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DTSTART;TZID=America/Denver:20260912T140000
DTEND;TZID=America/Denver:20260912T150000
DTSTAMP:20260602T184455Z
CREATED:20260504T170642Z
LAST-MODIFIED:20260602T184455Z
UID:20629-1789221600-1789225200@www.severallfriends.org
SUMMARY:MarketMusic
DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_column_text css=””] \nSaturday\, September 12\, 2026\n  \nTime: 2:00 PM\nVenue: Thaw Gallery at New Mexico School for the Arts\,\n500 Montezuma Avenue\, Santa Fe\, 87501\n \n  \nColossal Baroque\nSanta Fe brings to the stage its biggest Baroque band!\nfeaturing period strings at an impressive scale\nElizabeth Blumenstock\, violin\nStephen Redfield\, violin\nAaron Westman\, violin & viola\nAnna Washburn\, violin & viola\nKatie Rietman\, cello \nMusic by Fux\, Biber\, and Muffat[/vc_column_text][vc_empty_space][/vc_column][vc_column width=”1/3″ offset=”vc_hidden-xs”][vc_single_image image=”16861″ img_size=”full” alignment=”center” css=”” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2/3″][vc_separator type=”normal” color=”#DFDFDF” thickness=”1″ up=”10″ down=”10″][vc_empty_space][vc_column_text css=””] \nQuestions? Call: (505) 930-9393 \nMarketMusic is deeply grateful to the New Mexico School for the Arts for welcoming our artists and audiences into its gallery\, a wonderfully intimate concert venue. \nIf you would like to join our growing list of supporters\, please make a contribution through our secure website\, or make a check payable to Severall Friends and mail it to: \n  \nSeverall Friends NFP\n64 Vista del Oro\, Cerrillos\, NM 87010 \n  \nProgram and artists subject to change.[/vc_column_text][vc_empty_space height=”50px”][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://www.severallfriends.org/event/marketmusic-24/
LOCATION:Thaw Gallery at New Mexico School for the Arts\, 500 Montezuma Avenue\, Santa Fe\, 87501\, United States
CATEGORIES:MarketMusic
ATTACH;FMTTYPE=image/png:https://www.severallfriends.org/wp-content/uploads/2023/06/MarketMusic-Logo.png
ORGANIZER;CN="Katie Rietman":MAILTO:manager@severallfriends.org
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DTSTART;TZID=America/Denver:20261115T160000
DTEND;TZID=America/Denver:20261115T173000
DTSTAMP:20260918T181756Z
CREATED:20260918T181657Z
LAST-MODIFIED:20260918T181756Z
UID:21136-1794758400-1794763800@www.severallfriends.org
SUMMARY:Fauvel 2.0
DESCRIPTION:[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”2/3″][vc_column_text] \nOne of the greatest and most timeless of political satires was written in the 14th Century!\n  \nLe Roman de Fauvel skewers an ass of a man who personified political corruption in the Medieval French court: he was  greedy\, envious lustful\, lazy\, self-dealing\, and nepotistic.  Sound familiar? The phrase “to curry favor” is derived from “to curry Fauvel”.  Severall Friends will revisit this edgy musical cabaret\, accompanied by marvelous illuminations from the original manuscript. \n  \nVenue: First Presbyterian Church of Santa Fe: 208 Grant Avenue Santa Fe\, NM 87501 \n  \nFeaturing:\n\nMary Springfels\, citole and vielle;\nDrew Minter\, voice and harp;\nRyland Angel\, voice;\nShira Kammen\, vielle;\nMark Rimple\, citole and gittern;\nand Dan Meyers\, winds and percussion.\nProjection designer is Shawn Keener.\n[/vc_column_text][vc_empty_space height=”50px”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”21137″ img_size=”full” alignment=”center” qode_css_animation=”element_from_fade”][vc_empty_space height=”50px”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_separator type=”normal”][vc_empty_space][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1/3″][vc_single_image image=”16292″ img_size=”250×250″ style=”vc_box_circle” alignment=”center” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text] \nMary Springfels\nCitole and Vielle \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nMary Springfels\n  \nMary Springfels is a veteran of the American early music movement. She began\nher career at the age of 21 with the New York Pro Musica\, and has played with most of the major ensembles in the field\, including the Waverly Consort\, The Folger Consort\, Philharmonia Baroque\, the Seattle Baroque Orchestra\, Musica Sacra of New York\, and Pomerium Musices\, to name a few. In 1983 she became Musician in-Residence at the Newberry Library\, and was the director of the Newberry Consort for 20 years. In 2008\, she fulfilled a lifelong dream\, and moved to New Mexico. Since then\, she has travelled widely\, working with Sonoma Bach\, the Lobo Baroque Orchestra\, the Arizona Bach Society\, Ars Lyrica of Houston\, The Texas Early Music Project of Austin\, and continues to work with Drew Minter\, and her beloved colleagues at the Folger Consort. She can be heard on dozens of recordings. Springfels is also a very active teacher and coach. She and Elizabeth Blumenstock are Co-Directors of the newly founded Severall Friends\, based in Santa Fe.\n			\n	\n	\n	Close\n[/vc_column][vc_column width=”1/3″][vc_single_image image=”21139″ img_size=”250×250″ style=”vc_box_circle” alignment=”center” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text] \nDrew Minter\nVoice and Harp \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nDrew Minter\n  \nAmong the world’s premiere countertenors\, Drew Minter has appeared in leading roles with the opera companies of Brussels\, Toulouse\, Boston\, Washington\, Santa Fe\, BAM\, Wolf Trap\, Glimmerglass\, Nice\, and Marseilles\, as well as Skylight Opera\, Opera/Omaha\, and the Berkshire Opera Festival\, and at the Halle\, Karlsruhe\, Maryland and G¥ttingen Handel festivals. Mr. Minter is a founding member of the Newberry Consort and performs regularly with My Lord Chamberlain’s Consort\, ARTEK\, and Folger Consort. With Trefoil\, he performs 14th century music from original notation as a singer and instrumentalist. Mr. Minter is represented by over 40 recordings on Harmonia Mundi\, Decca/London\, Newport Classics\, Lyrichord\, and Hungaroton. Mr. Minter is also a lauded opera director; this past year he directed productions of Mozart’s Cosi fan tutte for Boston’s Opera Aperta\, Pauline Viardot’s Cendrillon for the Boston University Opera Institute\, and Purcell’s Fairy Queen at Vassar College. In addition to master classes and workshops at Amherst Early Music and the San Francisco Early Music Workshops\, he teaches on the voice faculties of Vassar and Smith Colleges.\n			\n	\n	\n	Close\n[/vc_column][vc_column width=”1/3″][vc_single_image image=”21144″ img_size=”250×250″ style=”vc_box_circle” alignment=”center” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text] \nRyland Angel\nVoice \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nRyland Angel\n  \nBorn on St Cecilia’s day\, the Grammy-nominated British vocalist Ryland Angel has built an international reputation on both the opera and concert stage\, in repertoire ranging from the Baroque to new operatic commissions at major opera houses\, concert halls and festivals throughout Europe and the USA. \nHe has performed in Monteverdi’s Orfeo\, Gavin Bryars’s Doctor Ox’s Experiment (English National Opera)\, Fairy Queen (Barcelona)\, Gluck’s Orfeo (Koblenz)\, Amadigi (Karlsruhe)\, Venus and Adonis (Flanders Opera)\, Dido and Aeneas (Opera Comique)\, The Play of Daniel (Spoleto)\, and Ballet Comique de La Royne (Geneva). \nAngel has sung on over 80 recordings including music of Buxtehude\, Charpentier\, Scarlatti\, Stradella\, Spears\, O’Regan\, Handel\, Monteverdi\, Purcell\, Bach\, and on the film soundtracks of Jack Reacher\, Zoolander 2\, Freedom\, Le Petit Prince\, La Peau\, Henry 4th\, Machete\, The Mystery of Dante\, Gemini Man and the PBS TV special Heavenly Voices. Engagements include Doux Mensonges (Opera National de Paris)\, Agrippina (NYCO)\, A Midsummer Night’s Dream (Florentine and Kansas Opera)\, Julius Caesar (Utah and Colorado Opera)\, Sant Alessio with William Christie (Paris\, London\, New York)\, Carmina Burana (Lincoln Center/Prague Proms)\, St. John Passion (Saint Thomas Church and Mechanics Hall)\, Classics and Rock (Seoul Philharmonic Orchestra) and Messiah (Boston Symphony Hall & Carnegie Hall). \nRecent and upcoming recordings include The Flaming Fire (MSR)\, Heart and Soul (Centaur) and Now Fatal Change (NMC)\, La Sposa (Solo Luminus)\, Le Nozze in Baviera (Naxos)\, Archivo de Guatemala (Naxos)\, Chant Electronique (Chesky)\, Justinian Intonations (Neuma)\, Bleed for the throne (SXSW) and a recital at the National Gallery with Parthenia Viol consort. Recent creations include Tesla\, Fantini Futuro\, The Call\, Including Words and The Chant Project. \nVisit Website \n			\n	\n	\n	Close\n[/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1/3″][vc_single_image image=”21140″ img_size=”250×250″ style=”vc_box_circle” alignment=”center” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text] \nShira Kammen\nVielle \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nShira Kammen\n  \nMulti-instrumentalist and occasional vocalist Shira Kammen has spent well over half her life exploring the worlds of early and traditional music. A member for many years of the early music Ensembles Alcatraz and Project Ars Nova\, and Medieval Strings\, she has also worked with Sequentia\, Hesperion XX\, the Boston Camerata\, the Balkan group Kitka\, the King’s Noyse\, the Newberry and Folger Consorts\, the Oregon\, California and San Francisco Shakespeare Festivals\, and is the founder of Class V Music\, an ensemble dedicated to providing music on river rafting trips. She has performed and taught in the United States\, Canada\, Mexico\, Europe\, Israel\, Morocco\, Latvia\, Russia and Japan\, and on the Colorado\, Rogue\, Green\, Grande Ronde\, East Carson and Klamath Rivers. \nShira happily collaborated with singer/storyteller John Fleagle for fifteen years\, and performs now with several groups: a medieval ensemble\, Fortune’s Wheel: a new music group\, Ephemeros; an eclectic ethnic band\, Panacea; an English Country Dance band\, Roguery\,the early music ensembles Cançoniér and In Bocca al Lupo\, as well as frequent collaborations with performers such as storyteller/harpist Patrick Ball\, medieval music experts Margriet Tindemans and Anne Azema\, and in many theatrical and dance productions. She has worked with students in many different settings\, among them teaching summer music workshops in the woods\, coaching students of early music at Yale University\, Case Western\, the University of Oregon at Eugene\, and working at specialized seminars at the Fondazione Cini in Venice\, Italy and the Scuola Cantorum Basiliensis in Switzerland. \nShe has played on several television and movie soundtracks\, including ‘O’\, a modern high school-setting of Othello and ‘’The Nativity Story’\, and has accompanied many diverse artists in recording projects\, among them singers Azam Ali and Joanna Newsom. Some of her original music can be heard in an independent film about fans of the work of JRR Tolkien. The strangest place Shira has played is in the elephant pit of the Jerusalem Zoo. She has recently taken courses in Taiko drumming and voiceover acting. \nVisit Website\n			\n	\n	\n	Close\n[/vc_column][vc_column width=”1/3″][vc_single_image image=”21150″ img_size=”250×250″ style=”vc_box_circle” alignment=”center” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text] \nMark Rimple\nCitole and Gittern \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nMark Rimple\n  \nMark Rimple has garnered critical notice for his interpretation of early music from national newspapers and journals including the Philadelphia Inquirer\, The New York Times\, the Chicago Tribune\, The Washington Post\, Early Music America\, and Early Music (UK). \nHe is a founding member of the vocal-instrumental ensemble TREFOIL and appears frequently with viola da gambist Mary Springfels’ ensemble Severall Friends (Santa Fe\, NM). He has appeared with The Folger Consort\, The Newberry Consort\, Piffaro\, the Renaissance Band\, The Nota Bene Viol Consort\, The King’s Noyse\, Les Delices and Blue Heron\, Ex Umbris (at the Clinton White House)\, New York’s Ensemble for Early Music\, Mélomanie\, Pomerium\, Tempesta di Mare\, Network for New Music\, Seven Times Salt\, The Brandywine Singers\, Cygnus Ensemble and the GEMS production of The Play of Daniel. His CD of solo Italian lute music for three different instruments (Tre Liuti\, available on CDBaby\, ITunes\, etc.) received highly favorable reviews. \nMark principally plays medieval and Renaissance lute\, archlute\, gittern\, citole\, psaltery\, cittern\, and viol. In early 2023\, he will make a recording of solo works for archlute and classical guitar (playing without nails) featuring works by Bach (BWV 1004 and 998) on archlute\, and guitar repertoire by Villa Lobos\, Tansman\, Mompou\, and Turina Before his early music career\, he was an accomplished classical guitarist\, specializing in new music. Mark has recorded early and new music as countertenor and lutenist with the Newberry Consort\, Trefoil\, Seven Times Salt\, and Cygnus Ensemble and has performed with The Pennsylvania Ballet Orchestra and Curtis Orchestra (on mandolin)\, The Philadelphia Chamber Orchestra (lute)\, Network for New Music (lute\, guitar\, mandolin) and The Philadelphia Classical Symphony (guitar). \nMark is a Professor of Music Theory and Composition at The Wells School of Music at West Chester University of Pennsylvania.\n			\n	\n	\n	Close\n[/vc_column][vc_column width=”1/3″][vc_single_image image=”21151″ img_size=”250×250″ style=”vc_box_circle” alignment=”center” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text] \nDan Meyers\nWinds and Percussion \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nDan Meyers\n  \nAn Eclectic Path \nA native of Washington state\, Dan Meyers graduated from Whitman College with BA degrees in Music and English Literature\, later obtaining an MM in Historical Performance from the Longy School of Music in Boston. Beginning his musical life as a trombonist with an interest in jazz\, he discovered Renaissance and Baroque music during his undergraduate years\, and began learning to play the recorder and other historical wind and brass instruments. For three seasons he was part of the Tony award-winning musical ensemble of the Utah Shakespearean Festival in Cedar City UT\, also playing in theatrical productions in Las Vegas and Phoenix\, AZ. \nDan received a Watson Fellowship to study Irish traditional music\, and lived for two years in Galway (Ireland)\, studying the uilleann pipes with Eamonn Brophy\, Mick O’Brien\, and others. While living in Ireland he was also a chorister at Galway Cathedral\, and performed as a vocalist in many venues in Ireland and England\, including the Galway Early Music Festival and the York Early Music Festival under the direction of Jeffrey Skidmore. \nIn 2003 Dan moved to Boston and began studying recorder at the Longy School of Music. With three fellow Longy students\, he co-founded the ensemble Seven Times Salt\, with whom he has performed 17th-century English music throughout the US. With early woodwind specialist Dan Stillman\, he also formed the Seven Hills Renaissance Wind Band to explore the civic/court wind ensemble repertoire of the 15th to 17th centuries. \nDan has a deep interest in folk music and has developed a reputation as a versatile performer in many traditional styles; in addition to frequent performances of Irish and Scottish music with the groups Ishna and Ulster Landing\, he plays music from around the Mediterranean with the multi-cultural folk group Zafarán\, has performed Turkish and Turkish-inspired music with the GRAMMY-nominated ensemble DÜNYA\, and also played southern Italian music for over a decade with the popular band Newpoli. With various ensembles he has performed folk music from Latin America\, Galicia\, Brittany\, The Republic of Georgia\, Egypt\, Morocco\, Turkey\, and from both the Sephardi and Ashkenazi Jewish traditions. Also fond of exploring contemporary classical music\, he has participated in premieres of compositions by Susan Botti\, Juri Seo\, Mehmet Ali Sanlikol\, David Froom\, Steven Sérpa\, Karl Henning\, and others. \nSome highlights from recent seasons include joining the band for the Tony-winning musical “Come From Away” at the Cape Playhouse\, a headline performance at the Boston Early Music Festival with the Boston Camerata\, performances of 17th-century music of love and loss in Washington DC and Boston with In Stile Moderno\, a program of 17th century airs de cour presented in multiple cities in Oregon by Musica Maestrale\, a performance of French ars subtilior music with Severall Friends in Santa Fe\, DÜNYA’s 20th Anniversary Concert in Jordan Hall\, performing and teaching at the Early Music Latin America Festival in El Paso\, a concert of music honoring Sor Juana Inés de la Cruz with the Baroque Chamber Orchestra of Colorado in Denver\, and providing live accompaniment for the 1920s silent films “The Hunchback of Notre Dame” and the “Three Musketeers” with Hesperus in NYC\, Washington DC\, and Boston. \nOther career credits include a stint in the early-instrument band for the Globe Theatre on Broadway\, a solo multi-bagpipe concert at the Newport Folk Festival\, a multimedia production of Orff’s “Carmina Burana” at the Chautauqua Institution\, recording medieval video game music with the Boston Camerata\, the premieres of Juri Seo’s “Parliament of Fowls” and David Froom’s “Lament for the City” with the Folger Consort in Washington DC\, performing and recording Susan Botti’s “River Spirits” in NYC\, and a set at the Festival “La Luna e i Calanchi” in Basilicata (Italy). \nFrom 2016 – 2023 Dan served as Director of Early Winds for the Five Colleges Early Music Program in western MA. He currently teaches at Tufts University\, has been a frequent instructor at the Pinewoods Early Music Week\, maintains a private studio in Boston\, and coaches ensembles for various amateur recorder societies around New England. \nAdditionally\, he serves as President of the Board for SoHIP\, an organization dedicated to providing concert opportunities for innovative historically-informed performances in the Boston area. \nVisit Website\n			\n	\n	\n	Close\n[/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1/3″][/vc_column][vc_column width=”1/3″][vc_single_image image=”19050″ img_size=”250×250″ style=”vc_box_circle” alignment=”center” qode_css_animation=””][vc_empty_space height=”12px”][vc_column_text] \nShawn Keener\nProjection designer \n[/vc_column_text]Read Bio\n\n	\n		\n			\n			 \nShawn Keener\, PhD\n  \nTrained as a music historian at the University of Chicago\, I did my dissertation research in Venice on a Fulbright grant (2007-2008) and for years worked at the Newberry Library in Chicago—first in the cataloging department\, then as Program Manager of the Center for Renaissance Studies and (briefly) Selector for Early Music. After a stint as an in-house editor at A-R Editions\, I began Keener Editorial\, bringing my constellation of passions\, skills\, and expertise under one proverbial roof. \nAs a callow youth I was heavily involved in Colorado’s Balinese gamelan scene\, toured with the Colorado College Bowed Piano Ensemble\, and was an announcer at KCME-FM (Colorado Springs)\, where I also designed and edited the monthly member magazine\, The Listener. \nMy actor parents instilled in me a love of language\, an appreciation for the theatrical\, and an unshakably nocturnal circadian rhythm. \nVisit Website\n			\n	\n	\n	Close\n[/vc_column][vc_column width=”1/3″][/vc_column][/vc_row]
URL:https://www.severallfriends.org/event/fauvel-2-0/
LOCATION:First Presbyterian Church\, 208 Grant Ave\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:SF Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.severallfriends.org/wp-content/uploads/2026/09/Fauvel-image.jpg
ORGANIZER;CN="Severall Friends":MAILTO:treasurer@SeverallFriends.org
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