeth Blumenstock and Stephen Redfield, violins; Lisa Grodin, viola; Mary Springfels, viola da gamba; Kathleen McIntosh, harpsichord

Food for Thought: We will feature a speaker (TBA) who will talk about Christmas food traditions in New Mexico.

Questions? Call: (505) 930-9393
MarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery, a wonderfully intimate concert venue.
If you would like to join our growing list of supporters, please make a contribution through our secure website, or make a check payable to Severall Friends and mail it to:

Severall Friends NFP
64 Vista del Oro, Cerrillos, NM 87010

Program and artists subject to change.
Jennifer Perez
Soprano

Elizabeth Blumenstock
Violin
Read Bio

Elizabeth Blumenstock

Elizabeth Blumenstock is a long-time concertmaster, soloist, and leader with the Bay Area’s Philharmonia
Baroque and American Bach Soloists, concertmaster of the International Handel Festival Orchestra in
Goettingen, Germany, and Artistic Director of the Corona del Mar Baroque Music Festival. Her love of
chamber music has involved her in several accomplished smaller ensembles including Voices of Music,
Galax Quartet, Live Oak Baroque, Ars Lyrica Houston Chamber Players, Sarasa, and Severall Friends. Ms.
Blumenstock teaches for Juilliard’s Historical Performance Program, at the San Francisco Conservatory of
Music, American Bach Soloists’ Summer Festival and Academy, the International Baroque Institute at
Longy, and the Valley of the Moon Music Festival. She plays a 1660 Andrea Guarneri violin built in
Cremona, Italy, on generous loan to her from the Philharmonia Baroque Period Instrument Trust.

Close

Stephen Redfield
Violin

Read Bio

Stephen Redfield

Violinist Stephen Redfield, D.M.A., is a member of the University of Southern Mississippi School of Music faculty, where he performs with the Mississippi Chamber Circle and the Impromptu Piano Trio. Throughout the year Stephen acts as concertmaster of the Santa Fe Pro Musica, and each summer plays with the Victoria Bach Festival; his performances as concertmaster and soloist there have been produced on discs and broadcast nationally. He has also often led the Oregon Bach Festival orchestra, where he has participated in numerous recordings, including the Grammy Award-winning disc “Credo.” In addition, Stephen is concertmaster of the Arizona Bach Festival, was the long-time principal second violin of the Sunriver Music Festival, and served for five years as Assistant Concertmaster of the Austin Symphony Orchestra.
Stephen has particularly extensive experience in the choral-orchestral repertoire: over his 30 years with the Oregon Bach Festival, he performed the majority of this repertoire with Helmuth Rilling (including recording eight works, and premiering two commissioned pieces). He is concertmaster for Craig Hella Johnson and the coral ensemble Conspirare. He has led a period B Minor Mass for Joshua Habermann and the Santa Fe Desert Chorale, and was concertmaster for Robert Shaw in the Berlioz Requiem and for Fiora Contino in Haydn’s Creation and the St. John Passion.
Stephen is an active chamber musician throughout the United States and abroad. He has collaborated with artists Andre-Michel Schub, Peter Wiley and Mark Peskanov. His Cayuga Quartet was a winner of the Coleman and Monterey Chamber Music Competitions and earned an Aspen Quartet Fellowship. In addition to the festivals mentioned before, Stephen has been featured in chamber concerts at Loon Lake Live!, Taos Soundscapes, Serenata of Santa Fe, Quad-Cities Mozart Festival, and the Anchorage Festival, among others. He coached with the Cleveland Quartet and Abram Loft, the Emerson Quartet and Earl Carlyss, and the LaSalle and Audubon Quartets.
He frequently performs as a soloist; during 2009, Mendelssohn’s 200th birth-year, he performed both Mendelssohn violin concertos (and also toured with his three sonatas). His specialty is 18th and early 19th-Century concertos and concert pieces, often leading the ensemble while playing the solo. Highlights include Vivaldi’s Four Seasons, each of the Bach Concertos, and selected concertos and works by Beethoven, Mozart and Haydn. He also performed a Western-U.S. premiere of the Michael Daugherty’s “Ladder to the Moon.”
Stephen has also developed a specialization in period performance. He performs regularly as a Baroque violinist, including as a member of the Atlanta Baroque Orchestra, and he has led the ensembles Albuquerque Baroque Players and Nashville’s Music City Baroque. Stephen’s Baroque chamber music credits include concerts with Marion Verbruggen, Mary Springfels, Elizabeth Blumenstock and Kenneth Slowik., and with the Newberry Consort and the Smithsonian Chamber Players. As a member of the Sebastian Ensemble, with harpsichordist Kathleen McIntosh, Stephen travelled twice to Lima, Peru, for the Festival Internacional de Música Antigua‏. Specializing in J.S. Bach’s Sonatas for Violin and Harpsichord Obligato, this period performance group has toured throughout the United States as well as in Spain, Japan and Cuba.

Close

Lisa Grodin
Viola

Mary Springfels
Viola da gamba
Read Bio

Mary Springfels

Mary Springfels is a veteran of the American early music movement. She began
her career at the age of 21 with the New York Pro Musica, and has played with most of the major ensembles in the field, including the Waverly Consort, The Folger Consort, Philharmonia Baroque, the Seattle Baroque Orchestra, Musica Sacra of New York, and Pomerium Musices, to name a few. In 1983 she became Musician in-Residence at the Newberry Library, and was the director of the Newberry Consort for 20 years. In 2008, she fulfilled a lifelong dream, and moved to New Mexico. Since then, she has travelled widely, working with Sonoma Bach, the Lobo Baroque Orchestra, the Arizona Bach Society, Ars Lyrica of Houston, The Texas Early Music Project of Austin, and continues to work with Drew Minter, and her beloved colleagues at the Folger Consort. She can be heard on dozens of recordings. Springfels is also a very active teacher and coach. She and Elizabeth Blumenstock are Co-Directors of the newly founded Severall Friends, based in Santa Fe.

Close

Kathleen McIntosh
Harpsichord
Read Bio

Kathleen McIntosh

Harpsichordist Kathleen McIntosh has appeared in the Esteban Salas Festival in Havana nearly every year since 2002. She has been featured in the Santa Fe Chamber Music Festival since 1996, and in festivals in the United States, Japan, Peru and Germany. A resident of Santa Fe, New Mexico, she has appeared on every local concert series, and with the Santa Fe Symphony, Santa Fe Pro Musica and Serenata of Santa Fe. McIntosh is a champion of contemporary music. She appeared regularly with the series 20th Century Unlimited and is part of the McFish Duo. From 1999-2009, she performed with the Vail Valley Bravo! Festival, which commissioned a work by Melinda Wagner especially for her that premiered in the 2005 season. Other premieres have included works by Leo Brouwer, John Steinmetz, Carl Mansker, Alex Shapiro and many others.
McIntosh has been soloist with the Chamber Orchestra Kremlin in Moscow, Vietnam National Symphony in Hanoi, Solistas de La Habana, Santa Fe Friends in Tsuyama, Japan, and with many American groups. She teaches regularly in Cuba as part of the Semana Sacra sponsored by the national cathedral, in Peru at the national conservatory in Lima, and in Opole, Poland at the Diecezjalny Instytut Musyki Koscielnej. In November 2015, she performed the entire Clavier-Ubung of J.S.Bach in five concerts in Los Angeles, California, with organist Ron McKean and harpsichordist Janine Johnson. Ms. McIntosh was a student of John Hamilton and Thurston Dart. She can be heard in recordings from Gasparo and Maricam Studios.

Close

Romancing the Rose
2025-01-26 15:00 - 16:30 | Thaw Gallery at New Mexico School for the Arts, 500 Montezuma Avenue, Santa Fe, 87501, United States
This Ticket is Sold Out
If any cancellations occur, a limited number of tickets may become available at the door on a first-come, first-served basis. Thank you! The Romance of the Rose was one of the most influential works of medieval imaginative literature. It was copied innumerable times, from its inception in the 1200s until the age of the printing press, and was read throughout Europe, from England to Italy.
Severall Friends will offer a tasting menu of delicacies by Machaut, Ciconia, Dufay, and others.

Featuring:
Daniel Meyers, winds
Emily Noël, voice
Mark Rimple, strings
Mary Springfels, strings
Desirée Mays, narrator

We are thrilled to announce that guest projection designer Shawn Keener will be joining us for the Romancing the Rose concert. Shawn will be illuminating the performance with beautiful, captivating images, adding a unique visual experience to complement the music.
Daniel Meyers
Winds
Read More

Daniel Meyers

A versatile multi-instrumentalist, Dan Meyers is a flexible and engaging performer of both classical and folk music; his credits range from premieres of contemporary chamber music, to headlining a concert series in honor of Pete Seeger at the Newport Folk Festival, to playing Renaissance instruments on Broadway for Shakespeare’s Globe Theatre Company. He is a founding member of the early music/folk crossover group Seven Times Salt, and in recent seasons he has performed with the The Folger Consort, The Newberry Consort, Hesperus, Dünya, The Henry Purcell Society of Boston, Early Music New York, Amherst Early Music, The 21st Century Consort, In Stile Moderno, and the Cambridge Revels, making concert and theatrical appearances in NYC, Washington DC, Chicago, Minneapolis, Memphis, Santa Fe, at the Yellow Barn Festival in Vermont, and at at the “La Luna e i Calanchi” festival in Basilicata (Italy).
He enjoys playing traditional Irish music with the bands Ulster Landing and Ishna, as well as eclectic fusion from around the Mediterranean with the US/Italy-based group Zafarán; he also played winds and percussion for over a decade with the award-winning Italian folk music group Newpoli. As an educator, he has taught historical wind instruments for the Five Colleges Early Music Program in Massachusetts, at Tufts University, and at festivals and workshops around the Northeast.
www.danmeyersmusic.com

Close

Emily Noël
Voice
Read More

Emily Noël

Soprano Emily Noël has appeared as a soloist with many leading early music ensembles, including The Folger Consort, The Gabrieli Players, and the Washington Bach Consort. Recent stage credits include Measure + Dido at the John F. Kennedy Center in Washington DC; Davenant’s Macbeth at the Folger Shakespeare Theatre; The Merchant of Venice at the Wanamaker Theatre at Shakespeare’s Globe in London; Vaughn Williams’ Riders to the Sea at the Amsterdam Grachtenfestival; and Verdi’s Rigoletto at Ente Concerti Città di Iglesias in Sardinia, Italy. This summer will mark Emily’s tenth year singing with the Santa Fe Desert Chorale. A passionate educator, Emily has served on the faculties of Franklin and Marshall College, Notre Dame of Maryland University, and The Community College of Rhode Island. She currently teaches at Otterbein University, where she directs the Cardinal Singers.

Close

Mark Rimple
Strings
Read More

Mark Rimple

Mark Rimple has garnered critical notice for his interpretation of early music from national newspapers and journals including the Philadelphia Inquirer, The New York Times, the Chicago Tribune, The Washington Post, Early Music America, and Early Music (UK).
He is a founding member of the vocal-instrumental ensemble TREFOIL and appears frequently with viola da gambist Mary Springfels’ ensemble Severall Friends (Santa Fe, NM). He has appeared with The Folger Consort, The Newberry Consort, Piffaro, the Renaissance Band, The Nota Bene Viol Consort, The King’s Noyse, Les Delices and Blue Heron, Ex Umbris (at the Clinton White House), New York’s Ensemble for Early Music, Mélomanie, Pomerium, Tempesta di Mare, Network for New Music, Seven Times Salt, The Brandywine Singers, Cygnus Ensemble and the GEMS production of The Play of Daniel. His CD of solo Italian lute music for three different instruments (Tre Liuti, available on CDBaby, ITunes, etc.) received highly favorable reviews.
Mark principally plays medieval and Renaissance lute, archlute, gittern, citole, psaltery, cittern, and viol. In early 2023, he will make a recording of solo works for archlute and classical guitar (playing without nails) featuring works by Bach (BWV 1004 and 998) on archlute, and guitar repertoire by Villa Lobos, Tansman, Mompou, and Turina Before his early music career, he was an accomplished classical guitarist, specializing in new music. Mark has recorded early and new music as countertenor and lutenist with the Newberry Consort, Trefoil, Seven Times Salt, and Cygnus Ensemble and has performed with The Pennsylvania Ballet Orchestra and Curtis Orchestra (on mandolin), The Philadelphia Chamber Orchestra (lute), Network for New Music (lute, guitar, mandolin) and The Philadelphia Classical Symphony (guitar).
Mark is a Professor of Music Theory and Composition at The Wells School of Music at West Chester University of Pennsylvania.

Close

Mary Springfels
Strings
Read More

Mary Springfels

Mary Springfels is a veteran of the American early music movement. She began
her career at the age of 21 with the New York Pro Musica, and has played with most of the major ensembles in the field, including the Waverly Consort, The Folger Consort, Philharmonia Baroque, the Seattle Baroque Orchestra, Musica Sacra of New York, and Pomerium Musices, to name a few. In 1983 she became Musician in-Residence at the Newberry Library, and was the director of the Newberry Consort for 20 years. In 2008, she fulfilled a lifelong dream, and moved to New Mexico. Since then, she has travelled widely, working with Sonoma Bach, the Lobo Baroque Orchestra, the Arizona Bach Society, Ars Lyrica of Houston, The Texas Early Music Project of Austin, and continues to work with Drew Minter, and her beloved colleagues at the Folger Consort. She can be heard on dozens of recordings. Springfels is also a very active teacher and coach. She and Elizabeth Blumenstock are Co-Directors of the newly founded Severall Friends, based in Santa Fe.

Close

Shawn Keener
Projection Designer
Read More

Shawn Keener
Projection Designer
Trained as a music historian, Shawn Keener is a graphic designer, translator, and book indexer based in Chicago. Her scholarly work examining the intersection of vernacular song and cultural memory in 16th-century Venice was supported by a Fulbright grant (Italy, 2007–08) and a Harper Dissertation-Year Fellowship at the University of Chicago. Since 2012 she has curated and designed projections for live performance and concert videos that are visual extensions of historically informed performance. She has collaborated with the Newberry Consort (Chicago), Les Délices (Cleveland), Blue Heron (Boston), Trobár (Cleveland), and Severall Friends (Santa Fe). Before launching Keener Editorial in late 2019, Shawn worked for several years at the Newberry Library in Chicago and was for three years a staff editor in the Recent Researches series at A-R Editions (Middleton, WI), the leading North American publisher of scholarly editions of music.
www.keenereditorial.com

Close

Desirée Mays
Narrator
Read More

Desirée Mays
Narrator
Desirée Mays narrated Severall Friends’ medieval version of Tristan and Isolde in 2023. She returns to tell the tale of The Romance of the Rose, a timeless poem on the trials and tribulations of Love. Desirée speaks all over the US to opera companies and groups; she is the author of the Opera Unveiled series of books, and is a radio producer and interviewer on opera. She will return this summer to The Santa Fe Opera as the preview speaker for Die Walküre.

Close
Having Trouble Purchasing Tickets?
If you have difficulty buying a ticket here, please try refreshing the page first: Click HERE. Make sure you have selected the quantity of tickets before clicking the “Get Tickets” button. If the issue persists, please send an email to manager@severallfriends.org or call (505) 930-9393. Leave your name, phone number, event name, and the number of tickets you’d like, and we’ll reserve them for you. Payment can be processed later. Thank you for your understanding! This Ticket is Sold Out
If any cancellations occur, a limited number of tickets may become available at the door on a first-come, first-served basis. Thank you!

For Ye Violls
2025-02-05 15:30 - 2025-02-08 16:00 | Nativo Lodge, 6000 Pan American Fwy NE, Albuquerque, NM, 87109, United States
An intensive workshop for viol players at all levels in Albuquerque NM, Feb. 5 – 8, 2025.
Status: Waiting List
All spots have now been filled. Submit a registration form (no deposit required) to secure a spot on the waiting list.
For Ye Violls presents an intimate four-day workshop for viol players at all levels featuring six-part consort repertoire from England, Italy, and the low countries. Each class will be limited to six players with three classes each day, one-to-apart. There will be free time each afternoon with an optional “siesta class”, sightseeing, or a real siesta, and after-dinner playing welcome to all.

The workshop’s three instructors, Lawrence Lipnik, David Morris, and Mary Springfels are among the most outstanding coaches in the field. Each tutor has chosen a repertoire, with play-in and faculty concert on the final afternoon of the workshop. There will be 8 formal sessions, plus a final reading and faculty concert. While the instrumental ensembles may be fixed for the weekend, every player will work with every instructor.

Mary Springfels
Director of Severall Friends

The Franco-Flemings who invented the Renaissance: from Josquin to Willaert.
Read Bio

Mary Springfels

Mary Springfels is a veteran of the American early music movement. She began her career at the age of 21 with the New York Pro Musica, and has played with most of the major ensembles in the field, including the Waverly Consort, The Folger Consort, Philharmonia Baroque, the Seattle Baroque Orchestra, Musica Sacra of New York, and Pomerium Musices, to name a few. In 1983 she became Musician in-Residence at the Newberry Library, and was the director of the Newberry Consort for 20 years. In 2008, she fulfilled a lifelong dream, and moved to New Mexico. Since then, she has travelled widely, working with Sonoma Bach, the Lobo Baroque Orchestra, the Arizona Bach Society, Ars Lyrica of Houston, The Texas Early Music Project of Austin, and continues to work with Drew Minter, and her beloved colleagues at the Folger Consort. She can be heard on dozens of recordings. Springfels is also a very active teacher and coach. She and Elizabeth Blumenstock are Co-Directors of the newly founded Severall Friends, based in Santa Fe.

Close

David Morris

Late 17th c. Italians, native and adopted: music of Giaches de Wert, Giovanni Croce, Alessandro Striggio, and others.
Read Bio

David Morris

Dubbed a “basso continuo wizard” by Gramophone (UK), David Morris has made a specialty of performing 17th- and 18th-c. music on a variety of historical bass instruments including the viola da gamba, baroque cello, bass violin and lirone. He has performed in the U.S. and abroad with the Boston Early Music Festival Orchestra, Tafelmusik, the Boston Symphony Orchestra and the Mark Morris Dance Group. He has recorded for Harmonia Mundi, Drag City Records (Joanna Newsom’s double-CD, Have One on Me), CBC/ Radio-Canada and New Line Cinema (as viola da gamba soloist for The Nativity Story). He is a frequent coach at the Viola da Gamba Society of America’s regional workshops as well at its national Conclaves, and has also taught at the Amherst and Madison Early Music Workshops.

Close

Lawrence Lipnik

Musica Transalpina: Continental repertoire embraced by the Elizabethans. Works by Marenzio, Ferrabosco, and Byrd’s Italian side.
Read Bio

Lawrence Lipnik

Lawrence Lipnik has performed with many acclaimed early music ensembles from Anonymous 4 to Piffaro and the Waverly Consort, and is a founding member of the viol consort Parthenia and vocal ensemble Lionheart. He has prepared an authoritative edition of Francesco Cavalli’s La Calisto, commissioned by the Juilliard School, served as gambist and recorder player for staged opera productions including Monteverdi’s Ritorno d’Ulisse in Patria at Wolf Trap and Telemann’s Orpheus with the New York City Opera. In addition to performing, he enjoys a busy teaching schedule which has included national and international festivals including the Benslow Music Trust in the UK, Port Townsend, San Diego and Madison Early Music Festivals, Pinewoods, Collegium Director at Amherst Early Music, viol, recorder and early music performance instruction at Wesleyan University and is a contributor to The Cambridge Companion to Shakespeare and Contemporary Dramatists. Highlights from this past season have included performances with lutenist Paul O’dette of Dowland’s complete Lachrimae collection at the Metropolitan Museum of Art, concerts at the Berkeley Festival, appearances with ARTEK, TENET, the Indiana University Historic Performance Institute at the Bloomington Early Music Festival and early opera residency at Carnegie Mellon University.

Close

The Workshop Venue:

The workshop venue is Nativo Lodge (www.nativolodge.com) on the north side of Albuquerque. This site, though lacking the privacy of retreat centers, features modern amenities with comfortable rooms, great views, and private baths.
Tentative Schedule:
%20%20%3Ctable%20class%3D%22schedule-table%22%3E%0A%20%20%20%20%3Cthead%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Cth%20colspan%3D%222%22%20class%3D%22date-header%22%3EWednesday%2C%20February%205%3C%2Fth%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%3C%2Fthead%3E%0A%20%20%20%20%3Ctbody%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E3%3A30%20%E2%80%93%206%3A00%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EArrival%2C%20reception%2C%20registration%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E6%3A00%20%E2%80%93%207%3A00%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EDinner%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E7%3A30%20%E2%80%93%209%3A00%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EOpening%20group%20play-in%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Cth%20colspan%3D%222%22%20class%3D%22date-header%22%3EThursday%20%26%20Friday%2C%20February%206-7%3C%2Fth%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E8%3A00%20%E2%80%93%209%3A00%20am%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EBreakfast%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E9%3A30%20%E2%80%93%2010%3A45%20am%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3E1st%20class%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E10%3A45%20%E2%80%93%2011%3A15%20am%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3ECoffee%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E11%3A15%20%E2%80%93%2012%3A30%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3E2nd%20class%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E12%3A30%20%E2%80%93%202%3A30%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3ELunch%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E2%3A30%20%E2%80%93%203%3A45%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3E3rd%20class%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E3%3A45%20%E2%80%93%204%3A15%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3ETea%20break%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E4%3A15%20%E2%80%93%205%3A30%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EOptional%20%E2%80%9Csiesta%20class%E2%80%9D%E2%80%94sign%20up%20at%20lunch%3B%20or%20sightsee%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E6%3A00%20%E2%80%93%207%3A30%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EDinner%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E7%3A45%20%E2%80%93%208%3A45%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EEvening%20consorts%20with%20faculty%E2%80%94sign%20up%20at%20lunch%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E8%3A45%20%E2%80%93%2010%3A00%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3ELate-night%20consorting%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Cth%20colspan%3D%222%22%20class%3D%22date-header%22%3ESaturday%2C%20February%208%3C%2Fth%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E8%3A00%20%E2%80%93%209%3A00%20am%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EBreakfast%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E9%3A30%20%E2%80%93%2010%3A45%20am%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3E1st%20class%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E10%3A45%20%E2%80%93%2011%3A15%20am%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3ECoffee%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E11%3A15%20%E2%80%93%2012%3A30%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3E2nd%20class%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E12%3A30%20%E2%80%93%202%3A30%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3ELunch%20%28but%20check%20out%20first%29%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E2%3A30%20%E2%80%93%204%3A00%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EFinal%20play-in%20and%20faculty%20concert%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%3C%2Ftbody%3E%0A%20%20%3C%2Ftable%3E
Fees:
Single room: $875, Double room: $725, Commuters: $475
All breakfasts and opening night dinner are included. We’re on our own for both lunch and dinner Thursday and Friday, and lunch on Saturday. The Lodge’s Garduños Restaurant is poised to serve us from their not-pricey menu (see it at https://tinyurl.com/yprsp9pv ) for those lunches and dinners, but other restaurants are only minutes away.

Getting Here (And Back):
Nativo Lodge location is located on the very north end of Albuquerque at 6000 Pan American Fwy. NE.. If you’re driving on I-25, get off on San Mateo Av. and you’ll see it right there, but your GPS will navigate you through the maze of ramps. If you’re flying in, you’ll need to find a transportation option at ABQ airport—it’s a straight shot up I-25—but if you let us know your itinerary well in advance we may be able to pick you up. If you’re flying out, try to find flights that leave ABQ 6 pm or later.

Registration:
All spots have now been filled. Submit a registration form (no deposit required) to secure a spot on the waiting list.
The registration deadline (below) is a bit earlier than usual because I’ll have been in Argentina for the last half of January and in Tierra del Fuego, hiking and out of communication with the wider world, from January 23 to February 2. So I’ve got to get this all wrapped up well in advance of that trip. (I’ll have lots of photos.)
Please print and return the registration form with a non-refundable deposit of $100.
Registration deadline: Saturday, December 21, 2024.
Registration Form Self-Rating Guide Workshop Brochure
For More Information:
Content/pedagogy: Mary Springfels, 505.627.1487, mvspring@gmail.com
Everything else: Ken Perlow, 708.989.1729, manager@SeverallFriends.org

Dancing in the Isles
2025-04-27 15:00 - 16:30 | The Muñoz Waxman Gallery at CCA, 1050 Old Pecos Trail, Santa Fe, NM, 87505, United States
Come join Severall Friends for “Dancing in the Isles”, a festive program of Baroque music from the British Isles! We will present Scottish, Irish, and English traditional tune medleys, along with art music from Purcell, Locke, and others, running the gamut from the contemplative to the utterly rousing!

Venue: The Muñoz Waxman Gallery at CCA (Center for Contemporary Arts), 1050 Old Pecos Trail, Santa Fe

Featuring:
Violinist Elizabeth Blumenstock is joined by guest artists Judith Linsenberg, recorder and Stephanie Noori, violin; and by our regulars Mary Springfels, viola da gamba and Kathleen McIntosh, harpsichord.
Elizabeth Blumenstock
Violin
Read More

Elizabeth Blumenstock

Elizabeth Blumenstock is a long-time concertmaster, soloist, and leader with the Bay Area’s Philharmonia Baroque and American Bach Soloists, concertmaster of the International Handel Festival Orchestra in Goettingen, Germany, and Artistic Director of the Corona del Mar Baroque Music Festival. Her love of chamber music has involved her in several accomplished smaller ensembles including Voices of Music, Galax Quartet, Live Oak Baroque, Ars Lyrica Houston Chamber Players, Sarasa, and Severall Friends. Ms. Blumenstock teaches for Juilliard’s Historical Performance Program, at the San Francisco Conservatory of Music, American Bach Soloists’ Summer Festival and Academy, the International Baroque Institute at Longy, and the Valley of the Moon Music Festival. She plays a 1660 Andrea Guarneri violin built in Cremona, Italy, on generous loan to her from the Philharmonia Baroque Period Instrument Trust.

Close

Judith Linsenberg
Recorder
Read More

Judith Linsenberg

Called “the Jascha Heifetz of the recorder,” Judith Linsenberg is one of the leading exponents of the recorder in the US and has been acclaimed for her “virtuosity,” “expressivity,” and “fearless playing.” She has performed throughout the US and Europe, including solo appearances at the Hollywood Bowl and Lincoln Center; and has been featured with such leading ensembles as the San Francisco Symphony, the SF and Los Angeles Operas, the Oregon Symphony, LA Chamber Orchestra, Philharmonia Baroque, American Bach Soloists, the Portland and Seattle Baroque Orchestras, the Oregon and Carmel Bach Festivals, among others. The winner of national performance awards, she has premiered several new works for the recorder and has recorded for Virgin Classics, Dorian, Solimar, Navona, harmonia mundi usa, Koch International, Reference Recordings, Musical Heritage Society, Drag City Records (with Joanna Newsom), and Hännsler Classics. She holds a doctorate in early music from Stanford University, and has been a visiting professor at the Vienna Conservatory and Indiana University’s Early Music Institute. In her spare time, she enjoys hanging out with her dog, Jasper, and playing a bit of Klezmer clarinet. Website

Close

Stephanie Noori
Violin
Read More

Stephanie Noori

Stephanie Noori has been playing violin since she was 4 years old. However it was her teacher Deirdre Ward, one of the violin faculty at Chetams School of Music and a modern and baroque violinist, that helped inspire her to take up music professionally.
In 2006, Stephanie moved back to the U.S. in order to pursue a BM in modern violin performance at the University of North Texas with Dr. Igor Borodin and Julia Bushkova and in 2007 she was one of the winners of the UNT Concerto Competition with Shotakovich’s Violin Concerto No.1 in A minor under the direction of Maestro Anshel Brusilow.
Whilst at UNT, Stephanie actively participated in the baroque program, initially starting baroque violin lessons with Cynthia Roberts and then viola da gamba with Pat Nordstrom and Allen Whear. In 2009 and 2011 she had the opportunity to perform with the UNT Baroque Orchestra at BEMF (Boston Early Music Festival)
In 2011 Stephanie continued her education at Indiana University Jacobs School of Music under the direction of Stanley Ritchie and the EMI (Early Music Institute) faculty where, in 2013, she obtained a Master of Music in Early Music Performance. Most recently, she won the Indianapolis Baroque Concerto Competition with Vivaldi’s Concerto for 3 Violins in F major and performed with the IBO.
Additionally, Stephanie has played with ensembles such as the Denton Bach Society, Orchestra of New Spain, Austin Baroque Orchestra, San Francisco Bach Choir, Ascolti, Vox Reflexa, Exordium, Aston Magna, and Mountainside Baroque. Currently, Stephanie is an active member of the viol consort Les Touches, with whom she recently appeared as a finalist at the York Early Music International Young Artists’ Competition in the UK.

Close

Mary Springfels
Viola da Gamba
Read More

Mary Springfels

Mary Springfels is a veteran of the American early music movement. She began
her career at the age of 21 with the New York Pro Musica, and has played with most of the major ensembles in the field, including the Waverly Consort, The Folger Consort, Philharmonia Baroque, the Seattle Baroque Orchestra, Musica Sacra of New York, and Pomerium Musices, to name a few. In 1983 she became Musician in-Residence at the Newberry Library, and was the director of the Newberry Consort for 20 years. In 2008, she fulfilled a lifelong dream, and moved to New Mexico. Since then, she has travelled widely, working with Sonoma Bach, the Lobo Baroque Orchestra, the Arizona Bach Society, Ars Lyrica of Houston, The Texas Early Music Project of Austin, and continues to work with Drew Minter, and her beloved colleagues at the Folger Consort. She can be heard on dozens of recordings. Springfels is also a very active teacher and coach. She and Elizabeth Blumenstock are Co-Directors of the newly founded Severall Friends, based in Santa Fe.

Close

Kathleen McIntosh
Harpsichord
Read More

Kathleen McIntosh

Harpsichordist Kathleen McIntosh has appeared in the Esteban Salas Festival in Havana nearly every year since 2002. She has been featured in the Santa Fe Chamber Music Festival since 1996, and in festivals in the United States, Japan, Peru and Germany. A resident of Santa Fe, New Mexico, she has appeared on every local concert series, and with the Santa Fe Symphony, Santa Fe Pro Musica and Serenata of Santa Fe. McIntosh is a champion of contemporary music. She appeared regularly with the series 20th Century Unlimited and is part of the McFish Duo. From 1999-2009, she performed with the Vail Valley Bravo! Festival, which commissioned a work by Melinda Wagner especially for her that premiered in the 2005 season. Other premieres have included works by Leo Brouwer, John Steinmetz, Carl Mansker, Alex Shapiro and many others.
McIntosh has been soloist with the Chamber Orchestra Kremlin in Moscow, Vietnam National Symphony in Hanoi, Solistas de La Habana, Santa Fe Friends in Tsuyama, Japan, and with many American groups. She teaches regularly in Cuba as part of the Semana Sacra sponsored by the national cathedral, in Peru at the national conservatory in Lima, and in Opole, Poland at the Diecezjalny Instytut Musyki Koscielnej. In November 2015, she performed the entire Clavier-Ubung of J.S.Bach in five concerts in Los Angeles, California, with organist Ron McKean and harpsichordist Janine Johnson. Ms. McIntosh was a student of John Hamilton and Thurston Dart. She can be heard in recordings from Gasparo and Maricam Studios.

Close
Having Trouble Purchasing Tickets?
If you have difficulty buying a ticket here, please try refreshing the page first: Click HERE. Make sure you have selected the quantity of tickets before clicking the “Get Tickets” button. If the issue persists, please send an email to manager@severallfriends.org or call (505) 930-9393. Leave your name, phone number, event name, and the number of tickets you’d like, and we’ll reserve them for you. Payment can be processed later. Thank you for your understanding!

MarketMusic
2025-08-16 12:00 - 13:00 | Thaw Gallery at New Mexico School for the Arts, 500 Montezuma Avenue, Santa Fe, 87501, United States
Saturday, August 16, 2025

Time: 12:00 PM
Venue: Thaw Gallery at New Mexico School for the Arts,
500 Montezuma Avenue, Santa Fe, 87501

Potpourri:
A varied collection of Baroque favorites
With guest: David Solem, harpsichord

Questions? Call: (505) 930-9393
MarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery, a wonderfully intimate concert venue.
If you would like to join our growing list of supporters, please make a contribution through our secure website, or make a check payable to Severall Friends and mail it to:

Severall Friends NFP
64 Vista del Oro, Cerrillos, NM 87010

Program and artists subject to change.

MarketMusic
2025-08-30 12:00 - 13:00 | Thaw Gallery at New Mexico School for the Arts, 500 Montezuma Avenue, Santa Fe, 87501, United States
Saturday, August 30, 2025

Time: 12:00 PM
Venue: Thaw Gallery at New Mexico School for the Arts,
500 Montezuma Avenue, Santa Fe, 87501

Music for Four Strings:
Baroque and Classical quartets
Featuring: Stephen Redfield, violin and Katie Rietman, cello

Questions? Call: (505) 930-9393
MarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery, a wonderfully intimate concert venue.
If you would like to join our growing list of supporters, please make a contribution through our secure website, or make a check payable to Severall Friends and mail it to:

Severall Friends NFP
64 Vista del Oro, Cerrillos, NM 87010

Program and artists subject to change.

MarketMusic
2025-09-13 12:00 - 13:00 | Thaw Gallery at New Mexico School for the Arts, 500 Montezuma Avenue, Santa Fe, 87501, United States
Saturday, September 13, 2025 – Fantastic Finale

Time: 12:00 PM
Venue: Thaw Gallery at New Mexico School for the Arts,
500 Montezuma Avenue, Santa Fe, 87501

Musick 1650-1750:
Riches of the London Baroque
With guest: Kathryn Montoya, oboe, and James Oxley, tenor

Questions? Call: (505) 930-9393
MarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery, a wonderfully intimate concert venue.
If you would like to join our growing list of supporters, please make a contribution through our secure website, or make a check payable to Severall Friends and mail it to:

Severall Friends NFP
64 Vista del Oro, Cerrillos, NM 87010

Program and artists subject to change.

MarketMusic
2025-12-06 12:00 - 13:00 | Thaw Gallery at New Mexico School for the Arts, 500 Montezuma Avenue, Santa Fe, 87501, United States
Saturday, December 6, 2025

Time: 12:00 PM
Venue: Thaw Gallery at New Mexico School for the Arts,
500 Montezuma Avenue, Santa Fe, 87501

Baroque Noëls:
Featuring: Jennifer Perez, soprano and Kim Pineda, flute

Questions? Call: (505) 930-9393
MarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery, a wonderfully intimate concert venue.
If you would like to join our growing list of supporters, please make a contribution through our secure website, or make a check payable to Severall Friends and mail it to:

Severall Friends NFP
64 Vista del Oro, Cerrillos, NM 87010

Program and artists subject to change.

MarketMusic
2025-12-20 12:00 - 13:00 | Thaw Gallery at New Mexico School for the Arts, 500 Montezuma Avenue, Santa Fe, 87501, United States
Saturday, December 20, 2025

Time: 12:00 PM
Venue: Thaw Gallery at New Mexico School for the Arts,
500 Montezuma Avenue, Santa Fe, 87501

A Baroque Winter:
Featuring: Michael Hix, baritone

Questions? Call: (505) 930-9393
MarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery, a wonderfully intimate concert venue.
If you would like to join our growing list of supporters, please make a contribution through our secure website, or make a check payable to Severall Friends and mail it to:

Severall Friends NFP
64 Vista del Oro, Cerrillos, NM 87010

Program and artists subject to change.

For Ye Violls on the Pecos
2026-02-12 15:30 - 2026-02-15 14:30 | Benedictine Monastery in Pecos, NM., 16 Guadalupe Ln, Pecos, 87552, United States
Status: Waiting List Workshop registration is now at full capacity. If you’d like to get on the wait list please send in the registration form without the deposit, and we’ll let you know if a spot opens up.
An intensive weekend workshop for viol players at all levels in historic northern NM
Thursday February 12 – Sunday February 15, 2026
For Ye Violls on the Pecos will be an intimate four-day weekend for viol players at all levels featuring fiveand six-part music from England and Germany. The workshop’s three instructors—Larry Lipnik, David Morris, and Mary Springfels—are among the most outstanding coaches in the field, and if there’s sufficient enrollment we can add a fourth. Each tutor has chosen a repertoire. There will be six formal sessions, plus a final reading on Sunday morning. There will be free time each afternoon for an extra drop-in class, siesta, or sightseeing.

Mary Springfels
Director of Severall Friends
Read Bio

Mary Springfels

Mary Springfels is a veteran of the American early music movement. She began her career at the age of 21 with the New York Pro Musica, and has played with most of the major ensembles in the field, including the Waverly Consort, The Folger Consort, Philharmonia Baroque, the Seattle Baroque Orchestra, Musica Sacra of New York, and Pomerium Musices, to name a few. In 1983 she became Musician in-Residence at the Newberry Library, and was the director of the Newberry Consort for 20 years. In 2008, she fulfilled a lifelong dream, and moved to New Mexico. Since then, she has travelled widely, working with Sonoma Bach, the Lobo Baroque Orchestra, the Arizona Bach Society, Ars Lyrica of Houston, The Texas Early Music Project of Austin, and continues to work with Drew Minter, and her beloved colleagues at the Folger Consort. She can be heard on dozens of recordings. Springfels is also a very active teacher and coach. She and Elizabeth Blumenstock are Co-Directors of the newly founded Severall Friends, based in Santa Fe.

Close

The Peace of the Roses: Gloriously beautiful early Tudor motets and instrumental music.

David Morris
Read Bio

David Morris

Dubbed a “basso continuo wizard” by Gramophone (UK), David Morris has made a specialty of performing 17th- and 18th-c. music on a variety of historical bass instruments including the viola da gamba, baroque cello, bass violin and lirone. He has performed in the U.S. and abroad with the Boston Early Music Festival Orchestra, Tafelmusik, the Boston Symphony Orchestra and the Mark Morris Dance Group. He has recorded for Harmonia Mundi, Drag City Records (Joanna Newsom’s double-CD, Have One on Me), CBC/ Radio-Canada and New Line Cinema (as viola da gamba soloist for The Nativity Story). He is a frequent coach at the Viola da Gamba Society of America’s regional workshops as well at its national Conclaves, and has also taught at the Amherst and Madison Early Music Workshops.

Close

English & German Dance Music: Featuring repertoire by Brade, Holborne, Hammerschmidt & others.

Lawrence Lipnik
Read Bio

Lawrence Lipnik

Lawrence Lipnik has performed with many acclaimed early music ensembles from Anonymous 4 to Piffaro and the Waverly Consort, and is a founding member of the viol consort Parthenia and vocal ensemble Lionheart. He has prepared an authoritative edition of Francesco Cavalli’s La Calisto, commissioned by the Juilliard School, served as gambist and recorder player for staged opera productions including Monteverdi’s Ritorno d’Ulisse in Patria at Wolf Trap and Telemann’s Orpheus with the New York City Opera. In addition to performing, he enjoys a busy teaching schedule which has included national and international festivals including the Benslow Music Trust in the UK, Port Townsend, San Diego and Madison Early Music Festivals, Pinewoods, Collegium Director at Amherst Early Music, viol, recorder and early music performance instruction at Wesleyan University and is a contributor to The Cambridge Companion to Shakespeare and Contemporary Dramatists. Highlights from this past season have included performances with lutenist Paul O’dette of Dowland’s complete Lachrimae collection at the Metropolitan Museum of Art, concerts at the Berkeley Festival, appearances with ARTEK, TENET, the Indiana University Historic Performance Institute at the Bloomington Early Music Festival and early opera residency at Carnegie Mellon University.

Close

Amorous Fire, Liquid Silver: Happy anniversary Giovanni Coperario & Thomas Weelkes!

The Workshop Venue:

The workshop venue is the Benedictine Monastery in Pecos, NM. This pastoral site, right on the Pecos River, features modern amenities with comfortable rooms. All rooms are singles and have private baths.
Tuition:
$1,000 (single room) – All meals are included

Getting Here:
The Benedictine Monastery is on the north end of the town of Pecos, about a half-hour drive northeast of Santa Fe on I-25 and thence onto State Hwy. 50. We assume most people will be driving. If flying, the nearest airport is the cute, tiny one on the south side of Santa Fe (SAF), albeit with very limited service; otherwise it’s Albuquerque’s (ABQ), an hour’s extra drive. If you fly in to ABQ and don’t rent a car, it’s dicey: the one shuttle service to Santa Fe stopped operations in November. There is a train from downtown Albuquerque, the Rail Runner, but only a half dozen or so run every day, and it doesn’t stop at the airport. We’ll do our best to arrange to pick you up in Santa Fe or ABQ if you let us know your itinerary.
Registration:
Status: Waiting List Workshop registration is now at full capacity. If you’d like to get on the wait list please send in the registration form without the deposit, and we’ll let you know if a spot opens up. ALL REGISTRATIONS MUST BE RECEIVED BY MONDAY 12 JANUARY 2026.
Please print and return the registration form (registration page only) with a non-refundable deposit of $100, or scan and send your registration back via email and mail the check separately.
Registration deadline: Monday, January 12, 2026.
Registration Form Self-Rating Guide Workshop Brochure
For More Information:
Content/pedagogy: Mary Springfels, 505.627.1487, mvspring@gmail.com
Everything else: Ken Perlow, 708.989.1729, manager@SeverallFriends.org

Goddesses and Monsters: Music of the Spanish Baroque
2026-04-11 15:00 - 16:30 | The Muñoz Waxman Gallery at CCA, 1050 Old Pecos Trail, Santa Fe, NM, 87505, United States
”Goddesses and Monsters” features songs from the 17th and 18th century theatrical and sacred traditions in Spain, as well as instrumental music from the period. We’ll present music by composers such as Calderon, Duron, and Literes, as well as selections from the fascinating Trujillo Codex of Peru.

Venue: The Muñoz Waxman Gallery at CCA (Center for Contemporary Arts), 1050 Old Pecos Trail, Santa Fe

Featuring:

Cecilia Duarte, mezzo soprano
Mary Springfels, viola da gamba
Stephen Redfield, baroque violin
Kathy McIntosh, harpsichord
Hector Alfonso Torres, theorbo
Jesse Joaquin Parker, percussion
Kathryn Montoya, recorder

Cecilia Duarte
Mezzo Soprano
Read Bio

Cecilia Duarte

A soloist in the Grammy Winner album Duruflé: The Complete Choral Works, Cecilia has been praised by The New York Times as “A creamy voiced mezzo-soprano.”
Cecilia premiered the role of Renata in the first Mariachi Opera Cruzar la Cara de la Luna with the famous Mariachi Vargas de Tecalitlán, commissioned by Houston Grand Opera in 2010. Houston Grand Opera (2013, 2018); Châtelet Theatre in Paris, France; Chicago Lyric Opera, San Diego Opera, Arizona Opera, The Fort Worth Opera, Teatro Nacional Sucre, in Quito, Ecuador, New York City Opera, El Paso Opera, Minnesota Opera, Opera San Antonio, Lyric Opera of Kansas City, and Amarillo Opera.
Other roles originated are Renata in El milagro del Recuerdo (HGO 2019, 2022) (AZO, 2021) Dido in The Queen of Carthage, (Early Music Vancouver and re: Naissance Opera); Jessie Lydell in A Coffin in Egypt, (HGO and the Wallis Annenberg Center in L.A.); Gracie in A Way Home (HGO andOpera Southwest); Harriet/First Responder in After the Storm(HGO); Alicia in Some Light Emerges (HGO); and Alma in “Boundless,” the first episode of Houston Grand Opera’s web opera series Star-cross’d.
Operatic roles: Linda Morales in Laura Kaminsky’s Hometown to the World, Melissa in F. Caccini’s Alcina, Sarelda in The Inspector, Maria in Maria de Buenos Aires, Loma Williams in Cold Sassy Tree, among others. Early Music experience include performances with Ars Lyrica Houston, Mercury Houston, The Bach Society Houston, Boston Early Music Festival, Bach Collegium San Diego, re: Naissance Opera, Early Music Vancouver, Pacific Music Works, Blue Heron, Tafelmusik, The Newberry Consort, Baroque Festival Corona del Mar, AGAVE, and the Kaleidoscope Vocal Ensemble, with whom she performs early and contemporary music.

Visit Website

Close

Mary Springfels
Viola da Gamba
Read Bio

Mary Springfels

Mary Springfels is a veteran of the American early music movement. She began
her career at the age of 21 with the New York Pro Musica, and has played with most of the major ensembles in the field, including the Waverly Consort, The Folger Consort, Philharmonia Baroque, the Seattle Baroque Orchestra, Musica Sacra of New York, and Pomerium Musices, to name a few. In 1983 she became Musician in-Residence at the Newberry Library, and was the director of the Newberry Consort for 20 years. In 2008, she fulfilled a lifelong dream, and moved to New Mexico. Since then, she has travelled widely, working with Sonoma Bach, the Lobo Baroque Orchestra, the Arizona Bach Society, Ars Lyrica of Houston, The Texas Early Music Project of Austin, and continues to work with Drew Minter, and her beloved colleagues at the Folger Consort. She can be heard on dozens of recordings. Springfels is also a very active teacher and coach. She and Elizabeth Blumenstock are Co-Directors of the newly founded Severall Friends, based in Santa Fe.

Close

Kathryn Montoya
Oboe
Read Bio

Kathryn Montoya

Kathryn Montoya appears with a variety of orchestral and chamber music ensembles including the Boston Early Music Festival Orchestra, Tafelmusik, the Wiener Akademie, Pacific Musicworks, and Apollo’s Fire among others. She received her degrees at Oberlin Conservatory and Indiana University School of Music in Bloomington. While at IU, she was the recipient of the prestigious Performer’s Certificate and was awarded a Fulbright Scholarship to study in Germany. Recent projects include the Globe’s Tony award-winning productions of Twelfth Night on Broadway, concerts and master classes in Shanghai, and tour and Grammy award-winning recording, Charpentier: La couronne de fleurs – La descente d’Orphée aux enfers with the Boston Early Music Festival. Montoya has been broadcast on NPR’s Performance Today and can be heard on the Erato, Naxos, CPO, NCA, Analekta, and Dorian Sono Luminus labels. In her free time, she can be found in Hereford, England converting an 18th-century barn into a home with her partner, James.
Visit Website

Close

Stephen Redfield
Baroque Violin
Read Bio

Stephen Redfield

Violinist Stephen Redfield, D.M.A., is a member of the University of Southern Mississippi School of Music faculty, where he performs with the Mississippi Chamber Circle and the Impromptu Piano Trio. Throughout the year Stephen acts as concertmaster of the Santa Fe Pro Musica, and each summer plays with the Victoria Bach Festival; his performances as concertmaster and soloist there have been produced on discs and broadcast nationally. He has also often led the Oregon Bach Festival orchestra, where he has participated in numerous recordings, including the Grammy Award-winning disc “Credo.” In addition, Stephen is concertmaster of the Arizona Bach Festival, was the long-time principal second violin of the Sunriver Music Festival, and served for five years as Assistant Concertmaster of the Austin Symphony Orchestra.
Stephen has particularly extensive experience in the choral-orchestral repertoire: over his 30 years with the Oregon Bach Festival, he performed the majority of this repertoire with Helmuth Rilling (including recording eight works, and premiering two commissioned pieces). He is concertmaster for Craig Hella Johnson and the coral ensemble Conspirare. He has led a period B Minor Mass for Joshua Habermann and the Santa Fe Desert Chorale, and was concertmaster for Robert Shaw in the Berlioz Requiem and for Fiora Contino in Haydn’s Creation and the St. John Passion.
Stephen is an active chamber musician throughout the United States and abroad. He has collaborated with artists Andre-Michel Schub, Peter Wiley and Mark Peskanov. His Cayuga Quartet was a winner of the Coleman and Monterey Chamber Music Competitions and earned an Aspen Quartet Fellowship. In addition to the festivals mentioned before, Stephen has been featured in chamber concerts at Loon Lake Live!, Taos Soundscapes, Serenata of Santa Fe, Quad-Cities Mozart Festival, and the Anchorage Festival, among others. He coached with the Cleveland Quartet and Abram Loft, the Emerson Quartet and Earl Carlyss, and the LaSalle and Audubon Quartets.
He frequently performs as a soloist; during 2009, Mendelssohn’s 200th birth-year, he performed both Mendelssohn violin concertos (and also toured with his three sonatas). His specialty is 18th and early 19th-Century concertos and concert pieces, often leading the ensemble while playing the solo. Highlights include Vivaldi’s Four Seasons, each of the Bach Concertos, and selected concertos and works by Beethoven, Mozart and Haydn. He also performed a Western-U.S. premiere of the Michael Daugherty’s “Ladder to the Moon.”
Stephen has also developed a specialization in period performance. He performs regularly as a Baroque violinist, including as a member of the Atlanta Baroque Orchestra, and he has led the ensembles Albuquerque Baroque Players and Nashville’s Music City Baroque.
Stephen’s Baroque chamber music credits include concerts with Marion Verbruggen, Mary Springfels, Elizabeth Blumenstock and Kenneth Slowik., and with the Newberry Consort and the Smithsonian Chamber Players. As a member of the Sebastian Ensemble, with harpsichordist Kathleen McIntosh, Stephen travelled twice to Lima, Peru, for the Festival Internacional de Música Antigua‏. Specializing in J.S. Bach’s Sonatas for Violin and Harpsichord Obligato, this period performance group has toured throughout the United States as well as in Spain, Japan and Cuba.

Close

Kathleen McIntosh
Harpsichord
Read Bio

Kathleen McIntosh

Harpsichordist Kathleen McIntosh has appeared in the Esteban Salas Festival in Havana nearly every year since 2002. She has been featured in the Santa Fe Chamber Music Festival since 1996, and in festivals in the United States, Japan, Peru and Germany. A resident of Santa Fe, New Mexico, she has appeared on every local concert series, and with the Santa Fe Symphony, Santa Fe Pro Musica and Serenata of Santa Fe. McIntosh is a champion of contemporary music. She appeared regularly with the series 20th Century Unlimited and is part of the McFish Duo. From 1999-2009, she performed with the Vail Valley Bravo! Festival, which commissioned a work by Melinda Wagner especially for her that premiered in the 2005 season. Other premieres have included works by Leo Brouwer, John Steinmetz, Carl Mansker, Alex Shapiro and many others.
McIntosh has been soloist with the Chamber Orchestra Kremlin in Moscow, Vietnam National Symphony in Hanoi, Solistas de La Habana, Santa Fe Friends in Tsuyama, Japan, and with many American groups. She teaches regularly in Cuba as part of the Semana Sacra sponsored by the national cathedral, in Peru at the national conservatory in Lima, and in Opole, Poland at the Diecezjalny Instytut Musyki Koscielnej. In November 2015, she performed the entire Clavier-Ubung of J.S.Bach in five concerts in Los Angeles, California, with organist Ron McKean and harpsichordist Janine Johnson. Ms. McIntosh was a student of John Hamilton and Thurston Dart. She can be heard in recordings from Gasparo and Maricam Studios.

Close

Héctor Alfonso Torres
Theorbo
Read Bio

Héctor Alfonso Torres

Dr. Héctor Alfonso Torres González was born in Puerto Rico, where he started his guitar studies at the Preparatory School of the Puerto Rico Music Conservatory. He worked on his bachelor’s degree at the University of Puerto Rico, Río Piedras Campus, where he studied with the distinguished Puerto Rican guitarist Juan Sorroche. After finishing his degree, he went on to complete his master’s degree at the University of Wisconsin-Milwaukee under world renowned guitarist René Izquierdo. He also completed his doctorate in musical arts degree at the University of North Texas where he worked as a teaching fellow of classical guitar while studying with the guitarist Thomas Johnson. While at UNT, he also completed studies in early music, under the direction of the Dutch recorder player and early music specialist Paul Leenhouts, while also serving as his teaching assistant for the UNT Baroque Orchestra. He has studied basso continuo with harpsichordist Dr. Brad Bennight, and early plucked instruments with Arash Noori, and Daniel Swenberg from the Juilliard School. Currently Dr. Torres-González serves as an Associate Professor of Music at Tarrant County College – Trinity River Campus located in downtown Fort Worth, Texas.
He has concertized and taught throughout the United States, Puerto Rico, South America, Europe, and China, both as a soloist and ensemble musician. Apart from being an active performer, he has received top prizes at international guitar competitions, including the 4th Annual Baldwin Wallace International Guitar Festival and Competition, the 2nd Annual Mountain View Guitar Festival, the 16th Annual International Tennessee Guitar Festival, the 2016 Mississippi Guitar Festival, the 2018 New Orleans International Guitar Festival, the 4th Annual Lone Star Guitar Festival and Competition, and the 24th Annual Appalachian Guitar Fest and Solo Guitar Competition.
As a chamber musician, he frequently tours China with his guitar trio, Trio Resonance, where they have played in cities like Beijing, Jinan, Suzhou, Dalian, among others. Distinguished by his versatility and sound, he frequently performs many styles of music, including early music, Latin music, and modern classical. As an early music performer, he regularly plays baroque guitar, theorbo, lute, and other period plucked instruments with different chamber groups and orchestras across the U.S, including the Texas Early Music Project, Austin Baroque Orchestra & Chorus, Ars Lyrica Houston, Lumedia Musicworks, La Follia, Mercury Chamber Orchestra, Fantasmi, Camerata del Sol, Red River Lyric Opera, Orchestra of New Spain, and many others. Recently, alongside baroque harpist Monika Ruusmaa, he was selected as one of Early Music America’s 2021 Emerging Artists.

Visit Website

Close

Jesse Joaquin Parker
Percussion
Read Bio

Jesse Joaquin Parker

Mr. Parker is an in-demand jazz vibraphonist, Afro-Latin percussionist, and world-class music educator based in Santa Fe, NM. Jesse has performed at venues ranging from the Telluride Jazz Festival to DROM in Manhattan to the Nuyorican in San Juan, Puerto Rico and has performed/toured/recorded with Marcos Crego and The Latin Union, Bernard Purdie, Nosotros, Bata Ire, Mike Crotty Jazz Quintet, Taumbu International Ensemble, Chuchito Valdez, Raul Pineda, Carmela y Mas, Ritmo Latino, Cal Harris Jr. and many others.
Mr. Parker earned his Bachelors of Music Education from New Mexico State University and his Masters of Percussion Performance from Arizona State University. Having studied under the likes of Michael Spiro, Michael Burrit, Blake Tyson, Emilio Caruso, J.B. Smith. Mark Sunkett, Bill Wanser, Dom Moio, Michael Kocour, Taumbu, Dick Sisto, Rufus Reed, Ernie Chavarilla, and Louis Daniel Rivera, Jesse Parker has acquired a vast array of styles, techniques, and musical experiences.
A dedicated educator, Mr. Parker has instructed the Blue Knights Drum and Bugle Corps from Denver CO, where he was also a performing member, and Southwind Drum and Bugle Corps from Lexington KY. Mr. Parker has served as Associate Faculty at Arizona State University, Teaching Artist with the Phoenix Conservatory of Music, and Director of the World Music Ensemble and Latin Jazz Ensemble at Paradise Valley Community College. Jesse Joaquin Parker currently is director of percussion studies at New Mexico School for the Arts and performs on Tycoon percussion instruments.
Visit Website

Close

MarketMusic Travels!
2026-05-16 17:30 - 19:30, 2026-05-17 15:30 - 17:30 | Harwood Museum of Art, 238 Ledoux St, Taos, NM, 87571, United States
Join MarketMusic for our first run-out concert, in Taos!
We’ll be performing a program, “Elevated Baroque” with soprano Kathlene Ritch at the Harwood Museum of Art, as part of the Taos Chamber Music Group’s concert series. Featuring works of Bach, Handel, Telemann and Vivaldi.

Tickets available at taoschambermusicgroup.org Featuring:
Stephen Redfield, baroque violin
Kathleen McIntosh, harpsichord
Katie Rietman, baroque cello
Kim Pineda, baroque flute & recorder
Kathlene Ritch, soprano Venue:
Harwood Museum of Art, 238 Ledoux St, Taos, NM 87571
(575) 758-9826
Stephen Redfield
Baroque Violin
Read Bio

Stephen Redfield

Violinist Stephen Redfield, D.M.A., is a member of the University of Southern Mississippi School of Music faculty, where he performs with the Mississippi Chamber Circle and the Impromptu Piano Trio. Throughout the year Stephen acts as concertmaster of the Santa Fe Pro Musica, and each summer plays with the Victoria Bach Festival; his performances as concertmaster and soloist there have been produced on discs and broadcast nationally. He has also often led the Oregon Bach Festival orchestra, where he has participated in numerous recordings, including the Grammy Award-winning disc “Credo.” In addition, Stephen is concertmaster of the Arizona Bach Festival, was the long-time principal second violin of the Sunriver Music Festival, and served for five years as Assistant Concertmaster of the Austin Symphony Orchestra.
Stephen has particularly extensive experience in the choral-orchestral repertoire: over his 30 years with the Oregon Bach Festival, he performed the majority of this repertoire with Helmuth Rilling (including recording eight works, and premiering two commissioned pieces). He is concertmaster for Craig Hella Johnson and the coral ensemble Conspirare. He has led a period B Minor Mass for Joshua Habermann and the Santa Fe Desert Chorale, and was concertmaster for Robert Shaw in the Berlioz Requiem and for Fiora Contino in Haydn’s Creation and the St. John Passion.
Stephen is an active chamber musician throughout the United States and abroad. He has collaborated with artists Andre-Michel Schub, Peter Wiley and Mark Peskanov. His Cayuga Quartet was a winner of the Coleman and Monterey Chamber Music Competitions and earned an Aspen Quartet Fellowship. In addition to the festivals mentioned before, Stephen has been featured in chamber concerts at Loon Lake Live!, Taos Soundscapes, Serenata of Santa Fe, Quad-Cities Mozart Festival, and the Anchorage Festival, among others. He coached with the Cleveland Quartet and Abram Loft, the Emerson Quartet and Earl Carlyss, and the LaSalle and Audubon Quartets.
He frequently performs as a soloist; during 2009, Mendelssohn’s 200th birth-year, he performed both Mendelssohn violin concertos (and also toured with his three sonatas). His specialty is 18th and early 19th-Century concertos and concert pieces, often leading the ensemble while playing the solo. Highlights include Vivaldi’s Four Seasons, each of the Bach Concertos, and selected concertos and works by Beethoven, Mozart and Haydn. He also performed a Western-U.S. premiere of the Michael Daugherty’s “Ladder to the Moon.”
Stephen has also developed a specialization in period performance. He performs regularly as a Baroque violinist, including as a member of the Atlanta Baroque Orchestra, and he has led the ensembles Albuquerque Baroque Players and Nashville’s Music City Baroque.
Stephen’s Baroque chamber music credits include concerts with Marion Verbruggen, Mary Springfels, Elizabeth Blumenstock and Kenneth Slowik., and with the Newberry Consort and the Smithsonian Chamber Players. As a member of the Sebastian Ensemble, with harpsichordist Kathleen McIntosh, Stephen travelled twice to Lima, Peru, for the Festival Internacional de Música Antigua‏. Specializing in J.S. Bach’s Sonatas for Violin and Harpsichord Obligato, this period performance group has toured throughout the United States as well as in Spain, Japan and Cuba.

Close

Kathleen McIntosh
Harpsichord
Read Bio

Kathleen McIntosh

Harpsichordist Kathleen McIntosh has appeared in the Esteban Salas Festival in Havana nearly every year since 2002. She has been featured in the Santa Fe Chamber Music Festival since 1996, and in festivals in the United States, Japan, Peru and Germany. A resident of Santa Fe, New Mexico, she has appeared on every local concert series, and with the Santa Fe Symphony, Santa Fe Pro Musica and Serenata of Santa Fe. McIntosh is a champion of contemporary music. She appeared regularly with the series 20th Century Unlimited and is part of the McFish Duo. From 1999-2009, she performed with the Vail Valley Bravo! Festival, which commissioned a work by Melinda Wagner especially for her that premiered in the 2005 season. Other premieres have included works by Leo Brouwer, John Steinmetz, Carl Mansker, Alex Shapiro and many others.
McIntosh has been soloist with the Chamber Orchestra Kremlin in Moscow, Vietnam National Symphony in Hanoi, Solistas de La Habana, Santa Fe Friends in Tsuyama, Japan, and with many American groups. She teaches regularly in Cuba as part of the Semana Sacra sponsored by the national cathedral, in Peru at the national conservatory in Lima, and in Opole, Poland at the Diecezjalny Instytut Musyki Koscielnej. In November 2015, she performed the entire Clavier-Ubung of J.S.Bach in five concerts in Los Angeles, California, with organist Ron McKean and harpsichordist Janine Johnson. Ms. McIntosh was a student of John Hamilton and Thurston Dart. She can be heard in recordings from Gasparo and Maricam Studios.

Close

Katie Rietman
Baroque Cello
Read Bio

Katie Rietman

Katie Rietman has performed as a cellist on over 60 CD recordings and in numerous concerts with leading Baroque ensembles worldwide. Her career has taken her to 21 countries, and she is a prizewinner in the Bonporti and Van Wassenaer competitions.
Rietman studied cello at the Cleveland Institute of Music and the Sweelinck Conservatorium in Amsterdam, later spending ten years in Cologne, Germany, performing with many European early music groups. Based in New York City for several years, she served as principal cellist of the Trinity Wall Street Baroque Orchestra, the Clarion Society, and Concert Royal.
Now living in Santa Fe, Rietman has performed with all the local classical groups and on the MarketMusic series at the New Mexico School for the Arts, where she also teaches cello. A trained soprano, she has a passion for languages—she speaks seven—and enjoys making jewelry and cooking.

Close

Kim Pineda
Baroque Flute & Recorder
Read Bio

Kim Pineda

Dr. Kim Pineda has performed on historical flutes and recorders, and as a conductor throughout the U.S., Canada, and on NPR. Founder and music director of Grand Cru Baroque, he performs regularly with leading early music ensembles in the U.S., and has recorded on the Focus, Centaur, and Origin Classical labels. Dr. Pineda received the PhD in Musicology from the University of Oregon and taught at Sam Houston State and Texas Tech Universities before a career pivot brought him to New Mexico. He currently teaches social studies at Santa Fe High School . Learn more about Dr. Pineda at kimpineda.com.

Close

Kathlene Ritch
Soprano
Read Bio

Kathlene Ritch

Known for her “powerful, crystal-clear voice,” Kathlene Ritch has sung with such noted ensembles as the New York Philharmonic, London Sinfonietta, and the Vienna Philharmonic. After graduating with a degree in music education, she moved to New York City and made her living as a professional singer for live classical projects, as well as studio sessions. Two of Ritch’s NYC highlights were performing Sweeney Todd at Lincoln Center and Carousel at Carnegie Hall. She now lives in Santa Fe, where she teaches at the New Mexico School for the Arts and cantors at the Church of the Holy Faith. Ritch is also the Music Director for Tri-M Productions, a non-profit organization with the mission to give local ‘Millennials’ opportunities to perform musicals at a professional level. She continues to sing with ensembles around the country, including the Oregon Bach Festival, the Santa Fe Desert Chorale, and the Grammy-winning ensemble, Conspirare. Ritch is also an on-air announcer for Classical 95.5 KHFM Santa Fe/Albuquerque, for which she has won a “Golden Mike” award from the New Mexico Broadcasters Association.
Visit Website

Close

MarketMusic
2026-06-06 12:00 - 13:00, 2026-06-06 14:00 - 15:00 | Thaw Gallery at New Mexico School for the Arts, 500 Montezuma Avenue, Santa Fe, 87501, United States
Saturday, June 6, 2026

Time: 12:00 PM
Venue: Thaw Gallery at New Mexico School for the Arts,
500 Montezuma Avenue, Santa Fe, 87501

Clarinet Classic: the Mozart Quintet and more!:
June 6 at 12 pm AND 2 pm! We’re doing a double for the first show, due to popular demand.
Featuring Thomas Carroll, classical clarinets, joined by Elizabeth Blumenstock and Stephen Redfield, violins: Jeffrey Smith, viola: and Katie Rietman, cello
Quintets of Mozart and Backofen, plus a Mozart string quartet
Thomas also builds (and plays on) his own replicas of clarinets from the classical period, so he will be our speaker this time.

Thomas Carroll
Classical Clarinets
Read Bio

Thomas Carroll

With a sound described as “beautifully warm” (Herald Times) and “sweet and agile” (New York Times), period clarinetist and instrument builder Thomas Carroll performs extensively throughout North America and Europe on historical instruments. He holds degrees from Oberlin Conservatory, Indiana University, and The Royal Conservatoire of The Hague, where his major teacher on early clarinets and chalumeaux was Eric Hoeprich.
Internationally, Thomas has performed as principal clarinet with period instrument orchestras in venues ranging from the Kozerthaus in Berlin to the Concertgebouw in Amsterdam. He has been featured as a soloist with Philharmonia Baroque, American Bach Soloists, Mercury Chamber Orchestra, Lyra Baroque, Ensemble ad Libitum, Boston Baroque, and Grand Harmonie to critical acclaim. Thomas currently performs as principal clarinet with Philharmonia Baroque Orchestra and Chorale, Mercury Chamber Orchestra, Boston Baroque, Philharmonie Austin, and German-based L’Arte del Mondo, frequently collaborating with other early music specialists throughout North America including the Clarion Music and Handel and Haydn Societies, Sonoma Bach, and Musica Angelica. As an arranger of Harmoniemusik for period instruments, his transcriptions have been performed by Grand Harmonie, On Site Opera, Atlanta Opera, and the Arizona Opera. Eager to combine active scholarship with performance, Thomas is the co-founder with flutist Andrea LeBlanc of Arpeggione, a chamber ensemble taking inspiration from the celebrated history of Boston’s Mendelssohn Quintette Club, performing transcriptions and arrangements of large-scale works as they were originally heard on the American stage in the second half of the 19th Century.
As an educator, Thomas is dedicated to training the next generation of historical clarinetists and cultivating an interest in performance practice and hands-on research. He has given guest lectures and masterclasses at universities throughout the United States and maintains a private studio of historical clarinet students. He is also a faculty member at the Festival de Música de Santa Catarina in Brazil.
An interest in instrument mechanics and acoustics has led Thomas to a secondary career as an instrument builder and extensive research into 18th and 19th century wood treatment and seasoning. He builds chalumeaux, baroque, and classical clarinets, and basset instruments for use in historically-informed performance ensembles in his Boston workshop, which are played throughout North America, Europe, Japan, and Australia.
www.carrollclarinet.com

Close

Elizabeth Blumenstock
Violin
Read Bio

Elizabeth Blumenstock

Elizabeth Blumenstock is a long-time concertmaster, soloist, and leader with the Bay Area’s Philharmonia Baroque and American Bach Soloists, concertmaster of the International Handel Festival Orchestra in Goettingen, Germany, and Artistic Director of the Corona del Mar Baroque Music Festival. Her love of chamber music has involved her in several accomplished smaller ensembles including Voices of Music, Galax Quartet, Live Oak Baroque, Ars Lyrica Houston Chamber Players, Sarasa, and Severall Friends. Ms. Blumenstock teaches for Juilliard’s Historical Performance Program, at the San Francisco Conservatory of Music, American Bach Soloists’ Summer Festival and Academy, the International Baroque Institute at Longy, and the Valley of the Moon Music Festival. She plays a 1660 Andrea Guarneri violin built in Cremona, Italy, on generous loan to her from the Philharmonia Baroque Period Instrument Trust.

Close

Stephen Redfield
Violin
Read Bio

Stephen Redfield

Violinist Stephen Redfield, D.M.A., is a member of the University of Southern Mississippi School of Music faculty, where he performs with the Mississippi Chamber Circle and the Impromptu Piano Trio. Throughout the year Stephen acts as concertmaster of the Santa Fe Pro Musica, and each summer plays with the Victoria Bach Festival; his performances as concertmaster and soloist there have been produced on discs and broadcast nationally. He has also often led the Oregon Bach Festival orchestra, where he has participated in numerous recordings, including the Grammy Award-winning disc “Credo.” In addition, Stephen is concertmaster of the Arizona Bach Festival, was the long-time principal second violin of the Sunriver Music Festival, and served for five years as Assistant Concertmaster of the Austin Symphony Orchestra.
Stephen has particularly extensive experience in the choral-orchestral repertoire: over his 30 years with the Oregon Bach Festival, he performed the majority of this repertoire with Helmuth Rilling (including recording eight works, and premiering two commissioned pieces). He is concertmaster for Craig Hella Johnson and the coral ensemble Conspirare. He has led a period B Minor Mass for Joshua Habermann and the Santa Fe Desert Chorale, and was concertmaster for Robert Shaw in the Berlioz Requiem and for Fiora Contino in Haydn’s Creation and the St. John Passion.
Stephen is an active chamber musician throughout the United States and abroad. He has collaborated with artists Andre-Michel Schub, Peter Wiley and Mark Peskanov. His Cayuga Quartet was a winner of the Coleman and Monterey Chamber Music Competitions and earned an Aspen Quartet Fellowship. In addition to the festivals mentioned before, Stephen has been featured in chamber concerts at Loon Lake Live!, Taos Soundscapes, Serenata of Santa Fe, Quad-Cities Mozart Festival, and the Anchorage Festival, among others. He coached with the Cleveland Quartet and Abram Loft, the Emerson Quartet and Earl Carlyss, and the LaSalle and Audubon Quartets.
He frequently performs as a soloist; during 2009, Mendelssohn’s 200th birth-year, he performed both Mendelssohn violin concertos (and also toured with his three sonatas). His specialty is 18th and early 19th-Century concertos and concert pieces, often leading the ensemble while playing the solo. Highlights include Vivaldi’s Four Seasons, each of the Bach Concertos, and selected concertos and works by Beethoven, Mozart and Haydn. He also performed a Western-U.S. premiere of the Michael Daugherty’s “Ladder to the Moon.”
Stephen has also developed a specialization in period performance. He performs regularly as a Baroque violinist, including as a member of the Atlanta Baroque Orchestra, and he has led the ensembles Albuquerque Baroque Players and Nashville’s Music City Baroque. Stephen’s Baroque chamber music credits include concerts with Marion Verbruggen, Mary Springfels, Elizabeth Blumenstock and Kenneth Slowik., and with the Newberry Consort and the Smithsonian Chamber Players. As a member of the Sebastian Ensemble, with harpsichordist Kathleen McIntosh, Stephen travelled twice to Lima, Peru, for the Festival Internacional de Música Antigua‏. Specializing in J.S. Bach’s Sonatas for Violin and Harpsichord Obligato, this period performance group has toured throughout the United States as well as in Spain, Japan and Cuba.

Close

Jeffrey Smith
Viola
Read Bio

Jeff Smith

Jeffrey Smith has performed with many baroque ensembles, including the Orchestra of New Spain, Boulder Bach Festival, Austin Baroque Orchestra, The Whole Noyse, and Severall Friends Early Music, and was viola soloist in Mozart’s Sinfonia Concertante at the 2016 La Petite Bande Summer Academy in Italy. Since moving to New Mexico in 2017, he has played violin with Santa Fe Pro Musica, the Santa Fe Symphony, Santa Fe Desert Chorale, the New Mexico Philharmonic, and Opera Southwest, among others, and has appeared as guest concertmaster for the West Texas Symphony and principal violist for the Pueblo Symphony.
Smith earned his Performers Diploma in Early Violin from the Historical Performance Institute at Indiana University’s Jacobs School of Music, studying with Stanley Ritchie, along with a Master of Music from New York University and a Bachelor of Music from Brigham Young University. Outside of performing, his interests include violin making, hiking and visiting national parks, speaking Mandarin Chinese, and raising his daughter with his wife, Rebecca.

Close

Katie Rietman
Cello
Read Bio

Katie Rietman

Katie Rietman has performed as a cellist on over 60 CD recordings and in numerous concerts with leading Baroque ensembles worldwide. Her career has taken her to 21 countries, and she is a prizewinner in the Bonporti and Van Wassenaer competitions.
Rietman studied cello at the Cleveland Institute of Music and the Sweelinck Conservatorium in Amsterdam, later spending ten years in Cologne, Germany, performing with many European early music groups. Based in New York City for several years, she served as principal cellist of the Trinity Wall Street Baroque Orchestra, the Clarion Society, and Concert Royal.
Now living in Santa Fe, Rietman has performed with all the local classical groups and on the MarketMusic series at the New Mexico School for the Arts, where she also teaches cello. A trained soprano, she has a passion for languages—she speaks seven—and enjoys making jewelry and cooking.

Close

Thomas Carroll
Classical Clarinets
Read Bio

Thomas Carroll

With a sound described as “beautifully warm” (Herald Times) and “sweet and agile” (New York Times), period clarinetist and instrument builder Thomas Carroll performs extensively throughout North America and Europe on historical instruments. He holds degrees from Oberlin Conservatory, Indiana University, and The Royal Conservatoire of The Hague, where his major teacher on early clarinets and chalumeaux was Eric Hoeprich.
Internationally, Thomas has performed as principal clarinet with period instrument orchestras in venues ranging from the Kozerthaus in Berlin to the Concertgebouw in Amsterdam. He has been featured as a soloist with Philharmonia Baroque, American Bach Soloists, Mercury Chamber Orchestra, Lyra Baroque, Ensemble ad Libitum, Boston Baroque, and Grand Harmonie to critical acclaim. Thomas currently performs as principal clarinet with Philharmonia Baroque Orchestra and Chorale, Mercury Chamber Orchestra, Boston Baroque, Philharmonie Austin, and German-based L’Arte del Mondo, frequently collaborating with other early music specialists throughout North America including the Clarion Music and Handel and Haydn Societies, Sonoma Bach, and Musica Angelica. As an arranger of Harmoniemusik for period instruments, his transcriptions have been performed by Grand Harmonie, On Site Opera, Atlanta Opera, and the Arizona Opera. Eager to combine active scholarship with performance, Thomas is the co-founder with flutist Andrea LeBlanc of Arpeggione, a chamber ensemble taking inspiration from the celebrated history of Boston’s Mendelssohn Quintette Club, performing transcriptions and arrangements of large-scale works as they were originally heard on the American stage in the second half of the 19th Century.
As an educator, Thomas is dedicated to training the next generation of historical clarinetists and cultivating an interest in performance practice and hands-on research. He has given guest lectures and masterclasses at universities throughout the United States and maintains a private studio of historical clarinet students. He is also a faculty member at the Festival de Música de Santa Catarina in Brazil.
An interest in instrument mechanics and acoustics has led Thomas to a secondary career as an instrument builder and extensive research into 18th and 19th century wood treatment and seasoning. He builds chalumeaux, baroque, and classical clarinets, and basset instruments for use in historically-informed performance ensembles in his Boston workshop, which are played throughout North America, Europe, Japan, and Australia.
www.carrollclarinet.com

Close

Elizabeth Blumenstock
Violin
Read Bio

Elizabeth Blumenstock

Elizabeth Blumenstock is a long-time concertmaster, soloist, and leader with the Bay Area’s Philharmonia Baroque and American Bach Soloists, concertmaster of the International Handel Festival Orchestra in Goettingen, Germany, and Artistic Director of the Corona del Mar Baroque Music Festival. Her love of chamber music has involved her in several accomplished smaller ensembles including Voices of Music, Galax Quartet, Live Oak Baroque, Ars Lyrica Houston Chamber Players, Sarasa, and Severall Friends. Ms. Blumenstock teaches for Juilliard’s Historical Performance Program, at the San Francisco Conservatory of Music, American Bach Soloists’ Summer Festival and Academy, the International Baroque Institute at Longy, and the Valley of the Moon Music Festival. She plays a 1660 Andrea Guarneri violin built in Cremona, Italy, on generous loan to her from the Philharmonia Baroque Period Instrument Trust.

Close

Stephen Redfield
Violin
Read Bio

Stephen Redfield
Violinist Stephen Redfield, D.M.A., is a member of the University of Southern Mississippi School of Music faculty, where he performs with the Mississippi Chamber Circle and the Impromptu Piano Trio. Throughout the year Stephen acts as concertmaster of the Santa Fe Pro Musica, and each summer plays with the Victoria Bach Festival; his performances as concertmaster and soloist there have been produced on discs and broadcast nationally. He has also often led the Oregon Bach Festival orchestra, where he has participated in numerous recordings, including the Grammy Award-winning disc “Credo.” In addition, Stephen is concertmaster of the Arizona Bach Festival, was the long-time principal second violin of the Sunriver Music Festival, and served for five years as Assistant Concertmaster of the Austin Symphony Orchestra.
Stephen has particularly extensive experience in the choral-orchestral repertoire: over his 30 years with the Oregon Bach Festival, he performed the majority of this repertoire with Helmuth Rilling (including recording eight works, and premiering two commissioned pieces). He is concertmaster for Craig Hella Johnson and the coral ensemble Conspirare. He has led a period B Minor Mass for Joshua Habermann and the Santa Fe Desert Chorale, and was concertmaster for Robert Shaw in the Berlioz Requiem and for Fiora Contino in Haydn’s Creation and the St. John Passion.
Stephen is an active chamber musician throughout the United States and abroad. He has collaborated with artists Andre-Michel Schub, Peter Wiley and Mark Peskanov. His Cayuga Quartet was a winner of the Coleman and Monterey Chamber Music Competitions and earned an Aspen Quartet Fellowship. In addition to the festivals mentioned before, Stephen has been featured in chamber concerts at Loon Lake Live!, Taos Soundscapes, Serenata of Santa Fe, Quad-Cities Mozart Festival, and the Anchorage Festival, among others. He coached with the Cleveland Quartet and Abram Loft, the Emerson Quartet and Earl Carlyss, and the LaSalle and Audubon Quartets.
He frequently performs as a soloist; during 2009, Mendelssohn’s 200th birth-year, he performed both Mendelssohn violin concertos (and also toured with his three sonatas). His specialty is 18th and early 19th-Century concertos and concert pieces, often leading the ensemble while playing the solo. Highlights include Vivaldi’s Four Seasons, each of the Bach Concertos, and selected concertos and works by Beethoven, Mozart and Haydn. He also performed a Western-U.S. premiere of the Michael Daugherty’s “Ladder to the Moon.”
Stephen has also developed a specialization in period performance. He performs regularly as a Baroque violinist, including as a member of the Atlanta Baroque Orchestra, and he has led the ensembles Albuquerque Baroque Players and Nashville’s Music City Baroque. Stephen’s Baroque chamber music credits include concerts with Marion Verbruggen, Mary Springfels, Elizabeth Blumenstock and Kenneth Slowik., and with the Newberry Consort and the Smithsonian Chamber Players. As a member of the Sebastian Ensemble, with harpsichordist Kathleen McIntosh, Stephen travelled twice to Lima, Peru, for the Festival Internacional de Música Antigua‏. Specializing in J.S. Bach’s Sonatas for Violin and Harpsichord Obligato, this period performance group has toured throughout the United States as well as in Spain, Japan and Cuba.

Close

Jeffrey Smith
Viola
Read Bio

Jeff Smith

Jeffrey Smith has performed with many baroque ensembles, including the Orchestra of New Spain, Boulder Bach Festival, Austin Baroque Orchestra, The Whole Noyse, and Severall Friends Early Music, and was viola soloist in Mozart’s Sinfonia Concertante at the 2016 La Petite Bande Summer Academy in Italy. Since moving to New Mexico in 2017, he has played violin with Santa Fe Pro Musica, the Santa Fe Symphony, Santa Fe Desert Chorale, the New Mexico Philharmonic, and Opera Southwest, among others, and has appeared as guest concertmaster for the West Texas Symphony and principal violist for the Pueblo Symphony.
Smith earned his Performers Diploma in Early Violin from the Historical Performance Institute at Indiana University’s Jacobs School of Music, studying with Stanley Ritchie, along with a Master of Music from New York University and a Bachelor of Music from Brigham Young University. Outside of performing, his interests include violin making, hiking and visiting national parks, speaking Mandarin Chinese, and raising his daughter with his wife, Rebecca.

Close

Katie Rietman
Cello
Read Bio

Katie Rietman

Katie Rietman has performed as a cellist on over 60 CD recordings and in numerous concerts with leading Baroque ensembles worldwide. Her career has taken her to 21 countries, and she is a prizewinner in the Bonporti and Van Wassenaer competitions.
Rietman studied cello at the Cleveland Institute of Music and the Sweelinck Conservatorium in Amsterdam, later spending ten years in Cologne, Germany, performing with many European early music groups. Based in New York City for several years, she served as principal cellist of the Trinity Wall Street Baroque Orchestra, the Clarion Society, and Concert Royal.
Now living in Santa Fe, Rietman has performed with all the local classical groups and on the MarketMusic series at the New Mexico School for the Arts, where she also teaches cello. A trained soprano, she has a passion for languages—she speaks seven—and enjoys making jewelry and cooking.

Close

Thomas Carroll
Classical Clarinets
Read Bio

Thomas Carroll

With a sound described as “beautifully warm” (Herald Times) and “sweet and agile” (New York Times), period clarinetist and instrument builder Thomas Carroll performs extensively throughout North America and Europe on historical instruments. He holds degrees from Oberlin Conservatory, Indiana University, and The Royal Conservatoire of The Hague, where his major teacher on early clarinets and chalumeaux was Eric Hoeprich.
Internationally, Thomas has performed as principal clarinet with period instrument orchestras in venues ranging from the Kozerthaus in Berlin to the Concertgebouw in Amsterdam. He has been featured as a soloist with Philharmonia Baroque, American Bach Soloists, Mercury Chamber Orchestra, Lyra Baroque, Ensemble ad Libitum, Boston Baroque, and Grand Harmonie to critical acclaim. Thomas currently performs as principal clarinet with Philharmonia Baroque Orchestra and Chorale, Mercury Chamber Orchestra, Boston Baroque, Philharmonie Austin, and German-based L’Arte del Mondo, frequently collaborating with other early music specialists throughout North America including the Clarion Music and Handel and Haydn Societies, Sonoma Bach, and Musica Angelica. As an arranger of Harmoniemusik for period instruments, his transcriptions have been performed by Grand Harmonie, On Site Opera, Atlanta Opera, and the Arizona Opera. Eager to combine active scholarship with performance, Thomas is the co-founder with flutist Andrea LeBlanc of Arpeggione, a chamber ensemble taking inspiration from the celebrated history of Boston’s Mendelssohn Quintette Club, performing transcriptions and arrangements of large-scale works as they were originally heard on the American stage in the second half of the 19th Century.
As an educator, Thomas is dedicated to training the next generation of historical clarinetists and cultivating an interest in performance practice and hands-on research. He has given guest lectures and masterclasses at universities throughout the United States and maintains a private studio of historical clarinet students. He is also a faculty member at the Festival de Música de Santa Catarina in Brazil.
An interest in instrument mechanics and acoustics has led Thomas to a secondary career as an instrument builder and extensive research into 18th and 19th century wood treatment and seasoning. He builds chalumeaux, baroque, and classical clarinets, and basset instruments for use in historically-informed performance ensembles in his Boston workshop, which are played throughout North America, Europe, Japan, and Australia.
www.carrollclarinet.com

Close

Elizabeth Blumenstock
Violin
Read Bio

Elizabeth Blumenstock

Elizabeth Blumenstock is a long-time concertmaster, soloist, and leader with the Bay Area’s Philharmonia Baroque and American Bach Soloists, concertmaster of the International Handel Festival Orchestra in Goettingen, Germany, and Artistic Director of the Corona del Mar Baroque Music Festival. Her love of chamber music has involved her in several accomplished smaller ensembles including Voices of Music, Galax Quartet, Live Oak Baroque, Ars Lyrica Houston Chamber Players, Sarasa, and Severall Friends. Ms. Blumenstock teaches for Juilliard’s Historical Performance Program, at the San Francisco Conservatory of Music, American Bach Soloists’ Summer Festival and Academy, the International Baroque Institute at Longy, and the Valley of the Moon Music Festival. She plays a 1660 Andrea Guarneri violin built in Cremona, Italy, on generous loan to her from the Philharmonia Baroque Period Instrument Trust.

Close

Stephen Redfield
Violin
Read Bio

Stephen Redfield
Violinist Stephen Redfield, D.M.A., is a member of the University of Southern Mississippi School of Music faculty, where he performs with the Mississippi Chamber Circle and the Impromptu Piano Trio. Throughout the year Stephen acts as concertmaster of the Santa Fe Pro Musica, and each summer plays with the Victoria Bach Festival; his performances as concertmaster and soloist there have been produced on discs and broadcast nationally. He has also often led the Oregon Bach Festival orchestra, where he has participated in numerous recordings, including the Grammy Award-winning disc “Credo.” In addition, Stephen is concertmaster of the Arizona Bach Festival, was the long-time principal second violin of the Sunriver Music Festival, and served for five years as Assistant Concertmaster of the Austin Symphony Orchestra.
Stephen has particularly extensive experience in the choral-orchestral repertoire: over his 30 years with the Oregon Bach Festival, he performed the majority of this repertoire with Helmuth Rilling (including recording eight works, and premiering two commissioned pieces). He is concertmaster for Craig Hella Johnson and the coral ensemble Conspirare. He has led a period B Minor Mass for Joshua Habermann and the Santa Fe Desert Chorale, and was concertmaster for Robert Shaw in the Berlioz Requiem and for Fiora Contino in Haydn’s Creation and the St. John Passion.
Stephen is an active chamber musician throughout the United States and abroad. He has collaborated with artists Andre-Michel Schub, Peter Wiley and Mark Peskanov. His Cayuga Quartet was a winner of the Coleman and Monterey Chamber Music Competitions and earned an Aspen Quartet Fellowship. In addition to the festivals mentioned before, Stephen has been featured in chamber concerts at Loon Lake Live!, Taos Soundscapes, Serenata of Santa Fe, Quad-Cities Mozart Festival, and the Anchorage Festival, among others. He coached with the Cleveland Quartet and Abram Loft, the Emerson Quartet and Earl Carlyss, and the LaSalle and Audubon Quartets.
He frequently performs as a soloist; during 2009, Mendelssohn’s 200th birth-year, he performed both Mendelssohn violin concertos (and also toured with his three sonatas). His specialty is 18th and early 19th-Century concertos and concert pieces, often leading the ensemble while playing the solo. Highlights include Vivaldi’s Four Seasons, each of the Bach Concertos, and selected concertos and works by Beethoven, Mozart and Haydn. He also performed a Western-U.S. premiere of the Michael Daugherty’s “Ladder to the Moon.”
Stephen has also developed a specialization in period performance. He performs regularly as a Baroque violinist, including as a member of the Atlanta Baroque Orchestra, and he has led the ensembles Albuquerque Baroque Players and Nashville’s Music City Baroque. Stephen’s Baroque chamber music credits include concerts with Marion Verbruggen, Mary Springfels, Elizabeth Blumenstock and Kenneth Slowik., and with the Newberry Consort and the Smithsonian Chamber Players. As a member of the Sebastian Ensemble, with harpsichordist Kathleen McIntosh, Stephen travelled twice to Lima, Peru, for the Festival Internacional de Música Antigua‏. Specializing in J.S. Bach’s Sonatas for Violin and Harpsichord Obligato, this period performance group has toured throughout the United States as well as in Spain, Japan and Cuba.

Close

Jeffrey Smith
Viola
Read Bio

Jeff Smith

Jeffrey Smith has performed with many baroque ensembles, including the Orchestra of New Spain, Boulder Bach Festival, Austin Baroque Orchestra, The Whole Noyse, and Severall Friends Early Music, and was viola soloist in Mozart’s Sinfonia Concertante at the 2016 La Petite Bande Summer Academy in Italy. Since moving to New Mexico in 2017, he has played violin with Santa Fe Pro Musica, the Santa Fe Symphony, Santa Fe Desert Chorale, the New Mexico Philharmonic, and Opera Southwest, among others, and has appeared as guest concertmaster for the West Texas Symphony and principal violist for the Pueblo Symphony.
Smith earned his Performers Diploma in Early Violin from the Historical Performance Institute at Indiana University’s Jacobs School of Music, studying with Stanley Ritchie, along with a Master of Music from New York University and a Bachelor of Music from Brigham Young University. Outside of performing, his interests include violin making, hiking and visiting national parks, speaking Mandarin Chinese, and raising his daughter with his wife, Rebecca.

Close

Katie Rietman
Cello
Read Bio

Katie Rietman

Katie Rietman has performed as a cellist on over 60 CD recordings and in numerous concerts with leading Baroque ensembles worldwide. Her career has taken her to 21 countries, and she is a prizewinner in the Bonporti and Van Wassenaer competitions.
Rietman studied cello at the Cleveland Institute of Music and the Sweelinck Conservatorium in Amsterdam, later spending ten years in Cologne, Germany, performing with many European early music groups. Based in New York City for several years, she served as principal cellist of the Trinity Wall Street Baroque Orchestra, the Clarion Society, and Concert Royal.
Now living in Santa Fe, Rietman has performed with all the local classical groups and on the MarketMusic series at the New Mexico School for the Arts, where she also teaches cello. A trained soprano, she has a passion for languages—she speaks seven—and enjoys making jewelry and cooking.

Close

Questions? Call: (505) 930-9393
MarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery, a wonderfully intimate concert venue.
If you would like to join our growing list of supporters, please make a contribution through our secure website, or make a check payable to Severall Friends and mail it to:

Severall Friends NFP
64 Vista del Oro, Cerrillos, NM 87010

Program and artists subject to change.

MarketMusic
2026-06-20 12:00 - 13:00 | Thaw Gallery at New Mexico School for the Arts, 500 Montezuma Avenue, Santa Fe, 87501, United States
Saturday, June 20, 2026

Time: 12:00 PM
Venue: Thaw Gallery at New Mexico School for the Arts,
500 Montezuma Avenue, Santa Fe, 87501

Baroque at Altitude: The high Baroque at 7000 ft
featuring Jennifer Perez, soprano, joined by Stephen Redfield, violin; Katie Rietman, cello; and Kathleen McIntosh, harpsichord
Favorite composers including Bach, Vivaldi, Leclair, and Handel
Jennifer Perez
Soprano
Read Bio

Jennifer Perez
Jennifer Perez holds a Master of Music in Vocal Performance from the University of New Mexico and enjoys a career as a concert soloist and ensemble singer. She has a deep passion for Baroque style chamber music and loves the unique challenge of exploring and interpreting contemporary music as well. In addition to traveling every Summer to sing with ensembles like the Oregon Bach Festival, Boulder Bach Festival, and the Highland Park Chorale, she loves living in Santa Fe and participating in its rich musical community as an active member of the Santa Fe Desert Chorale, the New Mexico Performing Arts Society, Polyphony: Voices of New Mexico, and more. She serves in the Parish Choir for the Church of the Holy Faith and as a guest radio host for Classical 95.5 KHFM Santa Fe/Albuquerque.

Close

Stephen Redfield
Violin
Read Bio

Stephen Redfield
Violinist Stephen Redfield, D.M.A., is a member of the University of Southern Mississippi School of Music faculty, where he performs with the Mississippi Chamber Circle and the Impromptu Piano Trio. Throughout the year Stephen acts as concertmaster of the Santa Fe Pro Musica, and each summer plays with the Victoria Bach Festival; his performances as concertmaster and soloist there have been produced on discs and broadcast nationally. He has also often led the Oregon Bach Festival orchestra, where he has participated in numerous recordings, including the Grammy Award-winning disc “Credo.” In addition, Stephen is concertmaster of the Arizona Bach Festival, was the long-time principal second violin of the Sunriver Music Festival, and served for five years as Assistant Concertmaster of the Austin Symphony Orchestra.
Stephen has particularly extensive experience in the choral-orchestral repertoire: over his 30 years with the Oregon Bach Festival, he performed the majority of this repertoire with Helmuth Rilling (including recording eight works, and premiering two commissioned pieces). He is concertmaster for Craig Hella Johnson and the coral ensemble Conspirare. He has led a period B Minor Mass for Joshua Habermann and the Santa Fe Desert Chorale, and was concertmaster for Robert Shaw in the Berlioz Requiem and for Fiora Contino in Haydn’s Creation and the St. John Passion.
Stephen is an active chamber musician throughout the United States and abroad. He has collaborated with artists Andre-Michel Schub, Peter Wiley and Mark Peskanov. His Cayuga Quartet was a winner of the Coleman and Monterey Chamber Music Competitions and earned an Aspen Quartet Fellowship. In addition to the festivals mentioned before, Stephen has been featured in chamber concerts at Loon Lake Live!, Taos Soundscapes, Serenata of Santa Fe, Quad-Cities Mozart Festival, and the Anchorage Festival, among others. He coached with the Cleveland Quartet and Abram Loft, the Emerson Quartet and Earl Carlyss, and the LaSalle and Audubon Quartets.
He frequently performs as a soloist; during 2009, Mendelssohn’s 200th birth-year, he performed both Mendelssohn violin concertos (and also toured with his three sonatas). His specialty is 18th and early 19th-Century concertos and concert pieces, often leading the ensemble while playing the solo. Highlights include Vivaldi’s Four Seasons, each of the Bach Concertos, and selected concertos and works by Beethoven, Mozart and Haydn. He also performed a Western-U.S. premiere of the Michael Daugherty’s “Ladder to the Moon.”
Stephen has also developed a specialization in period performance. He performs regularly as a Baroque violinist, including as a member of the Atlanta Baroque Orchestra, and he has led the ensembles Albuquerque Baroque Players and Nashville’s Music City Baroque. Stephen’s Baroque chamber music credits include concerts with Marion Verbruggen, Mary Springfels, Elizabeth Blumenstock and Kenneth Slowik., and with the Newberry Consort and the Smithsonian Chamber Players. As a member of the Sebastian Ensemble, with harpsichordist Kathleen McIntosh, Stephen travelled twice to Lima, Peru, for the Festival Internacional de Música Antigua‏. Specializing in J.S. Bach’s Sonatas for Violin and Harpsichord Obligato, this period performance group has toured throughout the United States as well as in Spain, Japan and Cuba.

Close

Katie Rietman
Cello
Read Bio

Katie Rietman

Katie Rietman has performed as a cellist on over 60 CD recordings and in numerous concerts with leading Baroque ensembles worldwide. Her career has taken her to 21 countries, and she is a prizewinner in the Bonporti and Van Wassenaer competitions.
Rietman studied cello at the Cleveland Institute of Music and the Sweelinck Conservatorium in Amsterdam, later spending ten years in Cologne, Germany, performing with many European early music groups. Based in New York City for several years, she served as principal cellist of the Trinity Wall Street Baroque Orchestra, the Clarion Society, and Concert Royal.
Now living in Santa Fe, Rietman has performed with all the local classical groups and on the MarketMusic series at the New Mexico School for the Arts, where she also teaches cello. A trained soprano, she has a passion for languages—she speaks seven—and enjoys making jewelry and cooking.

Close

Kathleen McIntosh
Harpsichord
Read Bio

Kathleen McIntosh

Harpsichordist Kathleen McIntosh has appeared in the Esteban Salas Festival in Havana nearly every year since 2002. She has been featured in the Santa Fe Chamber Music Festival since 1996, and in festivals in the United States, Japan, Peru and Germany. A resident of Santa Fe, New Mexico, she has appeared on every local concert series, and with the Santa Fe Symphony, Santa Fe Pro Musica and Serenata of Santa Fe. McIntosh is a champion of contemporary music. She appeared regularly with the series 20th Century Unlimited and is part of the McFish Duo. From 1999-2009, she performed with the Vail Valley Bravo! Festival, which commissioned a work by Melinda Wagner especially for her that premiered in the 2005 season. Other premieres have included works by Leo Brouwer, John Steinmetz, Carl Mansker, Alex Shapiro and many others.
McIntosh has been soloist with the Chamber Orchestra Kremlin in Moscow, Vietnam National Symphony in Hanoi, Solistas de La Habana, Santa Fe Friends in Tsuyama, Japan, and with many American groups. She teaches regularly in Cuba as part of the Semana Sacra sponsored by the national cathedral, in Peru at the national conservatory in Lima, and in Opole, Poland at the Diecezjalny Instytut Musyki Koscielnej. In November 2015, she performed the entire Clavier-Ubung of J.S.Bach in five concerts in Los Angeles, California, with organist Ron McKean and harpsichordist Janine Johnson. Ms. McIntosh was a student of John Hamilton and Thurston Dart. She can be heard in recordings from Gasparo and Maricam Studios.

Close

Questions? Call: (505) 930-9393
MarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery, a wonderfully intimate concert venue.
If you would like to join our growing list of supporters, please make a contribution through our secure website, or make a check payable to Severall Friends and mail it to:

Severall Friends NFP
64 Vista del Oro, Cerrillos, NM 87010

Program and artists subject to change.

MarketMusic
2026-07-04 12:00 - 13:00 | Thaw Gallery at New Mexico School for the Arts, 500 Montezuma Avenue, Santa Fe, 87501, United States
Saturday, July 4, 2026

Time: 12:00 PM
Venue: Thaw Gallery at New Mexico School for the Arts,
500 Montezuma Avenue, Santa Fe, 87501

A French Salon
Music of Versailles
with Elizabeth Blumenstock, violin
Elizabeth Blumenstock, violin
Carla Moore, violin
Mary Springfels, viola da gamba
Charlotte Mattax, harpsichord
Music by Leclair, Marais, Jacquet de la Guerre, Couperin
Questions? Call: (505) 930-9393
MarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery, a wonderfully intimate concert venue.
If you would like to join our growing list of supporters, please make a contribution through our secure website, or make a check payable to Severall Friends and mail it to:

Severall Friends NFP
64 Vista del Oro, Cerrillos, NM 87010

Program and artists subject to change.

MarketMusic
2026-07-18 12:00 - 13:00 | Thaw Gallery at New Mexico School for the Arts, 500 Montezuma Avenue, Santa Fe, 87501, United States
Saturday, July 18, 2026

Time: 12:00 PM
Venue: Thaw Gallery at New Mexico School for the Arts,
500 Montezuma Avenue, Santa Fe, 87501

The voices of Henry Purcell & Franz Biber
Their vocal and instrumental music embodied
featuring Michael Hix, bass-baritone
Michael Hix, bass-baritone
Carla Moore, violin
Lisa Grodin, violin & viola
Mary Springfels, viola da gamba
Eric Taeyang Mun, cello & viola da gamba
Kathleen McIntosh, harpsichord
Music by Purcell, Biber, Rameau and others
Questions? Call: (505) 930-9393
MarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery, a wonderfully intimate concert venue.
If you would like to join our growing list of supporters, please make a contribution through our secure website, or make a check payable to Severall Friends and mail it to:

Severall Friends NFP
64 Vista del Oro, Cerrillos, NM 87010

Program and artists subject to change.

MarketMusic
2026-08-01 12:00 - 13:00 | Thaw Gallery at New Mexico School for the Arts, 500 Montezuma Avenue, Santa Fe, 87501, United States
Saturday, August 1, 2026

Time: 12:00 PM
Venue: Thaw Gallery at New Mexico School for the Arts,
500 Montezuma Avenue, Santa Fe, 87501

What’s Better Than One Harpsichord?
Celebrating the two-keyboard repertoire
with Keith Womer and Kathleen McIntosh, harpsichords
Keith Womer, harpsichord
Kathleen McIntosh, harpsichord
Kim Pineda, traverso
Music by Bach and Boismortier
Questions? Call: (505) 930-9393
MarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery, a wonderfully intimate concert venue.
If you would like to join our growing list of supporters, please make a contribution through our secure website, or make a check payable to Severall Friends and mail it to:

Severall Friends NFP
64 Vista del Oro, Cerrillos, NM 87010

Program and artists subject to change.

MarketMusic
2026-08-15 12:00 - 13:00 | Thaw Gallery at New Mexico School for the Arts, 500 Montezuma Avenue, Santa Fe, 87501, United States
Saturday, August 15, 2026

Time: 12:00 PM
Venue: Thaw Gallery at New Mexico School for the Arts,
500 Montezuma Avenue, Santa Fe, 87501

Battles, Bells and Birds
Music that tells a story
with Mary Springfels, viola da gamba
Elizabeth Blumenstock, violin
Lisa Grodin, violin/viola
Mary Springfels, viola da gamba
Deborah Dunham, viol & violone
Kathleen McIntosh, harpsichord
Music by Jenkins, Farina, Marais, Biber, and Vivaldi
Questions? Call: (505) 930-9393
MarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery, a wonderfully intimate concert venue.
If you would like to join our growing list of supporters, please make a contribution through our secure website, or make a check payable to Severall Friends and mail it to:

Severall Friends NFP
64 Vista del Oro, Cerrillos, NM 87010

Program and artists subject to change.

MarketMusic
2026-08-29 12:00 - 13:00 | Thaw Gallery at New Mexico School for the Arts, 500 Montezuma Avenue, Santa Fe, 87501, United States
Saturday, August 29, 2026

Time: 12:00 PM
Venue: Thaw Gallery at New Mexico School for the Arts,
500 Montezuma Avenue, Santa Fe, 87501

An Oboe, un Hautbois, ein Hoboe, un Oboè…
Enjoyed in many languages and cultures!
featuring Curtis Foster, Baroque oboe
Curtis Foster, Baroque oboe
Stephen Redfield, violin
Elizabeth Blumenstock, violin
Katie Rietman, cello
Kathy McIntosh, harpsichord
Music by various and sundry composers
Questions? Call: (505) 930-9393
MarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery, a wonderfully intimate concert venue.
If you would like to join our growing list of supporters, please make a contribution through our secure website, or make a check payable to Severall Friends and mail it to:

Severall Friends NFP
64 Vista del Oro, Cerrillos, NM 87010

Program and artists subject to change.

MarketMusic
2026-09-12 12:00 - 13:00 | Thaw Gallery at New Mexico School for the Arts, 500 Montezuma Avenue, Santa Fe, 87501, United States
Saturday, September 12, 2026

Time: 12:00 PM
Venue: Thaw Gallery at New Mexico School for the Arts,
500 Montezuma Avenue, Santa Fe, 87501

Colossal Baroque
Santa Fe brings to the stage its biggest Baroque band!
featuring period strings at an impressive scale
Elizabeth Blumenstock, violin
Stephen Redfield, violin
Aaron Westman, violin & viola
Anna Washburn, violin & viola
Katie Rietman, cello
Music by Fux, Biber, and Muffat
Questions? Call: (505) 930-9393
MarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery, a wonderfully intimate concert venue.
If you would like to join our growing list of supporters, please make a contribution through our secure website, or make a check payable to Severall Friends and mail it to:

Severall Friends NFP
64 Vista del Oro, Cerrillos, NM 87010

Program and artists subject to change.

MarketMusic
2026-09-12 14:00 - 15:00 | Thaw Gallery at New Mexico School for the Arts, 500 Montezuma Avenue, Santa Fe, 87501, United States
Saturday, September 12, 2026

Time: 2:00 PM
Venue: Thaw Gallery at New Mexico School for the Arts,
500 Montezuma Avenue, Santa Fe, 87501

Colossal Baroque
Santa Fe brings to the stage its biggest Baroque band!
featuring period strings at an impressive scale
Elizabeth Blumenstock, violin
Stephen Redfield, violin
Aaron Westman, violin & viola
Anna Washburn, violin & viola
Katie Rietman, cello
Music by Fux, Biber, and Muffat
Questions? Call: (505) 930-9393
MarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery, a wonderfully intimate concert venue.
If you would like to join our growing list of supporters, please make a contribution through our secure website, or make a check payable to Severall Friends and mail it to:

Severall Friends NFP
64 Vista del Oro, Cerrillos, NM 87010

Program and artists subject to change.
