BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Severall Friends - ECPv6.15.16//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://www.severallfriends.org X-WR-CALDESC:Events for Severall Friends REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Denver BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20230312T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20231105T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20240310T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20241103T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20250309T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20251102T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20260308T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20261101T080000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0700 TZOFFSETTO:-0600 TZNAME:MDT DTSTART:20270314T090000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0600 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20271107T080000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Denver:20240817T120000 DTEND;TZID=America/Denver:20240817T130000 DTSTAMP:20260403T171737 CREATED:20240503T202847Z LAST-MODIFIED:20241214T230753Z UID:18087-1723896000-1723899600@www.severallfriends.org SUMMARY:MarketMusic DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”2/3″][vc_column_text css=””] \nHochschule für Violine\nGerman Baroque works featuring the Violin Music by J.S. Bach\, Handel\, and Telemann \n[vc_separator type=’transparent’ position=’center’ thickness=’5′ up=” down=”] \nFeatures guest violinist Carla Moore and characteristic violin rep of 17th and 18th century Germanic cultures.\nLocal violinists David Felberg and Elizabeth Blumenstock\, cellist Katie Reitman and harpsichordist Kathy McIntosh join her in elucidating the glories of this music! \nFood for Thought: Today’s speaker\, Susan Tarver\, was designated the 2023 Community All Star by the Santa Fe Farmers’ Market Institute. Susan founded the Eldorado Farmers’ Market in 2006 which she oversees to this day. Since 2008\, Susan has also been the Executive Director of Bienvenidos Outreach Inc. which sponsors an essential food pantry on Fifth Street here in Santa Fe. We’ll hear from Susan about the state of food insecurity in our area\, as well as her efforts to support local farmers and to make sure those sourcing their food from the food pantry receive fresh locally-grown food along with nonperishables. \nAdmission: Enjoy free admission to all concerts\, though donations are warmly appreciated. \nAbout the Performances: Our one-hour concerts feature a stunningly fresh repertoire and include a short break at the midpoint for a Food-Talk\, featuring Santa Fe’s leading food experts—chefs\, authors\, and producers. \nVenue: These world-class performances are held at the Gallery of the New Mexico School for the Arts\, located at 500 Montezuma. Complimentary parking is available across the street.[/vc_column_text][vc_empty_space height=”50px”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space][vc_single_image image=”18250″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row] URL:https://www.severallfriends.org/event/marketmusic-6/ LOCATION:New Mexico School for the Arts\, 500 Montezuma Ave\, Santa Fe\, New Mexico\, 87501\, United States CATEGORIES:MarketMusic ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20240831T120000 DTEND;TZID=America/Denver:20240831T130000 DTSTAMP:20260403T171737 CREATED:20240503T202904Z LAST-MODIFIED:20241214T230759Z UID:18089-1725105600-1725109200@www.severallfriends.org SUMMARY:MarketMusic DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”2/3″][vc_column_text css=””] \nBaroque Bassoon\n[vc_separator type=’transparent’ position=’center’ thickness=’5′ up=” down=”] \nMusic by Fasch\, Telemann\, Vivaldi\, and Zelenka with Bassoon at its core\nArtists include: Anna Marsh\, bassoon; Katie Rietman\, cello[/vc_column_text][vc_empty_space][vc_column_text css=””]Food for Thought: Mary Dixon\, longtime vendor at the Santa Fe Farmers’ Market representing Green Tractor Farm and Secretary of the Board of the Santa Fe Farmers’ Market Institute\, will join us as our speaker. Green Tractor Farm was named a 2013 All Star Farm. A family enterprise founded by Mary’s husband Tom\, Green Tractor’s operations have now been passed on to next generation. Rachel Dixon\, and her husband Ned Conwell\, grow a diverse selection of produce and flowers on 3 acres of land in La Cienega\, New Mexico. The farm has been certified organic since 2006. \n  \nAdmission: Enjoy free admission to all concerts\, though donations are warmly appreciated. \n  \nAbout the Performances: Our one-hour concerts feature a stunningly fresh repertoire and include a short break at the midpoint for a Food-Talk\, featuring Santa Fe’s leading food experts—chefs\, authors\, and producers. \n  \nVenue: These world-class performances are held at the Gallery of the New Mexico School for the Arts\, located at 500 Montezuma. Complimentary parking is available across the street.[/vc_column_text][vc_empty_space height=”50px”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space][vc_single_image image=”18250″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row] URL:https://www.severallfriends.org/event/marketmusic-7/ LOCATION:New Mexico School for the Arts\, 500 Montezuma Ave\, Santa Fe\, New Mexico\, 87501\, United States CATEGORIES:MarketMusic ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20240914T120000 DTEND;TZID=America/Denver:20240914T130000 DTSTAMP:20260403T171737 CREATED:20240503T202924Z LAST-MODIFIED:20241214T230807Z UID:18091-1726315200-1726318800@www.severallfriends.org SUMMARY:MarketMusic DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”2/3″][vc_column_text css=””] \nFantastic Finale\n[vc_separator type=’transparent’ position=’center’ thickness=’5′ up=” down=”] \nEmbrace Your Inner Voices: Music with layered richness in inner harmonies by Bach\, Biber\, and more. \n[vc_separator type=’transparent’ position=’center’ thickness=’5′ up=” down=”] \nFeaturing: Elizabeth Blumenstock and Aaron Westman\, violins; Anna Washburn and Lisa Grodin\, violas; Mary Springfels\, viola da gamba; Katie Rietman\, cello; Deborah Dunham\, violone \n[vc_separator type=’transparent’ position=’center’ thickness=’5′ up=” down=”] \nAdmission: Enjoy free admission to all concerts\, though donations are warmly appreciated. \n[vc_separator type=’transparent’ position=’center’  thickness=’5′ up=” down=”] \nAbout the Performances: Our one-hour concerts feature a stunningly fresh repertoire and include a short break at the midpoint for a Food-Talk\, featuring Santa Fe’s leading food experts—chefs\, authors\, and producers. \n[vc_separator type=’transparent’ position=’center’ thickness=’5′ up=” down=”] \nVenue: These world-class performances are held at the Gallery of the New Mexico School for the Arts\, located at 500 Montezuma. Complimentary parking is available across the street. \n[vc_separator type=’transparent’ position=’center’ thickness=’5′ up=” down=”] \nFood for Thought: This week\, Edible Magazine’s Local Hero Award for Best Restaurant in Santa Fe\, 2022 recipient Marja Martin will be our speaker. Under Marja’s direction as Owner of Paloma and its sister restaurant Esquina Pizza\, Paloma’s team strives for full sustainability in its business practices and in how they approach food. In her own words\, “Driven by the creativity and inspiration that comes from our own community and that of our neighbors across the border\, we strive to bring you a fresh perspective via Mexican-inspired cuisine.” For more information please click here.[/vc_column_text][vc_empty_space height=”50px”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space][vc_single_image image=”18250″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row] URL:https://www.severallfriends.org/event/marketmusic-8/ LOCATION:New Mexico School for the Arts\, 500 Montezuma Ave\, Santa Fe\, New Mexico\, 87501\, United States CATEGORIES:MarketMusic ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20241130T120000 DTEND;TZID=America/Denver:20241130T130000 DTSTAMP:20260403T171737 CREATED:20241113T015210Z LAST-MODIFIED:20241214T230813Z UID:18659-1732968000-1732971600@www.severallfriends.org SUMMARY:MarketMusic DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”2/3″][vc_column_text css=””] \nSaturday\, November 30\, 2024\n  \nTime: 12:00 PM\nVenue: The Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nPastorale: \nBaroque Christmas music from around the world! Guest soprano Jennifer Perez sings works reflecting Germanic\, French\, Italian and Peruvian holiday traditions. \n  \nFeaturing: \nJennifer Perez\, soprano; Elizabeth Blumenstock and Stephen Redfield\, violins; Lisa Grodin\, viola; Mary Springfels\, viola da gamba; Kathleen McIntosh\, harpsichord \n  \nFood for Thought: We will feature a speaker (TBA) who will talk about Christmas food traditions in New Mexico. \n  \n\n  \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space][vc_single_image image=”18660″ img_size=”full” add_caption=”yes” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][vc_single_image image=”18250″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1/4″][vc_single_image image=”18661″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nJennifer Perez\nSoprano \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_single_image image=”15882″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text] \nElizabeth Blumenstock\nViolin \n[/vc_column_text]Read Bio\n\n \n \n \n \nElizabeth Blumenstock\n  \nElizabeth Blumenstock is a long-time concertmaster\, soloist\, and leader with the Bay Area’s Philharmonia\nBaroque and American Bach Soloists\, concertmaster of the International Handel Festival Orchestra in\nGoettingen\, Germany\, and Artistic Director of the Corona del Mar Baroque Music Festival. Her love of\nchamber music has involved her in several accomplished smaller ensembles including Voices of Music\,\nGalax Quartet\, Live Oak Baroque\, Ars Lyrica Houston Chamber Players\, Sarasa\, and Severall Friends. Ms.\nBlumenstock teaches for Juilliard’s Historical Performance Program\, at the San Francisco Conservatory of\nMusic\, American Bach Soloists’ Summer Festival and Academy\, the International Baroque Institute at\nLongy\, and the Valley of the Moon Music Festival. She plays a 1660 Andrea Guarneri violin built in\nCremona\, Italy\, on generous loan to her from the Philharmonia Baroque Period Instrument Trust.\n \n \n \n Close\n[/vc_column][vc_column width=”1/4″][vc_single_image image=”16191″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text] \nStephen Redfield\nViolin\n \n[/vc_column_text]Read Bio\n\n \n \n \n \nStephen Redfield\n  \nViolinist Stephen Redfield\, D.M.A.\, is a member of the University of Southern Mississippi School of Music faculty\, where he performs with the Mississippi Chamber Circle and the Impromptu Piano Trio. Throughout the year Stephen acts as concertmaster of the Santa Fe Pro Musica\, and each summer plays with the Victoria Bach Festival; his performances as concertmaster and soloist there have been produced on discs and broadcast nationally. He has also often led the Oregon Bach Festival orchestra\, where he has participated in numerous recordings\, including the Grammy Award-winning disc “Credo.” In addition\, Stephen is concertmaster of the Arizona Bach Festival\, was the long-time principal second violin of the Sunriver Music Festival\, and served for five years as Assistant Concertmaster of the Austin Symphony Orchestra.\nStephen has particularly extensive experience in the choral-orchestral repertoire: over his 30 years with the Oregon Bach Festival\, he performed the majority of this repertoire with Helmuth Rilling (including recording eight works\, and premiering two commissioned pieces). He is concertmaster for Craig Hella Johnson and the coral ensemble Conspirare. He has led a period B Minor Mass for Joshua Habermann and the Santa Fe Desert Chorale\, and was concertmaster for Robert Shaw in the Berlioz Requiem and for Fiora Contino in Haydn’s Creation and the St. John Passion.\nStephen is an active chamber musician throughout the United States and abroad. He has collaborated with artists Andre-Michel Schub\, Peter Wiley and Mark Peskanov. His Cayuga Quartet was a winner of the Coleman and Monterey Chamber Music Competitions and earned an Aspen Quartet Fellowship. In addition to the festivals mentioned before\, Stephen has been featured in chamber concerts at Loon Lake Live!\, Taos Soundscapes\, Serenata of Santa Fe\, Quad-Cities Mozart Festival\, and the Anchorage Festival\, among others. He coached with the Cleveland Quartet and Abram Loft\, the Emerson Quartet and Earl Carlyss\, and the LaSalle and Audubon Quartets.\nHe frequently performs as a soloist; during 2009\, Mendelssohn’s 200th birth-year\, he performed both Mendelssohn violin concertos (and also toured with his three sonatas). His specialty is 18th and early 19th-Century concertos and concert pieces\, often leading the ensemble while playing the solo. Highlights include Vivaldi’s Four Seasons\, each of the Bach Concertos\, and selected concertos and works by Beethoven\, Mozart and Haydn. He also performed a Western-U.S. premiere of the Michael Daugherty’s “Ladder to the Moon.”\nStephen has also developed a specialization in period performance. He performs regularly as a Baroque violinist\, including as a member of the Atlanta Baroque Orchestra\, and he has led the ensembles Albuquerque Baroque Players and Nashville’s Music City Baroque. Stephen’s Baroque chamber music credits include concerts with Marion Verbruggen\, Mary Springfels\, Elizabeth Blumenstock and Kenneth Slowik.\, and with the Newberry Consort and the Smithsonian Chamber Players. As a member of the Sebastian Ensemble\, with harpsichordist Kathleen McIntosh\, Stephen travelled twice to Lima\, Peru\, for the Festival Internacional de Música Antigua‏. Specializing in J.S. Bach’s Sonatas for Violin and Harpsichord Obligato\, this period performance group has toured throughout the United States as well as in Spain\, Japan and Cuba.\n \n \n \n Close\n[/vc_column][vc_column width=”1/4″][vc_single_image image=”18663″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nLisa Grodin\nViola \n[/vc_column_text][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1/4″][vc_single_image image=”15874″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text] \nMary Springfels\nViola da gamba \n[/vc_column_text]Read Bio\n\n \n \n \n \nMary Springfels\n  \nMary Springfels is a veteran of the American early music movement. She began\nher career at the age of 21 with the New York Pro Musica\, and has played with most of the major ensembles in the field\, including the Waverly Consort\, The Folger Consort\, Philharmonia Baroque\, the Seattle Baroque Orchestra\, Musica Sacra of New York\, and Pomerium Musices\, to name a few. In 1983 she became Musician in-Residence at the Newberry Library\, and was the director of the Newberry Consort for 20 years. In 2008\, she fulfilled a lifelong dream\, and moved to New Mexico. Since then\, she has travelled widely\, working with Sonoma Bach\, the Lobo Baroque Orchestra\, the Arizona Bach Society\, Ars Lyrica of Houston\, The Texas Early Music Project of Austin\, and continues to work with Drew Minter\, and her beloved colleagues at the Folger Consort. She can be heard on dozens of recordings. Springfels is also a very active teacher and coach. She and Elizabeth Blumenstock are Co-Directors of the newly founded Severall Friends\, based in Santa Fe.\n \n \n \n Close\n[/vc_column][vc_column width=”1/4″][vc_single_image image=”18665″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text] \nKathleen McIntosh\nHarpsichord \n[/vc_column_text]Read Bio\n\n \n \n \n \nKathleen McIntosh\n  \nHarpsichordist Kathleen McIntosh has appeared in the Esteban Salas Festival in Havana nearly every year since 2002. She has been featured in the Santa Fe Chamber Music Festival since 1996\, and in festivals in the United States\, Japan\, Peru and Germany. A resident of Santa Fe\, New Mexico\, she has appeared on every local concert series\, and with the Santa Fe Symphony\, Santa Fe Pro Musica and Serenata of Santa Fe. McIntosh is a champion of contemporary music. She appeared regularly with the series 20th Century Unlimited and is part of the McFish Duo. From 1999-2009\, she performed with the Vail Valley Bravo! Festival\, which commissioned a work by Melinda Wagner especially for her that premiered in the 2005 season. Other premieres have included works by Leo Brouwer\, John Steinmetz\, Carl Mansker\, Alex Shapiro and many others. \nMcIntosh has been soloist with the Chamber Orchestra Kremlin in Moscow\, Vietnam National Symphony in Hanoi\, Solistas de La Habana\, Santa Fe Friends in Tsuyama\, Japan\, and with many American groups. She teaches regularly in Cuba as part of the Semana Sacra sponsored by the national cathedral\, in Peru at the national conservatory in Lima\, and in Opole\, Poland at the Diecezjalny Instytut Musyki Koscielnej. In November 2015\, she performed the entire Clavier-Ubung of J.S.Bach in five concerts in Los Angeles\, California\, with organist Ron McKean and harpsichordist Janine Johnson. Ms. McIntosh was a student of John Hamilton and Thurston Dart. She can be heard in recordings from Gasparo and Maricam Studios.\n \n \n \n Close\n[/vc_column][vc_column width=”1/4″][/vc_column][vc_column width=”1/4″][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row] URL:https://www.severallfriends.org/event/marketmusic-9/ LOCATION:New Mexico School for the Arts\, 500 Montezuma Ave\, Santa Fe\, New Mexico\, 87501\, United States CATEGORIES:MarketMusic ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20250126T150000 DTEND;TZID=America/Denver:20250126T163000 DTSTAMP:20260403T171737 CREATED:20241118T232905Z LAST-MODIFIED:20250122T195858Z UID:18696-1737903600-1737909000@www.severallfriends.org SUMMARY:Romancing the Rose DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_column_text css=”.vc_custom_1737575895125{border-top-width: 10px !important;border-right-width: 10px !important;border-bottom-width: 10px !important;border-left-width: 10px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #FBF2F2 !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #FBF2F2 !important;}”]This Ticket is Sold Out \nIf any cancellations occur\, a limited number of tickets may become available at the door on a first-come\, first-served basis. Thank you![/vc_column_text][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”2/3″][vc_column_text css=””]The Romance of the Rose was one of the most influential works of medieval imaginative literature. It was copied innumerable times\, from its inception in the 1200s until the age of the printing press\, and was read throughout Europe\, from England to Italy.\nSeverall Friends will offer a tasting menu of delicacies by Machaut\, Ciconia\, Dufay\, and others. \n  \nFeaturing: \nDaniel Meyers\, winds \nEmily Noël\, voice \nMark Rimple\, strings \nMary Springfels\, strings \nDesirée Mays\, narrator \n  \nWe are thrilled to announce that guest projection designer Shawn Keener will be joining us for the Romancing the Rose concert. Shawn will be illuminating the performance with beautiful\, captivating images\, adding a unique visual experience to complement the music.[/vc_column_text][vc_empty_space height=”50px”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”18706″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1/4″][vc_single_image image=”18698″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nDaniel Meyers\nWinds \n[/vc_column_text]Read More\n\n \n \n \n \nDaniel Meyers\n  \nA versatile multi-instrumentalist\, Dan Meyers is a flexible and engaging performer of both classical and folk music; his credits range from premieres of contemporary chamber music\, to headlining a concert series in honor of Pete Seeger at the Newport Folk Festival\, to playing Renaissance instruments on Broadway for Shakespeare’s Globe Theatre Company. He is a founding member of the early music/folk crossover group Seven Times Salt\, and in recent seasons he has performed with the The Folger Consort\, The Newberry Consort\, Hesperus\, Dünya\, The Henry Purcell Society of Boston\, Early Music New York\, Amherst Early Music\, The 21st Century Consort\, In Stile Moderno\, and the Cambridge Revels\, making concert and theatrical appearances in NYC\, Washington DC\, Chicago\, Minneapolis\, Memphis\, Santa Fe\, at the Yellow Barn Festival in Vermont\, and at at the “La Luna e i Calanchi” festival in Basilicata (Italy). \nHe enjoys playing traditional Irish music with the bands Ulster Landing and Ishna\, as well as eclectic fusion from around the Mediterranean with the US/Italy-based group Zafarán; he also played winds and percussion for over a decade with the award-winning Italian folk music group Newpoli. As an educator\, he has taught historical wind instruments for the Five Colleges Early Music Program in Massachusetts\, at Tufts University\, and at festivals and workshops around the Northeast. \nwww.danmeyersmusic.com\n \n \n \n Close\n[/vc_column][vc_column width=”1/4″][vc_single_image image=”16899″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=”” el_class=”grayscale”][vc_empty_space height=”12px”][vc_column_text css=””] \nEmily Noël\nVoice \n[/vc_column_text]Read More\n\n \n \n \n \nEmily Noël\n  \nSoprano Emily Noël has appeared as a soloist with many leading early music ensembles\, including The Folger Consort\, The Gabrieli Players\, and the Washington Bach Consort. Recent stage credits include Measure + Dido at the John F. Kennedy Center in Washington DC; Davenant’s Macbeth at the Folger Shakespeare Theatre; The Merchant of Venice at the Wanamaker Theatre at Shakespeare’s Globe in London; Vaughn Williams’ Riders to the Sea at the Amsterdam Grachtenfestival; and Verdi’s Rigoletto at Ente Concerti Città di Iglesias in Sardinia\, Italy. This summer will mark Emily’s tenth year singing with the Santa Fe Desert Chorale. A passionate educator\, Emily has served on the faculties of Franklin and Marshall College\, Notre Dame of Maryland University\, and The Community College of Rhode Island. She currently teaches at Otterbein University\, where she directs the Cardinal Singers.\n \n \n \n Close\n[/vc_column][vc_column width=”1/4″][vc_single_image image=”15908″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nMark Rimple\nStrings \n[/vc_column_text]Read More\n\n \n \n \n \nMark Rimple\n  \nMark Rimple has garnered critical notice for his interpretation of early music from national newspapers and journals including the Philadelphia Inquirer\, The New York Times\, the Chicago Tribune\, The Washington Post\, Early Music America\, and Early Music (UK). \nHe is a founding member of the vocal-instrumental ensemble TREFOIL and appears frequently with viola da gambist Mary Springfels’ ensemble Severall Friends (Santa Fe\, NM). He has appeared with The Folger Consort\, The Newberry Consort\, Piffaro\, the Renaissance Band\, The Nota Bene Viol Consort\, The King’s Noyse\, Les Delices and Blue Heron\, Ex Umbris (at the Clinton White House)\, New York’s Ensemble for Early Music\, Mélomanie\, Pomerium\, Tempesta di Mare\, Network for New Music\, Seven Times Salt\, The Brandywine Singers\, Cygnus Ensemble and the GEMS production of The Play of Daniel. His CD of solo Italian lute music for three different instruments (Tre Liuti\, available on CDBaby\, ITunes\, etc.) received highly favorable reviews. \nMark principally plays medieval and Renaissance lute\, archlute\, gittern\, citole\, psaltery\, cittern\, and viol. In early 2023\, he will make a recording of solo works for archlute and classical guitar (playing without nails) featuring works by Bach (BWV 1004 and 998) on archlute\, and guitar repertoire by Villa Lobos\, Tansman\, Mompou\, and Turina Before his early music career\, he was an accomplished classical guitarist\, specializing in new music. Mark has recorded early and new music as countertenor and lutenist with the Newberry Consort\, Trefoil\, Seven Times Salt\, and Cygnus Ensemble and has performed with The Pennsylvania Ballet Orchestra and Curtis Orchestra (on mandolin)\, The Philadelphia Chamber Orchestra (lute)\, Network for New Music (lute\, guitar\, mandolin) and The Philadelphia Classical Symphony (guitar). \nMark is a Professor of Music Theory and Composition at The Wells School of Music at West Chester University of Pennsylvania.\n \n \n \n Close\n[/vc_column][vc_column width=”1/4″][vc_single_image image=”15874″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nMary Springfels\nStrings \n[/vc_column_text]Read More\n\n \n \n \n \nMary Springfels\n  \nMary Springfels is a veteran of the American early music movement. She began\nher career at the age of 21 with the New York Pro Musica\, and has played with most of the major ensembles in the field\, including the Waverly Consort\, The Folger Consort\, Philharmonia Baroque\, the Seattle Baroque Orchestra\, Musica Sacra of New York\, and Pomerium Musices\, to name a few. In 1983 she became Musician in-Residence at the Newberry Library\, and was the director of the Newberry Consort for 20 years. In 2008\, she fulfilled a lifelong dream\, and moved to New Mexico. Since then\, she has travelled widely\, working with Sonoma Bach\, the Lobo Baroque Orchestra\, the Arizona Bach Society\, Ars Lyrica of Houston\, The Texas Early Music Project of Austin\, and continues to work with Drew Minter\, and her beloved colleagues at the Folger Consort. She can be heard on dozens of recordings. Springfels is also a very active teacher and coach. She and Elizabeth Blumenstock are Co-Directors of the newly founded Severall Friends\, based in Santa Fe.\n \n \n \n Close\n[/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1/4″][vc_single_image image=”19050″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=”” el_class=”grayscale”][vc_empty_space height=”12px”][vc_column_text css=””] \nShawn Keener\nProjection Designer \n[/vc_column_text]Read More\n\n \n \n \n \nShawn Keener\nProjection Designer\nTrained as a music historian\, Shawn Keener is a graphic designer\, translator\, and book indexer based in Chicago. Her scholarly work examining the intersection of vernacular song and cultural memory in 16th-century Venice was supported by a Fulbright grant (Italy\, 2007–08) and a Harper Dissertation-Year Fellowship at the University of Chicago. Since 2012 she has curated and designed projections for live performance and concert videos that are visual extensions of historically informed performance. She has collaborated with the Newberry Consort (Chicago)\, Les Délices (Cleveland)\, Blue Heron (Boston)\, Trobár (Cleveland)\, and Severall Friends (Santa Fe). Before launching Keener Editorial in late 2019\, Shawn worked for several years at the Newberry Library in Chicago and was for three years a staff editor in the Recent Researches series at A-R Editions (Middleton\, WI)\, the leading North American publisher of scholarly editions of music. \nwww.keenereditorial.com\n \n \n \n Close\n[/vc_column][vc_column width=”1/4″][vc_single_image image=”19052″ alignment=”center” style=”vc_box_circle_2″ css=”” qode_css_animation=”” el_class=”grayscale”][vc_empty_space height=”12px”][vc_column_text css=””] \nDesirée Mays\nNarrator \n[/vc_column_text]Read More\n\n \n \n \n \nDesirée Mays\nNarrator\nDesirée Mays narrated Severall Friends’ medieval version of Tristan and Isolde in 2023. She returns to tell the tale of The Romance of the Rose\, a timeless poem on the trials and tribulations of Love. Desirée speaks all over the US to opera companies and groups; she is the author of the Opera Unveiled series of books\, and is a radio producer and interviewer on opera. She will return this summer to The Santa Fe Opera as the preview speaker for Die Walküre.\n \n \n \n Close\n[/vc_column][vc_column width=”1/4″][/vc_column][vc_column width=”1/4″][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_separator type=”normal”][vc_empty_space][vc_column_text css=”.vc_custom_1736798141356{border-top-width: 10px !important;border-right-width: 10px !important;border-bottom-width: 10px !important;border-left-width: 10px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #FBF2F2 !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #FBF2F2 !important;}”]Having Trouble Purchasing Tickets? \nIf you have difficulty buying a ticket here\, please try refreshing the page first: Click HERE. Make sure you have selected the quantity of tickets before clicking the “Get Tickets” button. If the issue persists\, please send an email to manager@severallfriends.org or call (505) 930-9393. Leave your name\, phone number\, event name\, and the number of tickets you’d like\, and we’ll reserve them for you. Payment can be processed later. Thank you for your understanding![/vc_column_text][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”normal”][vc_empty_space][vc_column_text css=”.vc_custom_1737575895125{border-top-width: 10px !important;border-right-width: 10px !important;border-bottom-width: 10px !important;border-left-width: 10px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #FBF2F2 !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #FBF2F2 !important;}”]This Ticket is Sold Out \nIf any cancellations occur\, a limited number of tickets may become available at the door on a first-come\, first-served basis. Thank you![/vc_column_text][/vc_column][/vc_row] URL:https://www.severallfriends.org/event/romancing-the-rose/ LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States ATTACH;FMTTYPE=image/jpeg:https://www.severallfriends.org/wp-content/uploads/2024/11/le-roman-de-la-rose.jpg ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20250205T153000 DTEND;TZID=America/Denver:20250208T160000 DTSTAMP:20260403T171737 CREATED:20241123T070941Z LAST-MODIFIED:20241203T010513Z UID:18738-1738769400-1739030400@www.severallfriends.org SUMMARY:For Ye Violls DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text css=””] \nAn intensive workshop for viol players at all levels in Albuquerque NM\, Feb. 5 – 8\, 2025.\nStatus: Waiting List \nAll spots have now been filled. Submit a registration form (no deposit required) to secure a spot on the waiting list. \nFor Ye Violls presents an intimate four-day workshop for viol players at all levels featuring six-part consort repertoire from England\, Italy\, and the low countries. Each class will be limited to six players with three classes each day\, one-to-apart. There will be free time each afternoon with an optional “siesta class”\, sightseeing\, or a real siesta\, and after-dinner playing welcome to all. \n  \nThe workshop’s three instructors\, Lawrence Lipnik\, David Morris\, and Mary Springfels are among the most outstanding coaches in the field. Each tutor has chosen a repertoire\, with play-in and faculty concert on the final afternoon of the workshop. There will be 8 formal sessions\, plus a final reading and faculty concert. While the instrumental ensembles may be fixed for the weekend\, every player will work with every instructor.[/vc_column_text][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1/3″][vc_single_image image=”15874″ img_size=”full” alignment=”center” qode_css_animation=””][vc_column_text] \n[vc_separator type=’transparent’ position=’center’ color=” thickness=’20’ up=” down=”]\nMary Springfels\nDirector of Severall Friends \n[/vc_column_text][vc_empty_space height=”27px”][vc_column_text css=”.vc_custom_1732659948100{margin-bottom: 10px !important;}”] \nThe Franco-Flemings who invented the Renaissance: from Josquin to Willaert. \n[/vc_column_text]Read Bio\n\n \n \n \n \nMary Springfels\n  \nMary Springfels is a veteran of the American early music movement. She began her career at the age of 21 with the New York Pro Musica\, and has played with most of the major ensembles in the field\, including the Waverly Consort\, The Folger Consort\, Philharmonia Baroque\, the Seattle Baroque Orchestra\, Musica Sacra of New York\, and Pomerium Musices\, to name a few. In 1983 she became Musician in-Residence at the Newberry Library\, and was the director of the Newberry Consort for 20 years. In 2008\, she fulfilled a lifelong dream\, and moved to New Mexico. Since then\, she has travelled widely\, working with Sonoma Bach\, the Lobo Baroque Orchestra\, the Arizona Bach Society\, Ars Lyrica of Houston\, The Texas Early Music Project of Austin\, and continues to work with Drew Minter\, and her beloved colleagues at the Folger Consort. She can be heard on dozens of recordings. Springfels is also a very active teacher and coach. She and Elizabeth Blumenstock are Co-Directors of the newly founded Severall Friends\, based in Santa Fe.\n \n \n \n Close\n[/vc_column][vc_column width=”1/3″][vc_single_image image=”15906″ img_size=”full” alignment=”center” qode_css_animation=””][vc_column_text] \n[vc_separator type=’transparent’ position=’center’ color=” thickness=’20’ up=” down=”]\nDavid Morris\n[/vc_column_text][vc_empty_space height=”27px”][vc_column_text css=”.vc_custom_1732321746061{margin-bottom: 15px !important;}”] \nLate 17th c. Italians\, native and adopted: music of Giaches de Wert\, Giovanni Croce\, Alessandro Striggio\, and others. \n[/vc_column_text]Read Bio\n\n \n \n \n \nDavid Morris\n  \nDubbed a “basso continuo wizard” by Gramophone (UK)\, David Morris has made a specialty of performing 17th- and 18th-c. music on a variety of historical bass instruments including the viola da gamba\, baroque cello\, bass violin and lirone.  He has performed in the U.S. and abroad with the Boston Early Music Festival Orchestra\, Tafelmusik\, the Boston Symphony Orchestra and the Mark Morris Dance Group. He has recorded for Harmonia Mundi\, Drag City Records (Joanna Newsom’s double-CD\, Have One on Me)\, CBC/ Radio-Canada and New Line Cinema (as viola da gamba soloist for The Nativity Story).  He is a frequent coach at the Viola da Gamba Society of America’s regional workshops as well at its national Conclaves\, and has also taught at the Amherst and Madison Early Music Workshops. \n\n \n \n \n Close\n[/vc_column][vc_column width=”1/3″][vc_single_image image=”15911″ img_size=”full” alignment=”center” qode_css_animation=””][vc_column_text] \n[vc_separator type=’transparent’ position=’center’ color=” thickness=’20’ up=” down=”]\nLawrence Lipnik\n[/vc_column_text][vc_empty_space height=”27px”][vc_column_text css=”.vc_custom_1732321752632{margin-bottom: 15px !important;}”] \nMusica Transalpina: Continental repertoire embraced by the Elizabethans. Works by Marenzio\, Ferrabosco\, and Byrd’s Italian side. \n[/vc_column_text]Read Bio\n\n \n \n \n \nLawrence Lipnik\n  \nLawrence Lipnik has performed with many acclaimed early music ensembles from Anonymous 4 to Piffaro and the Waverly Consort\, and is a founding member of the viol consort Parthenia and vocal ensemble Lionheart.  He has prepared an authoritative edition of Francesco Cavalli’s La Calisto\, commissioned by the Juilliard School\, served as gambist and recorder player for staged opera productions including Monteverdi’s Ritorno d’Ulisse in Patria at Wolf Trap and Telemann’s Orpheus with the New York City Opera.  In addition to performing\, he enjoys a busy teaching schedule which has included national and international festivals including the Benslow Music Trust in the UK\, Port Townsend\, San Diego and Madison Early Music Festivals\, Pinewoods\, Collegium Director at Amherst Early Music\, viol\, recorder and early music performance instruction at Wesleyan University and is a contributor to The Cambridge Companion to Shakespeare and Contemporary Dramatists.  Highlights from this past season have included performances with lutenist Paul O’dette of Dowland’s complete Lachrimae collection at the Metropolitan Museum of Art\, concerts at the Berkeley Festival\, appearances with ARTEK\, TENET\, the Indiana University Historic Performance Institute at the Bloomington Early Music Festival and early opera residency at Carnegie Mellon University. \n\n \n \n \n Close\n[/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text css=””] \nThe Workshop Venue:\n  \nThe workshop venue is Nativo Lodge (www.nativolodge.com) on the north side of Albuquerque. This site\, though lacking the privacy of retreat centers\, features modern amenities with comfortable rooms\, great views\, and private baths.[/vc_column_text][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1/2″][vc_single_image image=”18739″ img_size=”full” alignment=”center” css=”” qode_css_animation=””][/vc_column][vc_column width=”1/2″][vc_single_image image=”18740″ img_size=”full” alignment=”center” css=”” qode_css_animation=””][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text css=””] \nTentative Schedule:\n[/vc_column_text][vc_raw_html css=””]%20%20%3Ctable%20class%3D%22schedule-table%22%3E%0A%20%20%20%20%3Cthead%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Cth%20colspan%3D%222%22%20class%3D%22date-header%22%3EWednesday%2C%20February%205%3C%2Fth%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%3C%2Fthead%3E%0A%20%20%20%20%3Ctbody%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E3%3A30%20%E2%80%93%206%3A00%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EArrival%2C%20reception%2C%20registration%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E6%3A00%20%E2%80%93%207%3A00%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EDinner%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E7%3A30%20%E2%80%93%209%3A00%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EOpening%20group%20play-in%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Cth%20colspan%3D%222%22%20class%3D%22date-header%22%3EThursday%20%26%20Friday%2C%20February%206-7%3C%2Fth%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E8%3A00%20%E2%80%93%209%3A00%20am%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EBreakfast%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E9%3A30%20%E2%80%93%2010%3A45%20am%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3E1st%20class%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E10%3A45%20%E2%80%93%2011%3A15%20am%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3ECoffee%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E11%3A15%20%E2%80%93%2012%3A30%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3E2nd%20class%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E12%3A30%20%E2%80%93%202%3A30%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3ELunch%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E2%3A30%20%E2%80%93%203%3A45%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3E3rd%20class%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E3%3A45%20%E2%80%93%204%3A15%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3ETea%20break%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E4%3A15%20%E2%80%93%205%3A30%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EOptional%20%E2%80%9Csiesta%20class%E2%80%9D%E2%80%94sign%20up%20at%20lunch%3B%20or%20sightsee%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E6%3A00%20%E2%80%93%207%3A30%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EDinner%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E7%3A45%20%E2%80%93%208%3A45%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EEvening%20consorts%20with%20faculty%E2%80%94sign%20up%20at%20lunch%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E8%3A45%20%E2%80%93%2010%3A00%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3ELate-night%20consorting%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Cth%20colspan%3D%222%22%20class%3D%22date-header%22%3ESaturday%2C%20February%208%3C%2Fth%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E8%3A00%20%E2%80%93%209%3A00%20am%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EBreakfast%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E9%3A30%20%E2%80%93%2010%3A45%20am%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3E1st%20class%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E10%3A45%20%E2%80%93%2011%3A15%20am%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3ECoffee%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E11%3A15%20%E2%80%93%2012%3A30%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3E2nd%20class%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E12%3A30%20%E2%80%93%202%3A30%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3ELunch%20%28but%20check%20out%20first%29%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%20%20%3Ctr%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22time-cell%22%3E2%3A30%20%E2%80%93%204%3A00%20pm%3C%2Ftd%3E%0A%20%20%20%20%20%20%20%20%3Ctd%20class%3D%22activity-cell%22%3EFinal%20play-in%20and%20faculty%20concert%3C%2Ftd%3E%0A%20%20%20%20%20%20%3C%2Ftr%3E%0A%20%20%20%20%3C%2Ftbody%3E%0A%20%20%3C%2Ftable%3E[/vc_raw_html][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text css=””] \nFees:\nSingle room: $875\,  Double room: $725\,  Commuters: $475\nAll breakfasts and opening night dinner are included. We’re on our own for both lunch and dinner Thursday and Friday\, and lunch on Saturday. The Lodge’s Garduños Restaurant is poised to serve us from their not-pricey menu (see it at https://tinyurl.com/yprsp9pv ) for those lunches and dinners\, but other restaurants are only minutes away. \n[/vc_column_text][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text css=””] \nGetting Here (And Back):\nNativo Lodge location is located on the very north end of Albuquerque at 6000 Pan American Fwy. NE.. If you’re driving on I-25\, get off on San Mateo Av. and you’ll see it right there\, but your GPS will navigate you through the maze of ramps. If you’re flying in\, you’ll need to find a transportation option at ABQ airport—it’s a straight shot up I-25—but if you let us know your itinerary well in advance we may be able to pick you up. If you’re flying out\, try to find flights that leave ABQ 6 pm or later. \n[/vc_column_text][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text css=””] \nRegistration:\nAll spots have now been filled. Submit a registration form (no deposit required) to secure a spot on the waiting list. \nThe registration deadline (below) is a bit earlier than usual because I’ll have been in Argentina for the last half of January and in Tierra del Fuego\, hiking and out of communication with the wider world\, from January 23 to February 2. So I’ve got to get this all wrapped up well in advance of that trip. (I’ll have lots of photos.) \nPlease print and return the registration form with a non-refundable deposit of $100.\nRegistration deadline: Saturday\, December 21\, 2024.\n[/vc_column_text][vc_empty_space]Registration Form[vc_empty_space height=”15px”]Self-Rating Guide[vc_empty_space height=”15px”]Workshop Brochure[/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text css=””] \nFor More Information:\nContent/pedagogy: Mary Springfels\, 505.627.1487\, mvspring@gmail.com \nEverything else: Ken Perlow\, 708.989.1729\, manager@SeverallFriends.org \n[/vc_column_text][/vc_column][/vc_row] URL:https://www.severallfriends.org/event/for-ye-violls-2/ LOCATION:Nativo Lodge\, 6000 Pan American Fwy NE\, Albuquerque\, NM\, 87109\, United States CATEGORIES:Workshop ATTACH;FMTTYPE=image/bmp:https://www.severallfriends.org/wp-content/uploads/2024/11/foryeviolls-tq.bmp ORGANIZER;CN="Ken Perlow":MAILTO:manager@SeverallFriends.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20250427T150000 DTEND;TZID=America/Denver:20250427T163000 DTSTAMP:20260403T171737 CREATED:20241214T222945Z LAST-MODIFIED:20250318T004817Z UID:18812-1745766000-1745771400@www.severallfriends.org SUMMARY:Dancing in the Isles DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”2/3″][vc_column_text css=””]Come join Severall Friends for “Dancing in the Isles”\, a festive program of Baroque music from the British Isles! We will present Scottish\, Irish\, and English traditional tune medleys\, along with art music from Purcell\, Locke\, and others\, running the gamut from the contemplative to the utterly rousing! \n  \nVenue: The Muñoz Waxman Gallery at CCA (Center for Contemporary Arts)\, 1050 Old Pecos Trail\, Santa Fe \n  \nFeaturing: \nViolinist Elizabeth Blumenstock is joined by guest artists  Judith Linsenberg\, recorder and  Stephanie Noori\, violin; and by our regulars Mary Springfels\, viola da gamba and Kathleen McIntosh\, harpsichord.[/vc_column_text][vc_empty_space height=”50px”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”19347″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1/5″][vc_single_image image=”15882″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nElizabeth Blumenstock\nViolin \n[/vc_column_text]Read More\n\n \n \n \n \nElizabeth Blumenstock\n  \nElizabeth Blumenstock is a long-time concertmaster\, soloist\, and leader with the Bay Area’s Philharmonia Baroque and American Bach Soloists\, concertmaster of the International Handel Festival Orchestra in Goettingen\, Germany\, and Artistic Director of the Corona del Mar Baroque Music Festival. Her love of chamber music has involved her in several accomplished smaller ensembles including Voices of Music\, Galax Quartet\, Live Oak Baroque\, Ars Lyrica Houston Chamber Players\, Sarasa\, and Severall Friends. Ms. Blumenstock teaches for Juilliard’s Historical Performance Program\, at the San Francisco Conservatory of Music\, American Bach Soloists’ Summer Festival and Academy\, the International Baroque Institute at Longy\, and the Valley of the Moon Music Festival. She plays a 1660 Andrea Guarneri violin built in Cremona\, Italy\, on generous loan to her from the Philharmonia Baroque Period Instrument Trust.\n \n \n \n Close\n[/vc_column][vc_column width=”1/5″][vc_single_image image=”18817″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=”” el_class=”grayscale”][vc_empty_space height=”12px”][vc_column_text css=””] \nJudith Linsenberg\nRecorder \n[/vc_column_text]Read More\n\n \n \n \n \nJudith Linsenberg\n  \nCalled “the Jascha Heifetz of the recorder\,” Judith Linsenberg is one of the leading exponents of the recorder in the US and has been acclaimed for her “virtuosity\,” “expressivity\,” and “fearless playing.” She has performed throughout the US and Europe\, including solo appearances at the Hollywood Bowl and Lincoln Center; and has been featured with such leading ensembles as the San Francisco Symphony\, the SF and Los Angeles Operas\, the Oregon Symphony\, LA Chamber Orchestra\, Philharmonia Baroque\, American Bach Soloists\, the Portland and Seattle Baroque Orchestras\, the Oregon and Carmel Bach Festivals\, among others. The winner of national performance awards\, she has premiered several new works for the recorder and has recorded for Virgin Classics\, Dorian\, Solimar\, Navona\, harmonia mundi usa\, Koch International\, Reference Recordings\, Musical Heritage Society\, Drag City Records (with Joanna Newsom)\, and Hännsler Classics. She holds a doctorate in early music from Stanford University\, and has been a visiting professor at the Vienna Conservatory and Indiana University’s Early Music Institute. In her spare time\, she enjoys hanging out with her dog\, Jasper\, and playing a bit of Klezmer clarinet. Website\n \n \n \n Close\n[/vc_column][vc_column width=”1/5″][vc_single_image image=”19350″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=”” el_class=”grayscale”][vc_empty_space height=”12px”][vc_column_text css=””] \nStephanie Noori\nViolin \n[/vc_column_text]Read More\n\n \n \n \n \nStephanie Noori\n  \nStephanie Noori has been playing violin since she was 4 years old. However it was her teacher Deirdre Ward\, one of the violin faculty at Chetams School of Music and a modern and baroque violinist\, that helped inspire her to take up music professionally. \nIn 2006\, Stephanie moved back to the U.S. in order to pursue a BM in modern violin performance at the University of North Texas with Dr. Igor Borodin and Julia Bushkova and in 2007 she was one of the winners of the UNT Concerto Competition with Shotakovich’s Violin Concerto No.1 in A minor under the direction of Maestro Anshel Brusilow. \nWhilst at UNT\, Stephanie actively participated in the baroque program\, initially starting baroque violin lessons with Cynthia Roberts and then viola da gamba with Pat Nordstrom and Allen Whear. In 2009 and 2011 she had the opportunity to perform with the UNT Baroque Orchestra at BEMF (Boston Early Music Festival) \nIn 2011 Stephanie continued her education at Indiana University Jacobs School of Music under the direction of Stanley Ritchie and the EMI (Early Music Institute) faculty where\, in 2013\, she obtained a Master of Music in Early Music Performance. Most recently\, she won the Indianapolis Baroque Concerto Competition with Vivaldi’s Concerto for 3 Violins in F major and performed with the IBO. \nAdditionally\, Stephanie has played with ensembles such as the Denton Bach Society\, Orchestra of New Spain\, Austin Baroque Orchestra\, San Francisco Bach Choir\, Ascolti\, Vox Reflexa\, Exordium\, Aston Magna\, and Mountainside Baroque. Currently\, Stephanie is an active member of the viol consort Les Touches\, with whom she recently appeared as a finalist at the York Early Music International Young Artists’ Competition in the UK.\n \n \n \n Close\n[/vc_column][vc_column width=”1/5″][vc_single_image image=”15874″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nMary Springfels\nViola da Gamba \n[/vc_column_text]Read More\n\n \n \n \n \nMary Springfels\n  \nMary Springfels is a veteran of the American early music movement. She began\nher career at the age of 21 with the New York Pro Musica\, and has played with most of the major ensembles in the field\, including the Waverly Consort\, The Folger Consort\, Philharmonia Baroque\, the Seattle Baroque Orchestra\, Musica Sacra of New York\, and Pomerium Musices\, to name a few. In 1983 she became Musician in-Residence at the Newberry Library\, and was the director of the Newberry Consort for 20 years. In 2008\, she fulfilled a lifelong dream\, and moved to New Mexico. Since then\, she has travelled widely\, working with Sonoma Bach\, the Lobo Baroque Orchestra\, the Arizona Bach Society\, Ars Lyrica of Houston\, The Texas Early Music Project of Austin\, and continues to work with Drew Minter\, and her beloved colleagues at the Folger Consort. She can be heard on dozens of recordings. Springfels is also a very active teacher and coach. She and Elizabeth Blumenstock are Co-Directors of the newly founded Severall Friends\, based in Santa Fe.\n \n \n \n Close\n[/vc_column][vc_column width=”1/5″][vc_single_image image=”18665″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nKathleen McIntosh\nHarpsichord \n[/vc_column_text]Read More\n\n \n \n \n \nKathleen McIntosh\n  \nHarpsichordist Kathleen McIntosh has appeared in the Esteban Salas Festival in Havana nearly every year since 2002. She has been featured in the Santa Fe Chamber Music Festival since 1996\, and in festivals in the United States\, Japan\, Peru and Germany. A resident of Santa Fe\, New Mexico\, she has appeared on every local concert series\, and with the Santa Fe Symphony\, Santa Fe Pro Musica and Serenata of Santa Fe. McIntosh is a champion of contemporary music. She appeared regularly with the series 20th Century Unlimited and is part of the McFish Duo. From 1999-2009\, she performed with the Vail Valley Bravo! Festival\, which commissioned a work by Melinda Wagner especially for her that premiered in the 2005 season. Other premieres have included works by Leo Brouwer\, John Steinmetz\, Carl Mansker\, Alex Shapiro and many others. \nMcIntosh has been soloist with the Chamber Orchestra Kremlin in Moscow\, Vietnam National Symphony in Hanoi\, Solistas de La Habana\, Santa Fe Friends in Tsuyama\, Japan\, and with many American groups. She teaches regularly in Cuba as part of the Semana Sacra sponsored by the national cathedral\, in Peru at the national conservatory in Lima\, and in Opole\, Poland at the Diecezjalny Instytut Musyki Koscielnej. In November 2015\, she performed the entire Clavier-Ubung of J.S.Bach in five concerts in Los Angeles\, California\, with organist Ron McKean and harpsichordist Janine Johnson. Ms. McIntosh was a student of John Hamilton and Thurston Dart. She can be heard in recordings from Gasparo and Maricam Studios.\n \n \n \n Close\n[/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”normal”][vc_empty_space][vc_column_text css=”.vc_custom_1736798141356{border-top-width: 10px !important;border-right-width: 10px !important;border-bottom-width: 10px !important;border-left-width: 10px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #FBF2F2 !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #FBF2F2 !important;}”]Having Trouble Purchasing Tickets? \nIf you have difficulty buying a ticket here\, please try refreshing the page first: Click HERE. Make sure you have selected the quantity of tickets before clicking the “Get Tickets” button. If the issue persists\, please send an email to manager@severallfriends.org or call (505) 930-9393. Leave your name\, phone number\, event name\, and the number of tickets you’d like\, and we’ll reserve them for you. Payment can be processed later. Thank you for your understanding![/vc_column_text][/vc_column][/vc_row] URL:https://www.severallfriends.org/event/dancing-in-the-isles/ LOCATION:The Muñoz Waxman Gallery at CCA\, 1050 Old Pecos Trail\, Santa Fe\, NM\, 87505\, United States ATTACH;FMTTYPE=image/jpeg:https://www.severallfriends.org/wp-content/uploads/2025/03/Dancing-in-the-Isles.jpeg ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20250816T120000 DTEND;TZID=America/Denver:20250816T130000 DTSTAMP:20260403T171737 CREATED:20250814T135705Z LAST-MODIFIED:20250814T135705Z UID:19884-1755345600-1755349200@www.severallfriends.org SUMMARY:MarketMusic DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”2/3″][vc_column_text css=””] \nSaturday\, August 16\, 2025\n  \nTime: 12:00 PM\nVenue: Thaw Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nPotpourri: \nA varied collection of Baroque favorites\nWith guest: David Solem\, harpsichord \n  \n\n  \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space][vc_single_image image=”18250″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row] URL:https://www.severallfriends.org/event/marketmusic-10/ LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States CATEGORIES:MarketMusic ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20250830T120000 DTEND;TZID=America/Denver:20250830T130000 DTSTAMP:20260403T171737 CREATED:20250814T135824Z LAST-MODIFIED:20250814T135824Z UID:19886-1756555200-1756558800@www.severallfriends.org SUMMARY:MarketMusic DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”2/3″][vc_column_text css=””] \nSaturday\, August 30\, 2025\n  \nTime: 12:00 PM\nVenue: Thaw Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nMusic for Four Strings: \nBaroque and Classical quartets\n Featuring: Stephen Redfield\, violin and Katie Rietman\, cello \n  \n\n  \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space][vc_single_image image=”18250″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row] URL:https://www.severallfriends.org/event/marketmusic-11/ LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States CATEGORIES:MarketMusic ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20250913T120000 DTEND;TZID=America/Denver:20250913T130000 DTSTAMP:20260403T171737 CREATED:20250814T135956Z LAST-MODIFIED:20250814T135956Z UID:19888-1757764800-1757768400@www.severallfriends.org SUMMARY:MarketMusic DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”2/3″][vc_column_text css=””] \nSaturday\, September 13\, 2025 – Fantastic Finale\n  \nTime: 12:00 PM\nVenue: Thaw Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nMusick 1650-1750: \nRiches of the London Baroque\n With guest: Kathryn Montoya\, oboe\, and James Oxley\, tenor \n  \n\n  \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space][vc_single_image image=”18250″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row] URL:https://www.severallfriends.org/event/marketmusic-12/ LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States CATEGORIES:MarketMusic ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20251206T120000 DTEND;TZID=America/Denver:20251206T130000 DTSTAMP:20260403T171737 CREATED:20251118T172035Z LAST-MODIFIED:20251118T172035Z UID:20086-1765022400-1765026000@www.severallfriends.org SUMMARY:MarketMusic DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”2/3″][vc_column_text css=””] \nSaturday\, December 6\, 2025\n  \nTime: 12:00 PM\nVenue: Thaw Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nBaroque Noëls: \nFeaturing: Jennifer Perez\, soprano and Kim Pineda\, flute \n  \n\n  \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space][vc_single_image image=”20082″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row] URL:https://www.severallfriends.org/event/marketmusic-13/ LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States CATEGORIES:MarketMusic ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20251220T120000 DTEND;TZID=America/Denver:20251220T130000 DTSTAMP:20260403T171737 CREATED:20251118T172309Z LAST-MODIFIED:20251118T172309Z UID:20089-1766232000-1766235600@www.severallfriends.org SUMMARY:MarketMusic DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”2/3″][vc_column_text css=””] \nSaturday\, December 20\, 2025\n  \nTime: 12:00 PM\nVenue: Thaw Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nA Baroque Winter: \nFeaturing: Michael Hix\, baritone \n  \n\n  \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space][vc_single_image image=”20081″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row] URL:https://www.severallfriends.org/event/marketmusic-14/ LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States CATEGORIES:MarketMusic ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20260212T153000 DTEND;TZID=America/Denver:20260215T143000 DTSTAMP:20260403T171737 CREATED:20251128T193453Z LAST-MODIFIED:20260214T133502Z UID:20120-1770910200-1771165800@www.severallfriends.org SUMMARY:For Ye Violls on the Pecos DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text css=””]Status: Waiting List[/vc_column_text][vc_empty_space][vc_column_text css=”.vc_custom_1765556208335{margin-bottom: 35px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 4px !important;padding-top: 10px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;background-color: #7B101000 !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #7B1010 !important;}” el_class=”border-left-section”]Workshop registration is now at full capacity. If you’d like to get on the wait list please send in the registration form without the deposit\, and we’ll let you know if a spot opens up.[/vc_column_text][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text css=””] \nAn intensive weekend workshop for viol players at all levels in historic northern NM \nThursday February 12 – Sunday February 15\, 2026 \nFor Ye Violls on the Pecos will be an intimate four-day weekend for viol players at all levels featuring fiveand six-part music from England and Germany. The workshop’s three instructors—Larry Lipnik\, David Morris\, and Mary Springfels—are among the most outstanding coaches in the field\, and if there’s sufficient enrollment we can add a fourth. Each tutor has chosen a repertoire. There will be six formal sessions\, plus a final reading on Sunday morning. There will be free time each afternoon for an extra drop-in class\, siesta\, or sightseeing.[/vc_column_text][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1/3″][vc_single_image image=”15874″ img_size=”full” alignment=”center” qode_css_animation=””][vc_column_text] \n[vc_separator type=’transparent’ position=’center’ color=” thickness=’20’ up=” down=”]\nMary Springfels\nDirector of Severall Friends \n[/vc_column_text]Read Bio\n\n \n \n \n \nMary Springfels\n  \nMary Springfels is a veteran of the American early music movement. She began her career at the age of 21 with the New York Pro Musica\, and has played with most of the major ensembles in the field\, including the Waverly Consort\, The Folger Consort\, Philharmonia Baroque\, the Seattle Baroque Orchestra\, Musica Sacra of New York\, and Pomerium Musices\, to name a few. In 1983 she became Musician in-Residence at the Newberry Library\, and was the director of the Newberry Consort for 20 years. In 2008\, she fulfilled a lifelong dream\, and moved to New Mexico. Since then\, she has travelled widely\, working with Sonoma Bach\, the Lobo Baroque Orchestra\, the Arizona Bach Society\, Ars Lyrica of Houston\, The Texas Early Music Project of Austin\, and continues to work with Drew Minter\, and her beloved colleagues at the Folger Consort. She can be heard on dozens of recordings. Springfels is also a very active teacher and coach. She and Elizabeth Blumenstock are Co-Directors of the newly founded Severall Friends\, based in Santa Fe.\n \n \n \n Close\n[vc_column_text css=”.vc_custom_1764356967721{margin-bottom: 10px !important;}”] \nThe Peace of the Roses: Gloriously beautiful early Tudor motets and instrumental music. \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”15906″ img_size=”full” alignment=”center” qode_css_animation=””][vc_column_text] \n[vc_separator type=’transparent’ position=’center’ color=” thickness=’20’ up=” down=”]\nDavid Morris\n[/vc_column_text]Read Bio\n\n \n \n \n \nDavid Morris\n  \nDubbed a “basso continuo wizard” by Gramophone (UK)\, David Morris has made a specialty of performing 17th- and 18th-c. music on a variety of historical bass instruments including the viola da gamba\, baroque cello\, bass violin and lirone.  He has performed in the U.S. and abroad with the Boston Early Music Festival Orchestra\, Tafelmusik\, the Boston Symphony Orchestra and the Mark Morris Dance Group. He has recorded for Harmonia Mundi\, Drag City Records (Joanna Newsom’s double-CD\, Have One on Me)\, CBC/ Radio-Canada and New Line Cinema (as viola da gamba soloist for The Nativity Story).  He is a frequent coach at the Viola da Gamba Society of America’s regional workshops as well at its national Conclaves\, and has also taught at the Amherst and Madison Early Music Workshops. \n\n \n \n \n Close\n[vc_column_text css=”.vc_custom_1764357005238{margin-bottom: 15px !important;}”] \nEnglish & German Dance Music: Featuring repertoire by Brade\, Holborne\, Hammerschmidt & others. \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”15911″ img_size=”full” alignment=”center” qode_css_animation=””][vc_column_text] \n[vc_separator type=’transparent’ position=’center’ color=” thickness=’20’ up=” down=”]\nLawrence Lipnik\n[/vc_column_text]Read Bio\n\n \n \n \n \nLawrence Lipnik\n  \nLawrence Lipnik has performed with many acclaimed early music ensembles from Anonymous 4 to Piffaro and the Waverly Consort\, and is a founding member of the viol consort Parthenia and vocal ensemble Lionheart.  He has prepared an authoritative edition of Francesco Cavalli’s La Calisto\, commissioned by the Juilliard School\, served as gambist and recorder player for staged opera productions including Monteverdi’s Ritorno d’Ulisse in Patria at Wolf Trap and Telemann’s Orpheus with the New York City Opera.  In addition to performing\, he enjoys a busy teaching schedule which has included national and international festivals including the Benslow Music Trust in the UK\, Port Townsend\, San Diego and Madison Early Music Festivals\, Pinewoods\, Collegium Director at Amherst Early Music\, viol\, recorder and early music performance instruction at Wesleyan University and is a contributor to The Cambridge Companion to Shakespeare and Contemporary Dramatists.  Highlights from this past season have included performances with lutenist Paul O’dette of Dowland’s complete Lachrimae collection at the Metropolitan Museum of Art\, concerts at the Berkeley Festival\, appearances with ARTEK\, TENET\, the Indiana University Historic Performance Institute at the Bloomington Early Music Festival and early opera residency at Carnegie Mellon University. \n\n \n \n \n Close\n[vc_column_text css=”.vc_custom_1764357030976{margin-bottom: 15px !important;}”] \nAmorous Fire\, Liquid Silver: Happy anniversary Giovanni Coperario & Thomas Weelkes! \n[/vc_column_text][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text css=””] \nThe Workshop Venue:\n  \nThe workshop venue is the Benedictine Monastery in Pecos\, NM. This pastoral site\, right on the Pecos River\, features modern amenities with comfortable rooms. All rooms are singles and have private baths.[/vc_column_text][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1/4″][vc_single_image image=”20132″ img_size=”full” alignment=”center” css=”” qode_css_animation=””][/vc_column][vc_column width=”1/4″][vc_single_image image=”20134″ img_size=”full” alignment=”center” css=”” qode_css_animation=””][/vc_column][vc_column width=”1/4″][vc_single_image image=”20133″ img_size=”full” alignment=”center” css=”” qode_css_animation=””][/vc_column][vc_column width=”1/4″][vc_single_image image=”20131″ img_size=”full” alignment=”center” css=”” qode_css_animation=””][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text css=””] \nTuition:\n$1\,000 (single room) –  All meals are included\n[/vc_column_text][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”3/4″][vc_column_text css=””] \nGetting Here:\nThe Benedictine Monastery is on the north end of the town of Pecos\, about a half-hour drive northeast of Santa Fe on I-25 and thence onto State Hwy. 50. We assume most people will be driving. If flying\, the nearest airport is the cute\, tiny one on the south side of Santa Fe (SAF)\, albeit with very limited service; otherwise it’s Albuquerque’s (ABQ)\, an hour’s extra drive. If you fly in to ABQ and don’t rent a car\, it’s dicey: the one shuttle service to Santa Fe stopped operations in November. There is a train from downtown Albuquerque\, the Rail Runner\, but only a half dozen or so run every day\, and it doesn’t stop at the airport. We’ll do our best to arrange to pick you up in Santa Fe or ABQ if you let us know your itinerary.[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_single_image image=”20144″ img_size=”full” alignment=”center” css=”” qode_css_animation=””][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text css=””] \nRegistration:\n[/vc_column_text][vc_empty_space][vc_column_text css=””]Status: Waiting List[/vc_column_text][vc_empty_space][vc_column_text css=”.vc_custom_1765556208335{margin-bottom: 35px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 4px !important;padding-top: 10px !important;padding-right: 20px !important;padding-bottom: 10px !important;padding-left: 20px !important;background-color: #7B101000 !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #7B1010 !important;}” el_class=”border-left-section”]Workshop registration is now at full capacity. If you’d like to get on the wait list please send in the registration form without the deposit\, and we’ll let you know if a spot opens up.[/vc_column_text][vc_empty_space][vc_column_text css=””]ALL REGISTRATIONS MUST BE RECEIVED BY MONDAY 12 JANUARY 2026. \nPlease print and return the registration form (registration page only) with a non-refundable deposit of $100\, or scan and send your registration back via email and mail the check separately.\nRegistration deadline: Monday\, January 12\, 2026.\n[/vc_column_text][vc_empty_space]Registration Form[vc_empty_space height=”15px”]Self-Rating Guide[vc_empty_space height=”15px”]Workshop Brochure[/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text css=””] \nFor More Information:\nContent/pedagogy: Mary Springfels\, 505.627.1487\, mvspring@gmail.com \nEverything else: Ken Perlow\, 708.989.1729\, manager@SeverallFriends.org \n[/vc_column_text][/vc_column][/vc_row] URL:https://www.severallfriends.org/event/for-ye-violls-2026/ LOCATION:Benedictine Monastery in Pecos\, NM.\, 16 Guadalupe Ln\, Pecos\, 87552\, United States CATEGORIES:Workshop ATTACH;FMTTYPE=image/bmp:https://www.severallfriends.org/wp-content/uploads/2024/11/foryeviolls-tq.bmp ORGANIZER;CN="Mary Springfels":MAILTO:mvspring@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Denver:20260411T150000 DTEND;TZID=America/Denver:20260411T163000 DTSTAMP:20260403T171737 CREATED:20260220T151412Z LAST-MODIFIED:20260224T032002Z UID:20356-1775919600-1775925000@www.severallfriends.org SUMMARY:Goddesses and Monsters: Music of the Spanish Baroque DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”2/3″][vc_column_text css=””]”Goddesses and Monsters” features songs from the 17th and 18th century theatrical and sacred traditions in Spain\, as well as instrumental music from the period.  We’ll present music by composers such as Calderon\, Duron\, and Literes\, as well as selections from the fascinating Trujillo Codex of Peru. \n  \nVenue: The Muñoz Waxman Gallery at CCA (Center for Contemporary Arts)\, 1050 Old Pecos Trail\, Santa Fe \n  \nFeaturing:\n\nCecilia Duarte\, mezzo soprano\nMary Springfels\, viola da gamba\nStephen Redfield\, baroque violin\nKathy McIntosh\, harpsichord\nHector Alfonso Torres\, theorbo\nJesse Joaquin Parker\, percussion\nKathryn Montoya\, recorder \n[/vc_column_text][vc_empty_space height=”50px”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”20412″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1/3″][vc_single_image image=”20406″ img_size=”250×250″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nCecilia Duarte\nMezzo Soprano \n[/vc_column_text]Read Bio\n\n \n \n \n \nCecilia Duarte\n  \nA soloist in the Grammy Winner album Duruflé: The Complete Choral Works\, Cecilia has been praised by The New York Times as “A creamy voiced mezzo-soprano.” \nCecilia premiered the role of Renata in the first Mariachi Opera Cruzar la Cara de la Luna with the famous Mariachi Vargas de Tecalitlán\, commissioned by Houston Grand Opera in 2010. Houston Grand Opera (2013\, 2018); Châtelet Theatre in Paris\, France; Chicago Lyric Opera\, San Diego Opera\, Arizona Opera\, The Fort Worth Opera\, Teatro Nacional Sucre\, in Quito\, Ecuador\, New York City Opera\, El Paso Opera\, Minnesota Opera\, Opera San Antonio\, Lyric Opera of Kansas City\, and Amarillo Opera. \nOther roles originated are Renata in El milagro del Recuerdo (HGO 2019\, 2022) (AZO\, 2021) Dido in The Queen of Carthage\, (Early Music Vancouver and re: Naissance Opera); Jessie Lydell in A Coffin in Egypt\, (HGO and the Wallis Annenberg Center in L.A.); Gracie in A Way Home (HGO andOpera Southwest); Harriet/First Responder in After the Storm(HGO); Alicia in Some Light Emerges (HGO); and Alma in “Boundless\,” the first episode of Houston Grand Opera’s web opera series Star-cross’d. \nOperatic roles: Linda Morales in Laura Kaminsky’s Hometown to the World\, Melissa in F. Caccini’s Alcina\, Sarelda in The Inspector\, Maria in Maria de Buenos Aires\, Loma Williams in Cold Sassy Tree\, among others. Early Music experience include performances with Ars Lyrica Houston\, Mercury Houston\, The Bach Society Houston\, Boston Early Music Festival\, Bach Collegium San Diego\, re: Naissance Opera\, Early Music Vancouver\, Pacific Music Works\, Blue Heron\, Tafelmusik\, The Newberry Consort\, Baroque Festival Corona del Mar\, AGAVE\, and the Kaleidoscope Vocal Ensemble\, with whom she performs early and contemporary music. \n  \nVisit Website \n\n \n \n \n Close\n[/vc_column][vc_column width=”1/3″][vc_single_image image=”16292″ img_size=”250×250″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nMary Springfels\nViola da Gamba \n[/vc_column_text]Read Bio\n\n \n \n \n \nMary Springfels\n  \nMary Springfels is a veteran of the American early music movement. She began\nher career at the age of 21 with the New York Pro Musica\, and has played with most of the major ensembles in the field\, including the Waverly Consort\, The Folger Consort\, Philharmonia Baroque\, the Seattle Baroque Orchestra\, Musica Sacra of New York\, and Pomerium Musices\, to name a few. In 1983 she became Musician in-Residence at the Newberry Library\, and was the director of the Newberry Consort for 20 years. In 2008\, she fulfilled a lifelong dream\, and moved to New Mexico. Since then\, she has travelled widely\, working with Sonoma Bach\, the Lobo Baroque Orchestra\, the Arizona Bach Society\, Ars Lyrica of Houston\, The Texas Early Music Project of Austin\, and continues to work with Drew Minter\, and her beloved colleagues at the Folger Consort. She can be heard on dozens of recordings. Springfels is also a very active teacher and coach. She and Elizabeth Blumenstock are Co-Directors of the newly founded Severall Friends\, based in Santa Fe.\n \n \n \n Close\n[/vc_column][vc_column width=”1/3″][vc_single_image image=”20410″ img_size=”250×250″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nKathryn Montoya\nOboe \n[/vc_column_text]Read Bio\n\n \n \n \n \nKathryn Montoya\n  \nKathryn Montoya appears with a variety of orchestral and chamber music ensembles including the Boston Early Music Festival Orchestra\, Tafelmusik\, the Wiener Akademie\, Pacific Musicworks\, and Apollo’s Fire among others. She received her degrees at Oberlin Conservatory and Indiana University School of Music in Bloomington. While at IU\, she was the recipient of the prestigious Performer’s Certificate and was awarded a Fulbright Scholarship to study in Germany. Recent projects include the Globe’s Tony award-winning productions of Twelfth Night on Broadway\, concerts and master classes in Shanghai\, and tour and Grammy award-winning recording\, Charpentier: La couronne de fleurs – La descente d’Orphée aux enfers with the Boston Early Music Festival. Montoya has been broadcast on NPR’s Performance Today and can be heard on the Erato\, Naxos\, CPO\, NCA\, Analekta\, and Dorian Sono Luminus labels. In her free time\, she can be found in Hereford\, England converting an 18th-century barn into a home with her partner\, James. \nVisit Website \n \n \n \n Close\n[/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1/3″][vc_single_image image=”20407″ img_size=”250×250″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nStephen Redfield\nBaroque Violin \n[/vc_column_text]Read Bio\n\n \n \n \n \nStephen Redfield\n  \nViolinist Stephen Redfield\, D.M.A.\, is a member of the University of Southern Mississippi School of Music faculty\, where he performs with the Mississippi Chamber Circle and the Impromptu Piano Trio. Throughout the year Stephen acts as concertmaster of the Santa Fe Pro Musica\, and each summer plays with the Victoria Bach Festival; his performances as concertmaster and soloist there have been produced on discs and broadcast nationally. He has also often led the Oregon Bach Festival orchestra\, where he has participated in numerous recordings\, including the Grammy Award-winning disc “Credo.” In addition\, Stephen is concertmaster of the Arizona Bach Festival\, was the long-time principal second violin of the Sunriver Music Festival\, and served for five years as Assistant Concertmaster of the Austin Symphony Orchestra. \nStephen has particularly extensive experience in the choral-orchestral repertoire: over his 30 years with the Oregon Bach Festival\, he performed the majority of this repertoire with Helmuth Rilling (including recording eight works\, and premiering two commissioned pieces). He is concertmaster for Craig Hella Johnson and the coral ensemble Conspirare. He has led a period B Minor Mass for Joshua Habermann and the Santa Fe Desert Chorale\, and was concertmaster for Robert Shaw in the Berlioz Requiem and for Fiora Contino in Haydn’s Creation and the St. John Passion. \nStephen is an active chamber musician throughout the United States and abroad. He has collaborated with artists Andre-Michel Schub\, Peter Wiley and Mark Peskanov. His Cayuga Quartet was a winner of the Coleman and Monterey Chamber Music Competitions and earned an Aspen Quartet Fellowship. In addition to the festivals mentioned before\, Stephen has been featured in chamber concerts at Loon Lake Live!\, Taos Soundscapes\, Serenata of Santa Fe\, Quad-Cities Mozart Festival\, and the Anchorage Festival\, among others. He coached with the Cleveland Quartet and Abram Loft\, the Emerson Quartet and Earl Carlyss\, and the LaSalle and Audubon Quartets. \nHe frequently performs as a soloist; during 2009\, Mendelssohn’s 200th birth-year\, he performed both Mendelssohn violin concertos (and also toured with his three sonatas). His specialty is 18th and early 19th-Century concertos and concert pieces\, often leading the ensemble while playing the solo. Highlights include Vivaldi’s Four Seasons\, each of the Bach Concertos\, and selected concertos and works by Beethoven\, Mozart and Haydn. He also performed a Western-U.S. premiere of the Michael Daugherty’s “Ladder to the Moon.”\nStephen has also developed a specialization in period performance. He performs regularly as a Baroque violinist\, including as a member of the Atlanta Baroque Orchestra\, and he has led the ensembles Albuquerque Baroque Players and Nashville’s Music City Baroque. \nStephen’s Baroque chamber music credits include concerts with Marion Verbruggen\, Mary Springfels\, Elizabeth Blumenstock and Kenneth Slowik.\, and with the Newberry Consort and the Smithsonian Chamber Players. As a member of the Sebastian Ensemble\, with harpsichordist Kathleen McIntosh\, Stephen travelled twice to Lima\, Peru\, for the Festival Internacional de Música Antigua‏. Specializing in J.S. Bach’s Sonatas for Violin and Harpsichord Obligato\, this period performance group has toured throughout the United States as well as in Spain\, Japan and Cuba.\n \n \n \n Close\n[/vc_column][vc_column width=”1/3″][vc_single_image image=”16898″ img_size=”250×250″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nKathleen McIntosh\nHarpsichord \n[/vc_column_text]Read Bio\n\n \n \n \n \nKathleen McIntosh\n  \nHarpsichordist Kathleen McIntosh has appeared in the Esteban Salas Festival in Havana nearly every year since 2002. She has been featured in the Santa Fe Chamber Music Festival since 1996\, and in festivals in the United States\, Japan\, Peru and Germany. A resident of Santa Fe\, New Mexico\, she has appeared on every local concert series\, and with the Santa Fe Symphony\, Santa Fe Pro Musica and Serenata of Santa Fe. McIntosh is a champion of contemporary music. She appeared regularly with the series 20th Century Unlimited and is part of the McFish Duo. From 1999-2009\, she performed with the Vail Valley Bravo! Festival\, which commissioned a work by Melinda Wagner especially for her that premiered in the 2005 season. Other premieres have included works by Leo Brouwer\, John Steinmetz\, Carl Mansker\, Alex Shapiro and many others. \nMcIntosh has been soloist with the Chamber Orchestra Kremlin in Moscow\, Vietnam National Symphony in Hanoi\, Solistas de La Habana\, Santa Fe Friends in Tsuyama\, Japan\, and with many American groups. She teaches regularly in Cuba as part of the Semana Sacra sponsored by the national cathedral\, in Peru at the national conservatory in Lima\, and in Opole\, Poland at the Diecezjalny Instytut Musyki Koscielnej. In November 2015\, she performed the entire Clavier-Ubung of J.S.Bach in five concerts in Los Angeles\, California\, with organist Ron McKean and harpsichordist Janine Johnson. Ms. McIntosh was a student of John Hamilton and Thurston Dart. She can be heard in recordings from Gasparo and Maricam Studios.\n \n \n \n Close\n[/vc_column][vc_column width=”1/3″][vc_single_image image=”20408″ img_size=”250×250″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nHéctor Alfonso Torres\nTheorbo \n[/vc_column_text]Read Bio\n\n \n \n \n \nHéctor Alfonso Torres\n  \nDr. Héctor Alfonso Torres González was born in Puerto Rico\, where he started his guitar studies at the Preparatory School of the Puerto Rico Music Conservatory. He worked on his bachelor’s degree at the University of Puerto Rico\, Rí­o Piedras Campus\, where he studied with the distinguished Puerto Rican guitarist Juan Sorroche. After finishing his degree\, he went on to complete his master’s degree at the University of Wisconsin-Milwaukee under world renowned guitarist René Izquierdo. He also completed his doctorate in musical arts degree at the University of North Texas where he worked as a teaching fellow of classical guitar while studying with the guitarist Thomas Johnson. While at UNT\, he also completed studies in early music\, under the direction of the Dutch recorder player and early music specialist Paul Leenhouts\, while also serving as his teaching assistant for the UNT Baroque Orchestra. He has studied basso continuo with harpsichordist Dr. Brad Bennight\, and early plucked instruments with Arash Noori\, and Daniel Swenberg from the Juilliard School. Currently Dr. Torres-González serves as an Associate Professor of Music at Tarrant County College – Trinity River Campus located in downtown Fort Worth\, Texas. \nHe has concertized and taught throughout the United States\, Puerto Rico\, South America\, Europe\, and China\, both as a soloist and ensemble musician. Apart from being an active performer\, he has received top prizes at international guitar competitions\, including the 4th Annual Baldwin Wallace International Guitar Festival and Competition\, the 2nd Annual Mountain View Guitar Festival\, the 16th Annual International Tennessee Guitar Festival\, the 2016 Mississippi Guitar Festival\, the 2018 New Orleans International Guitar Festival\, the 4th Annual Lone Star Guitar Festival and Competition\, and the 24th Annual Appalachian Guitar Fest and Solo Guitar Competition. \nAs a chamber musician\, he frequently tours China with his guitar trio\, Trio Resonance\, where they have played in cities like Beijing\, Jinan\, Suzhou\, Dalian\, among others. Distinguished by his versatility and sound\, he frequently performs many styles of music\, including early music\, Latin music\, and modern classical. As an early music performer\, he regularly plays baroque guitar\, theorbo\, lute\, and other period plucked instruments with different chamber groups and orchestras across the U.S\, including the Texas Early Music Project\, Austin Baroque Orchestra & Chorus\, Ars Lyrica Houston\, Lumedia Musicworks\, La Follia\, Mercury Chamber Orchestra\, Fantasmi\, Camerata del Sol\, Red River Lyric Opera\, Orchestra of New Spain\, and many others. Recently\, alongside baroque harpist Monika Ruusmaa\, he was selected as one of Early Music America’s 2021 Emerging Artists. \n  \nVisit Website\n \n \n \n Close\n[/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1/3″][/vc_column][vc_column width=”1/3″][vc_single_image image=”20409″ img_size=”250×250″ alignment=”center” style=”vc_box_circle” css=”” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text css=””] \nJesse Joaquin Parker\nPercussion \n[/vc_column_text]Read Bio\n\n \n \n \n \nJesse Joaquin Parker\n  \nMr. Parker is an in-demand jazz vibraphonist\, Afro-Latin percussionist\, and world-class music educator based in Santa Fe\, NM. Jesse has performed at venues ranging from the Telluride Jazz Festival to DROM in Manhattan to the Nuyorican in San Juan\, Puerto Rico and has performed/toured/recorded with Marcos Crego and The Latin Union\, Bernard Purdie\, Nosotros\, Bata Ire\, Mike Crotty Jazz Quintet\, Taumbu International Ensemble\, Chuchito Valdez\, Raul Pineda\, Carmela y Mas\, Ritmo Latino\, Cal Harris Jr. and many others. \nMr. Parker earned his Bachelors of Music Education from New Mexico State University and his Masters of Percussion Performance from Arizona State University. Having studied under the likes of Michael Spiro\, Michael Burrit\, Blake Tyson\, Emilio Caruso\, J.B. Smith. Mark Sunkett\, Bill Wanser\, Dom Moio\, Michael Kocour\, Taumbu\, Dick Sisto\, Rufus Reed\, Ernie Chavarilla\, and Louis Daniel Rivera\, Jesse Parker has acquired a vast array of styles\, techniques\, and musical experiences. \nA dedicated educator\, Mr. Parker has instructed the Blue Knights Drum and Bugle Corps from Denver CO\, where he was also a performing member\, and Southwind Drum and Bugle Corps from Lexington KY. Mr. Parker has served as Associate Faculty at Arizona State University\, Teaching Artist with the Phoenix Conservatory of Music\, and Director of the World Music Ensemble and Latin Jazz Ensemble at Paradise Valley Community College. Jesse Joaquin Parker currently is director of percussion studies at New Mexico School for the Arts and performs on Tycoon percussion instruments.\nVisit Website \n\n \n \n \n Close\n[/vc_column][vc_column width=”1/3″][/vc_column][/vc_row] URL:https://www.severallfriends.org/event/goddesses-and-monsters-music-of-the-spanish-baroque/ LOCATION:The Muñoz Waxman Gallery at CCA\, 1050 Old Pecos Trail\, Santa Fe\, NM\, 87505\, United States CATEGORIES:SF Concerts ATTACH;FMTTYPE=image/jpeg:https://www.severallfriends.org/wp-content/uploads/2026/02/Goddesses-and-Monsters-Music-of-the-Spanish-Baroque-1.jpg ORGANIZER;CN="Severall Friends":MAILTO:treasurer@SeverallFriends.org END:VEVENT END:VCALENDAR